The new movie Amsterdam has been in theaters for just one week, but it’s already been deemed a massive failure due to its disappointing box office performance.
05.10.2022 - 01:15 / deadline.com
Don’t underestimate the second weekend of Paramount’s horror movie Smile. The Parker Finn directed and written title, which has provided many in town that horror remains a bankable genre for the big screen after a $22.6M opening, has a shot of possibly upsetting Sony’s family movie Lyle, Lyle, Crocodile and 20th Century Studios/New Regency/Disney’s upscale David O. Russell comedy Amsterdam for No. 1 with around an $11M+ take.
Smile had a very good Monday grossing $2.2M for a running 4-day total of $24.8M. By comparison, Blumhouse/Universal’s Black Phone rang up $3M in its first Monday back in June, so pretty good.
Sony is betting that Lyle, Lyle, Crocodile based on the classic kids 1965 Bernard Waber book comes in between $11M-$12M at 4,300 locations. Rivals are forecasting much higher ($15M-$18M) as there’s been nothing out there for families for quite some time, however, movies that star Crocodiles (even if they are friendly) don’t necessarily create a stampede, just like movies about people getting eaten by lions (Beast). If Lyle, Lyle shows its teeth, the Javier Bardem-Constance Wu-Shawn Mendes movie has a clean runway until Thanksgiving when the next family title arrives with Disney Animation’s Strange World. Previews start Thursday at 3PM at 3,450 locations. The $50M feature (before P&A) has some PLFs and is aimed at kids and moms.
Sony has typically made its mark at the fall box office with family pics, pre-pandemic hits being 2012’s Hotel Transylvania ($42.5M opening), 2015’s Hotel Transylvania 2 ($48.4M) and Goosebumps ($23.6M opening). No reviews yet for the Josh Gordon and Will Speck directed live-action/animated hybrid Lyle, Lyle.
The $80M New Regency Russell all-star Amsterdam faces an uphill battle.
The new movie Amsterdam has been in theaters for just one week, but it’s already been deemed a massive failure due to its disappointing box office performance.
“Every movie needs a rabbi,” the great and grumpy Robert Altman once warned fellow filmmakers. “You need at least one important critic to champion your cause.”
While tentpoles resuscitated moviegoing this past summer with pics like Top Gun: Maverick, it’s true that the more, adult-skewing fare is having a much harder time now. No where was this more true than with David O. Russell’s Amsterdam which rivals believed had a shot at opening to $12M-$15M this past weekend based on the period absurdist comedy’s glossy ensemble of Christian Bale, Margot Robbie, John David Washington, Rami Malek, Robert De Niro, Anya Taylor Joy, Taylor Swift, Michael Shannon (the list doesn’t stop…).
“Smile” has become the latest original horror film, joining Universal/Blumhouse’s “The Black Phone” and 20th Century’s “Barbarian” to find low budget success thanks to strong word-of-mouth among horror fans. Against a production budget of $17 million, “Smile” now has a 10-day domestic total of $50 million, creating an intriguing match-up next weekend as the theatrically exclusive film goes up against a franchise horror film, Universal/Blumhouse’s “Halloween Ends,” which has a much higher profile but will also be released day-and-date on Peacock this Friday.
Rebecca Rubin Film and Media Reporter David O. Russell’s star-studded period drama “Amsterdam” collapsed in its box office debut, earning an anemic $6.5 million from 3,005 North American theaters. The movie, which cost $80 million to produce, couldn’t overcome bad reviews and minimal buzz and is shaping up to be one of the biggest misfires of the year. This weekend’s other newcomer “Lyle Lyle Crocodile” also fell short of expectations with $11.5 million from 4,350 cinemas in its opening weekend. However, Sony’s animated family film, an adaptation of the popular children’s book about an anthropomorphic reptile (who sings!) voiced by Shawn Mendes, won’t be as painful for the studio given its $50 million price tag.
according to IMDB’s Box Office Mojo. The horror flick is projected to take in $16.8 million this weekend, according to The Hollywood Reporter.
“Smile” has had fairly positive audience metrics with a B- on CinemaScore and a 69% positive score on Comscore/Screen Engine’s PostTrak, but nothing that would indicate particularly long legs for a horror film. But this second weekend total would be just a 26% drop from the film’s $22.6 million opening weekend, giving the film a $49 million 10-day total against a $17 million budget ahead of the release of Universal’s “Halloween Ends” next Friday.
“Amsterdam,” the new David O. Russell historical mystery, has enough mega-watt stars to power a midsized American city.The cast includes (but is not limited to) Margot Robbie, John David Washington, Anya Taylor-Joy, Rami Malek, Chris Rock, Mike Myers, Zoe Saldaña, Timothy Olyphant and Matthias Schoenaerts. If there’s a lead in the movie, it’s Christian Bale, who developed the project with Russell and who stars as an injured veteran of World War I who is now looking to help his fellow wounded soldiers start their new lives in New York.
Jordan Moreau “Lyle, Lyle, Crocodile” is slowly getting ready to take a bite out of the weekend box office. It earned $575,000 from 3,453 theaters in Thursday previews, while David O. Russell’s “Amsterdam” picked up $550,000 million from 3,005 theaters. Sony’s live-action/CGI hybrid, co-financed by TSG, is a family-friendly movie about a singing crocodile, starring Grammy-nominated artist Shawn Mendes as the titular reptile. The studio projects an opening haul of $11 million to $12 million, with some projections belting out upwards of $15 million. With a budget of $50 million, it will need plenty of support from kids and families over the fall to snap up a profit. The cast includes Javier Bardem as Hector P. Valenti, Lyle’s flamboyant owner, Brett Gelman as Mr. Grumps and Constance Wu, Scoot McNairy and Winslow Fegley as the Primm family. The Primms move to a new house in New York City, where they discover Lyle, a saltwater crocodile with the voice of a high-end recording artist, living in their attic.
Brent Lang Executive Editor In one corner, a star-studded murder mystery from one of the most acclaimed directors in Hollywood. In the other, a family fable that features a CGI crocodile who sounds a lot like Shawn Mendes. As Hollywood heads into another quiet fall weekend at the box office, David O. Russell’s “Amsterdam” is squaring off against “Lyle, Lyle, Crocodile,” and both new releases are facing strong competition from reigning champ “Smile.” Of the two new entrants, “Lyle, Lyle, Crocodile” seems to be in the stronger position. There haven’t been many movies geared toward kids — the last one was “DC League of Super-Pets” way back in July. The $50 million production will open in more than 4,300 locations, where it should make $15 million or more. Sony Pictures, the studio behind the film, is being more conservative and projecting an opening in the $11 million to $12 million range. That could be enough for a first-place finish, depending on how steeply “Smile,” which opened to $22.6 million, drops in its second weekend of release.
A humbling moment. Christian Bale thought he and costar John David Washington were doing a great job singing while filming Amsterdam – until director David O. Russell had Taylor Swift step in to set them straight.
Christian Bale’s Burt Berenstein character says he “left his eye in France” in David O. Russell’s fanciful, murder-mystery/ larger-conspiracy comedic thriller, “Amsterdam,” a movie named for the city where the films lead trio spends their halcyon years, living, loving and laughing together.
Amsterdam.” It’s a film from established auteur David O. Russell, whose reputation for delivering the goods allowed him to attract a murderer’s row of talent that includes Christian Bale, Margot Robbie, John David Washington, Chris Rock, Anya Taylor-Joy, Taylor Swift and Robert De Niro. And yet, the film, bolstering more stars than in the heavens, to quote an old line — and a budget that’s upwards of $80 million — is arriving in theaters having been pulverized by the critics who have published so far and hoping to rescue its investment by overcoming the reviews to be a commercial success.
Ethan Shanfeld Frequent method actor Christian Bale typically has no problem morphing into his characters on set. But on his latest film, David O. Russell’s “Amsterdam,” he ran into an obstacle: his co-star Chris Rock. Bale says the director had Rock tell him some stories while on set, but “Chris is so bloody funny” that it prevented him from getting into character. “I remember his first day, I was excited to meet him, I’m a big fan of his standup,” Bale told IndieWire. “Then he arrives, and he’s doing some things… David [O. Russell] told him to tell me some stories that I didn’t know he was gonna tell me, which is the way David works often. And I was loving it.”