AppleTV+’s big budget TV reworking of Fritz Lang’s classic 1927 sci-fi film Metropolis from Mr Robot creator Sam Esmailis to shoot to Australia.
26.03.2022 - 12:05 / officialcharts.com
Wallows music more often that not feels like a perennial burst of sunshine, so it's fitting that as winter turns into spring, the American indie-rock trio have just released their ambitious second album.
Tell Me That It's Over comes with some heady expectations. It's been executive produced by Ariel Reichstad, who has worked on some of the most influential records that blur the line between 'indie' and 'pop' over the last decade; from Haim's Women In Music Part III, Charli XCX's glitchy debut album True Romance and Sky Ferreira's influential Night Time, My Time.
Now, Dylan Minnette, Braeden Lemasters and Cole Preston are ready to step out and level up with their sophomore record, which seamlessly blends more traditional indie-rock elements with shades of New Waves and synths, reminiscent of the works of bands as varied as Blondie, Vampire Weekend and The 1975.
We jumped on Zoom with the boys as they prepared to jump on stage at Boston on the latest stop on their tour to catch up on what this album means to them.
Braeden: We actually released our debut album 3 years ago today. March 22. How mad is that?
Dylan: It is almost exactly three hours later. Hours? Years.
Braeden: I feel like I was a baby at that time.
Dylan: I was a little more nervous.
Braeden: Now, I'm like oh it's gonna be fine! Let's go on the press tour! Maybe I'll be more nervous the day before.
Dylan: You build up to that moment [the release of your first album] for so long in your head, your whole life. The whole approach to this new record has been more spontaneous and carefree and, like, instinctive. I'm excited for people to hear it.
Cole: I think we all learnt that first time around that it doesn't stop [when the album is released]. So this album
AppleTV+’s big budget TV reworking of Fritz Lang’s classic 1927 sci-fi film Metropolis from Mr Robot creator Sam Esmailis to shoot to Australia.
TV presenter Christine, 43, and her football manager husband Frank Lampard now have a second home in Liverpool. Frank is now manager to Premier League football club Everton, who are based in the northern city, so only having a home in London would undoubtedly prove difficult.The couple are yet to share photos of their new residence with their social media fans, but we do know that their London home is stunning. Christine has been married to Frank, 43, for six and a half years.The couple spent two years living in New York while Frank was signed to the US football club New York FC.
Katy Perry knows how to commit to an entertaining bit once she gets on board, and that's just what she did on the latest episode of American Idol.MORE: Katy Perry selling stunning $19.5m family home - see insideThe singer started off the episode wading in the waters of Hawaii, hanging onto a surfboard while seemingly drowning.VIDEO: Katy Perry's Prague adventuresShe spoke to a plastic seagull that perched atop her board, telling it there was "no land in sight" in an homage to Tom Hanks' performance in Cast Away."You'll be the judge now," she told the bird as she then implored for it to fly away, comically swatting it off the board and saying: "Goodbye Luke! Goodbye Lionel!"MORE: Katy Perry suffers wardrobe malfunction on latest American Idol episodeIt then cut to her two fellow judges, Luke Bryan and Lionel Richie, sitting on a boat as they pulled up to her, revealing that she was only 30 feet from shore, where host Ryan Seacrest lay on a beach chair with a drink in his hand.She then got out of the water and walked back to shore, seemingly embarrassed, revealing that she wore a curve-hugging white swimsuit with a multi-colored pattern during her scene.A post shared by KATY PERRY (@katyperry)Katy channeled Tom Hanks in Cast Away for her pre-show bitKaty expertly riffed on herself in the caption of her post, writing: "And the Oscar for the Most Idiotic [performance] goes to…But tbh you haven't seen REAL drama until America gets to vote.
The and the are delighted to announce a new headline partnership with for both the Official Americana Chart, and the association’s annual festival UK Americana Music Week and awards ceremony, taking place in January in Hackney.
Nothing is ever As It Was, as Harry Styles makes a massive debut with his second solo Number 1 single.
EXCLUSIVE: Filmmaker Walter Hill was honored with a Tribute Ceremony in France on Tuesday evening, which marked the opening night of the International Thriller Film Festival – Reims Polar.
Victoria Beckham posed for a sweet photo with her niece as they celebrated her 20th birthday.Tallulah-May Flood is the daughter of Victoria's sister Louise Adams, and they threw her quite the bash in Miami on Monday evening US time. IN a photo shared by Victoria, 47, the fashion designer could be seen in a chic navy shirt next to her beautiful sister and niece.
Harry Styles’ As It Was is set to make a massive debut on the Official Singles Chart this week as it heads straight for Number 1.
While Will Smith issued a public written apology to Chris Rock on Instagram following his on-stage attack at the Oscars, it appears that he has not done it in person yet and the two have not spoken since the incident.
NEW YORK -- American soprano Renée Fleming is to make rare operatic appearances as Pat Nixon in a new production of John Adams' “Nixon in China” at the Paris Opera next season.The opera is to be given eight performances at the Bastille from March 25 to April 16, 2023, the company said Wednesday. Music director Gustavo Dudamel will conduct a cast that includes baritone Thomas Hampson as Nixon and soprano Kathleen Kim as Madame Mao.
Ryusuke Hamaguchi’s Drive My Car scooped the International Feature Film Oscar tonight, becoming the second movie from Japan to take a competitive prize in the category formerly known as Best Foreign Language Film (it’s the fifth for Japan if we count honorary awards given out in the 1950s).
Here are your Manchester City evening headlines for Thursday, March 24.
We’ve discussed it before, but let’s quickly reiterate: Intellectual Property (IP) is where it’s at for Hollywood, but when you can’t really make a sequel about a classic drama that has a lot of vintage IP—like “The Godfather” which just turned 50 recently—another avenue is making a movie or series about the making of a classic film. Take Paramount+’s “The Offer,” their mini-series about making “The Godfather.” READ MORE: The American Dream Of ‘The Godfather’ At 50 And yes, director Francis Ford Coppola is a big part of that story, but the tale Paramount is really telling is the entire behind-the-scenes picture which in many ways centers more on the producers that helped bring it to the screen.
Brent Lang Executive Editor of Film and MediaIt’s hard to believe, but it’s been 50 years since Francis Ford Coppola’s”The Godfather” made moviegoers an offer they couldn’t refuse.The film was a sensation when it debuted in March 24, 1972, setting box office records, revitalizing the career of Marlon Brando, launching the likes of Al Pacino, Robert Duvall and James Caan onto the A-list, and scoring an Oscar for Best Picture. But things could have gone very differently. Coppola, an up-and-coming director tasked with bringing Mario Puzo’s best-selling novel to the screen, was hardly the studio’s first choice for the task (Paramount production chief Robert Evans preferred Costa-Gavras).
One lucky contestant got a second chance to shine on the latest installment of “American Idol”.
Sharon Osbourne is set to make her television comeback after her controversial departure as a panelist from CBS show The Talk. Last year, the former X Factor judge backed her friend Piers Morgan following his comments about Meghan Markle. Sharon was called out by her co-host Sheryl Underwood, who accused her of giving "validation" to "racist" views.The on-air argument ended with Sharon departing the show.
EXCLUSIVE: Aaron Magnani has optioned screen rights to Walker Percy’s New York Times bestseller The Second Coming, with plans to develop the novel for film.