Tom Hanks Cranks It Up With $4.2 Million For ‘A Man Called Otto’ In Week Two – Specialty Box Office

Andrew Dominik’s controversial Marilyn Monroe biopic Blonde landed eight nominations from this year’s Razzie Awards, including Worst Picture. 

Marc Forster, who directed “A Man Called Otto,” built his American version of the Swedish story with different creative elements from three Hanks family members, including Tom Hanks starring as the central character and his son Truman portraying the younger version of Otto.“Ultimately when you’re dealing with flashbacks, the ins and outs [need to] feel very seamless and feel like you’re still in present-day with Otto, with Tom Hanks. When you go into the flashback with Truman and Sonya (Rachel Keller), it [needs to feel] like you’re not being taken out of the movie,” he said.

Mariana Treviño, who portrays Marisol in “A Man Called Otto,” alongside Tom Hanks’ titular character, traces her character’s influence and positive impact on the central curmudgeon from the beginning of the film.Marisol immigrated to the United States from Mexico, met her husband Tommy (Manuel Garcia-Rulfo), and moves their family of four to Otto’s neighborhood just in time. Marisol and Tommy, and their daughters Luna (Christiana Montoya) and Abbie (Alessandra Perez) brighten and challenge Otto’s routine.“They just kind of roll in, you know, like the car.

Michael Porseryd is stepping down as the CEO of SF Studios, the Nordic production and distribution powerhouse behind the recent Tom Hanks-starring drama A Man Called Otto.

Disney is such an all-consuming, slickly mechanized corporate beast that it is easy to forget that, just a few decades ago, it was a family business that had fallen into disrepair and was painfully uncool to the rest of Hollywood. Thankfully, Tom Hanks is here to remind us.Hanks was a guest on Sirius XM’s “The Jess Cagle Show,” and when Cagle brought up the fact Hanks once appeared on “Happy Days,” it led to a fascinating story about how that brief appearance (where Hanks played a guy who kicks Fonzie through a plate-glass window) would lead to the biggest break of his nascent career – his role in “Splash.” Watch above.As it turns out, Lowell Ganz and Babaloo Mandel were the head writers on “Happy Days” when Hanks filmed his episode.

In an age of streaming and Covid concerns when many older skewing dramatic films find their way safely into homes, Sony rolled the dice on the Tom Hanks drama A Man Called Otto with the title out-performing its MLK 4-day $8M third weekend wide expansion projections with $15.3M.

A24’s The Whale crossed the $11-million mark in week six as it jumped to 1,500 screens from 835 as the Brendan Fraser-starrer and other contenders continue to tweak theatrical runs through awards season.

The 988 Suicide & Crisis Lifeline is a free, 24/7 confidential service that can provide people in suicidal crisis or emotional distress, or those around them, with support, information and local resources. Simply dial 9-8-8.

On a winter Thursday still ruled by James Cameron’s Avatar: The Way of Water, Sony’s Tom Hanks drama A Man Called Otto and Lionsgate’s Gerard Butler action pic, Plane, sought to get an early start with respectively $635K and $625K each.

Lisa Marie Presley, the daughter and only child of Elvis, has died suddenly aged 54, it's been announced. 

Editor’s note: Deadline’s Read the Screenplay series debuts and celebrates the scripts of films that will factor in this year’s movie awards races.

EXCLUSIVE: Josh Horowitz’s Happy Sad Confused podcast is nearing 500 episodes, having featured interviews with the likes of Daniel Craig, Adam Sandler, Henry Cavill, Tom Hanks and Mila Kunis.

Alcarràs, winner of the Golden Bear in Berlin, opens on five screens in New York, Los Angeles and Chicago, presented by Mubi; Quiver Distribution releases Candy Land in nine theaters; and Sony’s Tom Hanks-starring A Man Called Otto, UAR’s Women Talking and IFC Films’ Corsage move into moderate expansions as the broader specialty market barrels into Oscar nominations and a new year of reckoning with adult audiences.