Titanic director James Cameron weighs in AGAIN on THAT debated door scene

James Cameron's work as a writer and director of such films as Titanic (1997), Avatar (2009), The Abyss (1989), Aliens (1986) and Terminator 2: Judgement Day (1991) has left an indelible mark on the moviemaking industry.In most cases his epics are some of the most expensive and longest running films with no shortage of action.While his latest grand adventure Avatar: The Way of Water runs 192 minutes (3 hours and 12 minutes), this go around he actually decided to shorten the runtime, in part, as to not 'fetishize' gun violence. Avoiding gratuitous violence: James Cameron, 68, revealed that he cut out 10 minutes from Avatar: The Way Of Water that he deemed unnecessary in order to 'not fetishize the gun, like I did on a couple of Terminator movies 30+ years ago' 'I actually cut about 10 minutes of the movie targeting gunplay action,' Cameron told Esquire Middle East, as reported by Huff Post. 'I wanted to get rid of some of the ugliness, to find a balance between light and dark.

Director James Cameron’s Avatar 3 is already in post-production and parts of Avatar 4 have already been filmed. That’s while he’s doing promotional duty with the December release of Avatar: The Way of Water, the sequel to the original film.

After two weeks in theaters, James Cameron‘s “Avatar: The Way Of Water” passed $1.1 billion at the global box office. A strong start, but will it reach Cameron’s desired gross of matching or surpassing the 2009 film’s 2.923 billion gross? Only time will tell.

When you think of a classic James Cameron action film, such as “Terminator,” “T2: Judgment Day,” “True Lies,” and definitely “Aliens,” you think about huge, violent action set pieces with lots and lots of guns. Today, Cameron is a different type of filmmaker, especially when it comes to gun violence, and he’s not sure if he could ever go back to the type of action he did previously.

It’s no secret that James Cameron wants the world of Pandora in his “Avatar” franchise to look as realistic as possible. But it’s not all about digital verisimilitude for the director; it’s a practical feature in casting, too.

As Avatar: The Way of Water continues to blow up worldwide, James Cameron has indicated he’s game-planning far into the future.

As Avatar: The Way of Water continues to blow up worldwide, James Cameron has indicated he’s game-planning far into the future.

More than a year ago, Matt Damon was at the Cannes Film Festival talking to an audience, and the actor shared an embarrassing story. He revealed that James Cameron called him up and offered him the lead in “Avatar,” and the filmmaker even offered him a lucrative deal worth 10% of the film’s profits if he would do it.

Even the most staunch “Avatar” haters have to agree that James Cameron puts so much blood, sweat, and tears into the franchise in an insane attempt to make the most beautiful, technologically advanced films of all time. And yet, as was pointed out in a popular sketch on “Saturday Night Live,” the franchise’s logo just uses the simple Papyrus font that anyone can use for free.

James Cameron’s epic “Avatar: The Way Of Water” film is in theaters now, and it grossed $430 million this weekend globally—the second-highest global opening of 2022 after “Doctor Strange And The Multiverse of Madness.” There’s been talk that this is a low figure, or disappointing or whatever—to be fair, the film was tracking to anywhere as high as $170 million domestic, and the film only grossed $134 million in North America, which is a bit soft—one has to remember the context of a lot of December releases which tend to have a slow build.

Avatar: The Way Of Water earned $434.5 million during its global debut, according to studio estimates on Sunday, after its director James Cameron said it needs to earn $2 billion to break even.The sequel earned $134 million from North American theaters and $300.5 million internationally for a $434.5 million global debut.It tied with 'The Batman' as the fourth highest domestic debut of the year, behind 'Doctor Strange in the Multiverse of Madness' ($187.4 million May), 'Black Panther: Wakanda Forever,' ($181 million in November) and 'Thor: Love and Thunder' ($144.2 million in July). Big splash: Avatar: The Way Of Water earned $434.5 million during its global debut, according to studio estimates on Sunday, after its director James Cameron said it needs to earn $2 billion to break evenExpectations were enormous for 'Avatar 2,' which carried a reported price tag of over $350 million, the pressure of following up the highest grossing film of all time (thanks in part to various re-releases) over a decade later and the daunting task of propping up an exhibition business that´s still far from normal. Everything 'Avatar' is oversized, though: the Na´vi characters, the runtime (a staggering three hours and 12 minutes), the technical advancements and the release strategy from 20th Century Studios and The Walt Disney Co.

Long after Titanic’s release, viewers are still debating if Jack and Rose could both fit on the door after fleeing the boat — including the movie’s stars.

Did Jack Dawson (as played by Leonardo DiCaprio) die needlessly in the film Titanic when he decided not to climb on the wooden door life raft with his beloved Rose (Kate Winslet)?

James Cameron likes his female heroines as strong and capable as possible. For instance, take Sigourney Weaver‘s Ellen Ripley in “Aliens” or Linda Hamilton‘s Sarah Connor in “Terminator 2: Judgment Day.” But according to Cameron, Kate Winslet‘s Ronal in “Avatar: The Way Of Water” is the director’s most “empowering” female action hero yet.

James Cameron likes his female heroines as strong and capable as possible. For instance, take Sigourney Weaver‘s Ellen Ripley in “Aliens” or Linda Hamilton‘s Sarah Connor in “Terminator 2: Judgment Day.” But according to Cameron, Kate Winslet‘s Ronal in “Avatar: The Way Of Water” is the director’s most “empowering” female action hero yet.

When James Cameron delivered Avatar in 2009, none of us quite grasped that this was not a movie but a constellation of movies – one that will represent a multibillion-dollar investment in the coming years. One iteration is even booked for 2028.

As “Avatar: The Way Of Water‘ hits theaters everywhere tomorrow, questions about the long-awaited sequel abound. Will the film be another massive cash cow for Jim Cameron? Does the “Avatar” franchise have any cultural caché after thirteen years between the first and second movies? Will Cameron make all five films he has mapped out for the series? It all hinges on how “The Way Of Water” does at the box office this weekend.

James Cameron has blamed the flop of 2019's Terminator: Dark Fate on the ages of its leads Arnold Schwarzenegger and Linda Hamilton.Avator director Cameron, 68, who wrote and produced the film alongside director Tim Miller, 58, said the choice to bring back Schwarzenegger, 75, and Hamilton, 66 as Sarah Connor resulted in the flick becoming 'your granddad’s Terminator movie'.Dark Fate - a direct sequel to 1991's Terminator 2: Judgment Day - lost more than $120million at the box office, ruling out any chance of further sequels. They won't be back: James Cameron has blamed the flop of 2019's Terminator: Dark Fate on the ages of its leads Arnold Schwarzenegger (left) and Linda Hamilton (right) Avatar director Cameron told Deadline: 'I think the problem, and I’m going to wear this one, is that I refused to do it without Arnold.

When it was announced that Tim Miller and James Cameron were going to team up to wipe the slate clean with the “Terminator” franchise and present the real sequel to “T2,” fans were elated. Finally, we’d be getting a quality “Terminator” film after all of these years.

After a number of different premieres all over the world, the reviews are finally in for director James Cameron's Avatar: The Way of Water.The first waves of reviews were published on Tuesday evening, with the film scoring a strong 83% on Rotten Tomatoes, out of the first 133 reviews.Critics from around the world - including Daily Mail's own Brian Viner - heaped praise on Cameron's direction and astonishing visuals, though the story and bloated three-hour-12-minute runtime were points of contention in many reviews.