Timothee Chalamet’s Gory ‘Bones and All’ Posts $24,000 Average at Indie Box Office

What happens when there’s no wide theatrical releases and it’s the holiday season as we emerge from the pandemic? Why, you get the second-lowest box office weekend of the year at an estimated $37.2M. We’ll see if Saturday night business is so bad that that this weekend becomes the lowest of 2022, unseating that of Jan. 28-30, when all movies grossed $34.87M, per Comscore.

“I’ve worked since I was 13 years old,” says Taylor Russell. “So many random things. Mostly restaurants, but I worked at a jewelry store, and I almost worked for Amazon, doing shipping and receiving.” She laughs. “Yeah, I’ve dipped my toe in a few different sectors.” Surprisingly, the job that probably proved useful in later life was a short stint in a butcher’s shop: handling all that raw meat must have come in handy when Luca Guadagnino came calling with the female lead for his stylish new horror project, an adaptation of Camille DeAngelis’s acclaimed 2016 YA novel Bones and All.

Focus Features’ Spoiler Alert opened on six screens (in NY, LA, San Francisco) to an estimated $85k, or $14k per theater, in a crowded arthouse market. Strong exit polls and word of mouth – 94% in the top two boxes – could help built out this movie, which will likely be more audience-focused than awards-buzz driven.

Sideshow/Janus Films EO held well in week two, grossing $23,217 for the five-day holiday frame ($11,609 per screen) and $16,900 for the three-day weekend ($8,450 per screen). The new cume is $50.7k in a crowded arthouse market, a strong showing for the film starring a melancholic gray donkey. It expands to LA next week opening at Laemmle Royal, Alamo Drafthouse DTLA, Los Feliz 3, and Santa Barbara’s Riviera Theater at SBIFF. Director Jerzy Skolimowski will be on hand for Q&As all weekend.

Over the 5-day Thanksgiving stretch, Netflix’s one week sneak preview of Glass Onion: A Knives Out Mystery buried all new and old major studio adult counterprogramming with an estimated $13.3M over 5-days for what is projected to be a $15M first week by Tuesday.

It’s starting to sink in that Harrison Ford is hanging up his whip with “Indiana Jones 5.” The 80-year-old actor ends his tenure as the beloved tomb raider and part-time archaeology professor next summer. The fifth installment is directed by James Mangold (“Ford Vs.

Refresh for updates: A24 once again dominated the Film Independent Spirit Award nominations with 24 noms this year, and their Dan Kwan and Daniel Scheinert directed arthouse blockbuster Everything Everywhere All at Once leading with eight nominations. That movie launched out of SWSW last March, ultimately becoming A24’s biggest grossing movie with $70M domestic, $103M WW and will close to the year later continue its rally to the Santa Monica Pier where the Spirits will take place on March 4, eight days before the Oscars on March 12, 2023. There is no broadcast partner this year for the Spirits and that there will be more info on the various ways to stream the show globally as the show gets closer.

Luca Guadagnino’s Timothée Chalamet-starring, edgy cannibal road trip romance Bones And All pulled in young demos (79% in the 18-34 rage) and women (54%-46% female) for an opening weekend gross of $120k, or $23.9k per screen average in five theaters. That’s respectable and in line with distributor UAR expectations although below recent debuts including Banshees of Inisherin and Tár last month and The Fabelmans last week, where PSAs all cracked $40k.

Romance and cannibalism might seem like an unlikely pairing, but that’s exactly why Bones and All screenwriter David Kajganich thought that only director Luca Guadagnino could do justice to his script, which he adapted from Camille DeAngelis’ 2015 novel. 

A new crop of prestige titles plant a flag at the arthouse in limited release this weekend from Luca Guadagnino’s Bones and All to Jerzy Skolimowski’s EO, to Elegance Bratton’s The Inspection. Greenwich Entertainment opens docLove, Charlie: The Rise And Fall Of Charlie Trotter IFC Films presents Bad Axe and Cohen Media Group is taking a swing at Fernando Trueba’s Memories Of My Father.

EXCLUSIVE: Steven Spielberg looks to have found his Frank Bullitt as sources tell Deadline Bradley Cooper has closed a deal to play the no-nonsense San Francisco cop in the new original Bullitt story centered on the classic character famously played by Steven McQueen in the 1968 thriller, which is set up at Warner Bros. Cooper will also produce the pic along with Spielberg and his producing partner Kristie Macosko Krieger (marking their second collaboration after Maestro), with Josh Singer on board to pen the script. Steve McQueen’s son, Chad ,and granddaughter Molly McQueen will exec produce the new movie.

Remember, January 2020? Sure, the world still felt as if it was going to fall apart, but we had no idea the COVID pandemic was just on the horizon. It was page 2 news, at best.

New kid at school Maren (Taylor Russell), has been invited to a sleepover by a few popular girls, a rite of passage she correctly recognizes as fraught with potential for catastrophe. She doesn’t totally fit in, her off-trend wardrobe and zealously protective father putting a radius between her and her peers, and now she’s faced with a battery of tests to unspoken, intricate teen etiquette.

The Fabelmans grossed an estimated $160k this weekend at four theaters in NY and LA. That’s a $40K per screen average, on par with recent strong (for post-Covid) specialty openings like The Banshees Of Inisherin (at $45k PSA) and Tár (also $40k), both on four screens too, reflecting a definite pickup in the specialty space. Spielberg’s written, directed and produced semi-autobiographical tale debuted into one of the biggest openings of the year with Black Panther: Wakanda Forever.

That figure is just a few hundred dollars above the $39,655 platform release average of Focus Features’ “Tár” and below the $46,113 of Searchlight’s “The Banshees of Inisherin.” Though it isn’t the best platform launch among the early Oscar contenders this awards season, Universal said that it had projected a $40,000 average for “The Fabelmans” prior to release and were pleased by the film’s Friday-to-Saturday drop of just 3%, signaling that the film is gaining the kind of word-of-mouth it will need in the weeks ahead. “With ‘The Fabelmans,’ Steven Spielberg has crafted one of his most personal stories yet, an incredible universal coming of age story that clearly resonated with audiences this weekend earning an A CinemaScore, 96% audience and 95% critical scores on Rotten Tomatoes and we have no doubt the film will captivate audiences throughout the holiday season,” Universal’s domestic distribution president Jim Orr said in a statement.

New video has emerged of the overly enthusiastic crowd that gathered for the red carpet at the premiere in Milan, Italy of Timothée Chalamet’s new film, Bones and All.