‘The Zone of Interest’ Review: Jonathan Glazer’s Holocaust Drama Is Dark and Disturbing

Former Coronation Street star Catherine Tyldesley has opened up about the struggles of being a working parent as she admits juggling motherhood and a career is tough.

72% Rotten Tomato score with 54 reviews. Deadline’s Pete Hammond, who called the film “wildly fun,” added that “The hype is real.

Mikhaël Hers is known for his precise, intentional, fulfilling films that effortlessly capture the beauty in the stories he is telling and his 2022 film, “The Passengers Of The Night,” is no different. And now, the filmmaker’s fans are going to get a chance to see the acclaimed film in theaters.  READ MORE: ‘The Passengers Of The Night’ Review: Charlotte Gainsbourg Eventually Finds Her Way A Moody, Melancholic Drama [Berlin Film Festival] Premiering at the Berlin International Film Festival, this melancholic drama is set in Paris, France in 1981.

Owen Gleiberman Chief Film Critic If you’ve ever wondered when it was that Michel Gondry, the gifted French director of “Eternal Sunshine of the Spotless Mind,” became the world’s most annoying filmmaker, you might say the answer is, “He always was.” Yet no one, including me, quite thinks of him that way. That’s because the few works of his that have come to prominence possess a special combination of facility and charm. I adore “Eternal Sunshine,” a virtuoso movie that bends your brain and breaks your heart at the same time. You might simply choose to characterize it as the masterpiece of screenwriter Charlie Kaufman, but the truth is that Gondry directed it ­— the leaps in time, the emotionally convulsive performances of Jim Carrey and Kate Winslet — with a masterful sense of play and gravitational control.

Fox News Channel announced today that it is canceling The Next Revolution with Steve Hilton, though the network indicated the host would stay on as a contributor. The move is part of a reshuffle of the channel’s weekend primetime lineup, the new version of which is set to debut on Saturday.

Briarcliff Entertainment has released a trailer for The Hill, the inspirational sports drama starring Dennis Quaid, scripted by Angelo Pizzo & Scott Marshall Smith and directed by Jeff Celentano.

Gordon Cox Theater Editor The writers of “Kimberly Akimbo” tell a story about the musical’s creation that feels as if it could be a scene in the show itself. Like the Tony-nominated production, now up for eight awards including best musical, it’s a tale that lands right in the overlap of humor and heartache. In the summer of 2017, just before composer Jeanine Tesori and bookwriter-lyricist David Lindsay-Abaire were scheduled to spend two weeks developing the first act of “Kimberly Akimbo” at the Sundance Theatre Lab, Tesori had a cerebral hemorrhage. She was in the ICU for 11 days, the Tony-winning composer (“Fun Home”) recalled. She missed the entire first week of the show’s time at Sundance.

Chris Willman Senior Music Writer and Chief Music Critic “It’s been about 25 years since I stood on this stage,” since Shania Twain, not long after the kickoff to her set Sunday night at the Hollywood Bowl. She had that figured about right — the calendar shows she last played America’s most favored amphitheater on May 6, 1999. That was a few weeks shy of the moment that her signature song among all signature songs, “Man! I Feel Like a Woman!,” peaked on the charts. When she pulled it out as her inevitable final encore number Saturday, it still felt like it was cresting. It’s a song that may never have truly peaked until all the generations represented at the Bowl this Memorial Day weekend have passed away and/or the day the prerogative to have a little fun has been codified into the criminal as a felony. For as long as there are women, and gay men, and straight men relaxed with themselves enough to buy “Let’s go, girls” T-shirt and diode-blinking pink cowboy hats, Twain will own rights to the ultimate ladies’ night anthem, just as surely as she owns the federal trademark on exclamation points. (She does, doesn’t she?)

The Ultimatum: Queer Love (★★★★☆) is the latest in Netflix’s line of reality dating shows. This one is not hosted by Nick Lachey, but JoAnna Garcia Swisher, who is immediately clocked for being straight, and truthfully isn’t around that much.

Marta Balaga Jonathan Glazer’s “The Zone of Interest” has scored a Fipresci award in Cannes.  The jury of the International Federation of Film Critics praised the film “for its formal radicality, the complexity of the sound and score, and its contrast between the invisible atrocities behind the wall and a supposed paradise,” Fipresci stated on Saturday.  “By presenting the horror as something usual, and using everyday-like dialogues, it’s a reflection on ignorance as a disease that connects the past with the present.” Glazer’s take on a Nazi family living next door to Auschwitz and enjoying it – loosely based on the novel by Martin Amis, who tragically passed away on May 19, just before the premiere – has been getting rave reviews at the French festival, becoming one of the frontrunners for this year’s Palme d’Or.

Dennis Harvey Film Critic Released to theaters in the theatrical dog days of mid-2020, Jonathan Milott and Cary Murnion’s “Becky” became a home-formats hit, its gleefully tasteless home-invasion thrills a guilty-pleasure tonic for COVID captives going a bit stir-crazy. Now Lulu Wilson is back as that title character, more or less the sole survivor of her prior screen outing. You can be sure in “The Wrath of Becky” that age hasn’t dulled her pissed-off homicidal verve, and that fate will surely provide another crop of ne’er-do-wells to tempt its exercise.  However, a different writing-directing duo is in charge this time, Matt Angel and Suzanne Coote. Their efforts generate rewards that are somewhat diminished, if still diverting. Quiver is releases this SXSW-premiered sequel to U.S. theaters, with home-formats dates as yet unannounced. 

Manori Ravindran Executive Editor of International Jonathan Glazer’s Nazi drama “The Zone of Interest” has sold into major international territories following its buzzy Cannes world premiere. The film centers on the family of a high-ranking SS official that lives next door to Auschwitz concentration camp. The pic has sold into: Austria and Germany (Leonine), Benelux (Cineart), France (BAC), Greece (Spentzos), Italy (I Wonder), Japan (Happinet Phantom Studios), Scandinavia (SF Studios), Spain (Elastica) and Switzerland (Filmcoopi). In Poland — a significant sales market for the film given it is set there — Gutek has come on board as distributor. (A24 was selling worldwide rights for the film, but did not handle the Polish sale.)

A24 has unveiled a raft of key territory deals for Jonathan Glazer’s hotly tipped Cannes Film Festival Palme d’Or frontrunner The Zone Of Interest ahead of the awards ceremony on Saturday.

The artists set to be included on Barbie: The Album, the original soundtrack to 2023 summer blockbuster Barbie starring Margot Robbie and Ryan Gosling, have been revealed.

Guy Lodge Film Critic All of life, including death, is in the lengthy, unbroken shot that opens Thien An Pham’s bewitching debut feature “Inside the Yellow Cocoon Shell.” We begin on the sidelines of a local soccer match in Saigon’s city center, observing the play from a cool distance before following a shuffling mascot, dressed in a wolf suit, to the adjoining bar. There, crowds watch a 2018 World Cup fixture while a group of young men, turned from the TV, drink and discuss matters of faith, existence and ennui. Thien (Le Phong Vu) is quiet and morose, only half-invested in a conversation already beset with distractions: the sales pitch of a bubbly beer rep, the burst of a sudden summer thunderstorm, a metallic screech and grim thump as the camera again drifts serenely over to reveal the aftermath of a fatal motorcycle crash. In the ensuing rhubarb of bystander concern, Thien stays put.

Ellise Shafer The first reactions are in for “Spider-Man: Across the Spider-Verse,” with critics and journalists saying the film is “an actual work of art” while also “darker and sadder” than expected. The long-awaited sequel to 2018’s highly successful animated adventure “Spider-Man: Into the Spider-Verse,” “Across the Spider-Verse” picks up over a year after the events of the first film. Miles Morales/ Spider-Man (Shameik Moore) is approached by Gwen Stacy/ Spider-Woman (Hailee Steinfeld) to help her complete a mission that will save every universe from supervillain the Spot (Jason Schwartzman). Together, Miles and Gwen travel through the Multiverse, where they encounter the Spider-Society, led by Miguel O’Hara (Oscar Isaac).

There were so many interesting looks on the red carpet at the premiere of La Passion De Dodin Bouffant during the 2023 Cannes Film Festival today!

Three Floors” opened with a high-profile belly flop, festival-stalwart Nanni Moretti returns to Cannes with “A Brighter Tomorrow,” a comeback of sorts that also airs a list of grievances and could serve – should need arise – as a closing statement.Not that it likely will. Funny and endearing in some places, and typically grumpy and old-fashioned in others, “A Brighter Tomorrow” should, at very least, keep Moretti far from director’s jail for years to come.

Angela Bassett received her first Oscar nomination for her portrayal of Tina Turner in the iconic 1993 biopic What’s Love Got To Do With It?

Clayton Davis Senior Awards Editor A24’s “The Zone of Interest” is spoken in German, but was filmed in Poland and is written and directed by a British auteur. So what does that mean for its prospects for best international feature at the Oscars? Written and directed by Jonathan Glazer, “The Zone of Interest” premiered last week at the Cannes Film Festival where it emerged as an early favorite for the coveted Palme d’Or after receiving widespread acclaim. The film tells the story of a commandant of Auschwitz, Rudolf Höss (Christian Friedel), and his wife Hedwig (Sandra Hüller) who strive to build a dream life for their family in a house and garden next to the camp that was one of the sites where six million Jews were murdered.