‘The Territory’ Review: Indigenous People Fight Encroaching Deforestation In An Engrossing Doc Portrait

On the inhospitable shores of Berck-sur-Mer, France, where the sounds of the tide mingle with a woman’s breathless running, is where Alice Diop’s narrative-feature debut “Saint Omer” begins.

spoiler: Fernando tells Daniel to go to a nightclub called Vibe, where Sara will be waiting for him. Daniel does as he is told, and he makes a silent connection with a woman there, but then she runs out of the club.

While she may not be a household name compared to the directors that she has worked for, Bonnie Timmermann’s IMDb reads as a decade-spanning watch list of some of the best films ever made.

Jake Paul has found his next opponent in one of the greatest mixed martial artists of all-time and UFC legend Anderson Silva.

The tragedy at the center of “Love Life,” the new film from Japanese director Kōji Fukada which premieres in Competition at this year’s Venice Film Festival, does not come to disrupt a perfectly happy family. Cracks are visible in the facade of the life shared by Taeko (Fumino Kimura) and Jiro (Kento Nagayama) even before the fatal accident that claims the life of Keita (Tetta Shimada), her young son from a previous marriage.

Elsa Keslassy International Correspondent MK2 Films has scored key territory deals on Japanese director Koji Fukada’s “Love Life,” which makes its world premiere in competition at the Venice Film Festival. Set in contemporary Japan, “Love Life” is a character-driven film revolving around Taeko and her husband, Jiro, who are living a peaceful existence with her young son, Keita. When a tragic accident brings the boy’s long-lost father, Park, back into her life, Taeko throws herself into helping this deaf and homeless man to cope with the pain and guilt. Popular Japanese actress Fumino Kimura (“The Fable: The Killer Who Doesn’t Kill”) headlines the film. MK2 Films has now sold the movie to Teodora (Italy), Imagine (Benelux), Leopardo (Portugal), Demiurg (Ex Yugoslavia), New Cinema (Israel), Swallow Wings (Taiwan), Edko (Hong Kong), Impact Films (India) and Encore Inflight (Airlines).

Peter Debruge Chief Film Critic Mars rovers Spirit and Opportunity — the stars of Ryan White’s inspirational and wonderfully engaging “Good Night Oppy” — were designed to last 90 days on the Red Planet. Instead, they went right on exploring the alien terrain for years, sending invaluable data and images back to NASA the whole time. For scientists, students and astronomy buffs around the world, the two robots became mascots for a historic mission, the goal of which was to find evidence of past water on Earth’s nearest neighbor, for that in turn could suggest the possibility of life on Mars. To call the MER experiment a success would be an understatement, but it wasn’t until this delightful documentary that a more important point became clear: As it turns out, for nearly 15 years, there was life on Mars: Within the opening minutes of “Good Night Oppy,” White convinces us that these two solar-powered, remote-controlled research tools weren’t just machines but sentient characters with personalities, every bit as relatable as Pixar’s lovable trash compactor, WALL•E, or the Johnny 5 droid from “Short Circuit.”

K.J. Yossman Content studio Propogate, who are currently working on Netflix’s upcoming Anna Nicole Smith documentary, are opening a London office. The company has also appointed Catalina Ramirez and Dan Thunell to co-heads of Propagate International, the company’s global distribution arm. Ramirez has been upped from Propagate International’s vice president of sales and acquisitions. Her new role will include overseeing sales and distribution for LATAM, Asia, and Canada as well as development and production for the company’s Spanish-language content label Propagate Fuego. She will remain based in the L.A. office. Before joining Propogate in 2020, Ramirez worked at Gunpowder & Sky and Magnolia Pictures.

Feist has left Arcade Fire's WE tour after sexual misconduct allegations against the band's frontman Win Butler emerged last weekend. The 46-year-old Canadian singer-songwriter, who was the indie rock band's opening act, announced that she had decided to exit the tour in a lengthy note that she posted to Instagram on Thursday, "At a pub in Dublin, after rehearsing with my band, I read the same headline you did.

Dennis Harvey Film CriticNazi ghouls have figured in plenty of horror movies, whether preserved (1966’s “The Frozen Dead”), newly bioengineered (1978’s “The Boys from Brazil”) or zombiefied (too many to list). Edging close to that terrain, “Burial” revolves around a corpse — the corpse, as far as WWII’s end was concerned — that does not reanimate or otherwise come “back to life,” but poses a grave threat nonetheless.Not-quite-horror despite its macabre theme and mood, this sophomore directorial feature for Ben Parker is a handsomely produced period thriller that delivers in terms of action and atmospherics, even if his somewhat convoluted story doesn’t maximally pay off. IFC Midnight is releasing the Estonia-shot U.K. production to limited U.S. theaters and on-demand platforms Sept. 2.

Altitude has boarded international sales and UK and Irish distribution on Oscar-winning documentarian Laura Poitras’s Nan Goldin bio-pic All The Beauty And The Bloodshed, ahead of its world premiere at Venice and North American debut at Toronto.

The Picturehouse release of National Geographic Documentary Films  The Territory grossed a solid $26.4K in six markets (eight screens) for a PSA of $3,308 with its climate change message attracting a broader than typical age range for a theatrical doc, especially lately, according to Picturehouse CEO Bob Berney.