‘The Salt Of Tears’: Philippe Garrel’s Latest Film Is An Evocative Look At Lost Love [NYFF Review]

NEW YORK -- Gregory Maguire attributes the first grain of the idea for his new book “A Wild Winter Swan” to “Mary Poppins” author P.L.

John Legend penned a touching note to his wife, Chrissy Teigen, after her September pregnancy loss.“This is for Chrissy,” the EGOT winner, 41, captioned a Thursday, October 15, Instagram video of his “Never Break” Billboard Music Awards performance one day prior. “I love and cherish you and our family so much.

John Legend has spoken out following the loss of pregnancy suffered by his wife Chrissy Teigen late last month. The formel model announced on Twitter on Sept.

Us Weekly has affiliate partnerships so we may receive compensation for some links to products and services.Please Note: Prices and deals are accurate at time of publication, but are subject to change.We’ve all spent more time at home this year than any other. The couch became our new office chair, the kitchen became our mall food court and our vanity practically became a ghost town.

Lesley McKenzie Managing EditorTie-dye? Check. Fringed leather? Check.

Lush foliage paves the frames of Mexican director Yulene Olaizola’s entrancing feature “Tragic Jungle.” Backdrop to violence and the supernatural, the eponymous ecosystem traps us in its mystifying maw for an alluring adventure centered on Black and Indigenous characters—an infrequent sight in the country’s filmic output.

Manori Ravindran International EditorFirst Look Media-backed U.S.

A Tragedy of Manners. This is how bestselling author Patrick DeWitt’s satirical novel “French Exit” was billed upon its publishing in 2018.

Among the many things suspended during these plague times of social distancing and self-quarantine is the friendly visit, those excursions we take to friends’ houses just to hang out and catch up, exchange banalities and intimacies between sips of wine on the couch.

“The Truffle Hunters” takes viewers deep in the forests of Northern Italy to watch as elderly men and their indispensable dogs participate in the tradition of sniffing out the elusive white Alba truffle. Beloved by gourmet chefs, the truffle’s rarity drives prices sky-high, even as the subjects of the film maintain the old ways of hunting, free of technology, relying on their own memories and a cranky sense of secrecy.

One of the great joys of the New York Film Festival has been watching Steve McQueen’s new film anthology “Small Axe.” Composed of five works set between the late-’60s and early-’80s, the two recently screened films — “Lovers Rock” and “Mangrove” — are intimate slices of life of a little-represented community, British Black folks from the West Indies, resiliently thriving amidst a racially hostile environment.

One of the great joys of the New York Film Festival has been watching Steve McQueen’s new film anthology “Small Axe.” Composed of five works set between the late-’60s and early-’80s, the two recently screened films — “Lovers Rock” and “Mangrove” — are intimate slices of life of a little-represented community, British Black folks from the West Indies, resiliently thriving amidst a racially hostile environment.

Manchester city centre.Bars, pubs and restaurants would usually be packed as revellers partied into the early hours. But hospitality venues now have to operate on restricted hours under new measures to curb rising rates of coronavirus  infections.

Philippe Lacôte understands the cyclical nature of human conflict and how invaluable the stories people tell about their collective past are. In the remarkable “Night Of The Kings,” the Ivorian director’s follow-up to the political turmoil drama “Run,” oral tradition enlivens a chaotic microcosm that’s suspended somewhere between an ancient saga and contemporary unrest.

Nothing “happens” in the opening scene of Tsai Ming-liang’s “Days,” at least not in any conventional sense: Kang (Lee Kang-sheng), a middle-class, middle-aged man, is sitting at his window, looking out at as the rain falls. The shot lasts four-and-a-half minutes, without cutting or moving – just a man, staring out a window and thinking.

A West Indian proverb holds, “If you are the big tree, we are the small axe.” “Lovers Rock,” the first film made available of Steve McQueen’s Amazon miniseries “Small Axe,” first interpreted the saying as a metaphor for the joyous spirit in the Black British community. But his newest installment, “Mangrove” swings a different emphasis on the rebellious phrase.

Men are incorrigible Lothario scoundrels, motherhood is full of loneliness and self-doubt, and complicated father/daughter relationships are constantly tested in Sofia Coppola’s “On The Rocks,” her latest dramedy, an effervescent, charming, and soulful affair.