‘The Railway Children Return,’ Anvil, Abigail Disney & ‘The Greatest Beer Run Ever’ – Specialty Preview

Paris Hilton is speaking up about being sexually assaulted while attending Provo Canyon School.

Today Focus Features opens Tár, the strikingly original return of Todd Field, in four locations in NY and LA. The film premiered at Venice winning star Cate Blanchett Best Actress as musician and conductor Lydia Tár. Early this week, it seemed to mesmerize a sold-out Allice Tully Hall at the New York Film Festival.

Abigail Disney has shut down Fork Films, the documentary and feature film company behind “Crip Camp,” “One Child Nation” and “The Tale,” a drama about sexual abuse that starred Laura Dern. As part of the closure, fewer than 10 positions have been eliminated. Abigail, a filmmaker and philanthropist, is also the granddaughter of Roy Disney, the co-founder of The Walt Disney Company. A spokesperson for Fork Films said the staff was notified of the closure in February, and have been working to wind down the company by Sept. 30, 2022. Disney’s most recent film, “The American Dream and Other Fairy Tales,” which she co-directed with Kathleen Hughes, debuted at the Sundance Film Festival and was recently released digitally. The film examines the issue of economic inequality and ballooning CEO compensation packages. The movie made headlines as Disney drilled down on the employment and union practices at the theme parks run by The Walt Disney Company. In the film and dozens of subsequent interviews, Disney has consistently and unflinchingly taken the company to task, describing the corporation’s promises of “upward mobility” as “neoliberal claptrap.”

Imax is out this Sunday with Brandi Carlile: In The Canyon Haze – Live from Laurel Canyon on 31 screens nationwide, an encore of a live event that reps a milestone for the large format exhibitor.

true story at the heart of his upcoming film.“Somebody sent me a 12-minute documentary that Andrew Muscato did about the greatest beer run ever, and I just couldn’t believe what I was looking at, that this guy actually went to Vietnam during the war, somehow found his way around the country and dropped off beers with people and happened to get there right before the Tet Offensive. I was like, ‘That’s unbelievable,’” he told TheWrap’s Brian Welk after the movie’s world premiere on Sept.

Candace Cameron Bure is celebrating more than 26 years of a happy marriage! The actress told Mayim Bialik on the "Celebrity Jeopardy!" host’s "Breakdown" podcast this week that she and her husband, former hockey player Valeri Bure, make time for each other and still "love each other physically, spiritually" and "mentally."  She added that laughter is a turn on for her with her husband and they are both happier when they’ve had sex.  "Laughter is one of my love languages," she said after the "Big Bang Theory" star asked about where she finds intimacy in her marriage. "I grew up with comedians on the show ['Full House'].

A royal expert has revealed that King Charles III “has not decided” yet as to whether the Duke of Sussex and his wife the Duchess of Sussex’s children Archie and Lilibet can have prince and princess titles. Royal editor for The Times Roya Nikkah has described the new Monarch’s lack of decision on the issue as “heightening tensions” between Charles, 73, and son Harry, 38, and his wife Meghan, 41. A spokesperson told the publication: “The King is focused on the mourning period.

The title of “Railway Children” in the UK is “The Railway Children Return,” since it’s both an homage and sequel to Lionel Jeffries’ 1970 film—and British national treasure—“The Railway Children” (itself an adaptation of an Edith Nesbit novel). But Morgan Matthews’ unrequested sequel would be far better described as a resurrection than a return, as it plods lifelessly through each and every well-mannered farce, Arcadian frolic, and flag-waving escapade of its beloved predecessor, stopping only to exchange the original’s slapdash commentary on xenophobia for an equally slapdash discourse on racial injustice.

During his first address to the United Kingdom as monarch on Friday 9 September, King Charles reflected on how the death of Queen Elizabeth II would change the royal family. After becoming King immediately upon the death of his beloved mother, 73 year old Charles had to give up a number of his titles including that of the Prince of Wales, which he was given when he was just nine years old.

Do you really know the story of Romeo and Juliet? The new film “Rosaline” offers a different side to this classic play. Instead of focusing on the young lovers, this twisted comedy shines light on a previously unnoticed character.

Addie Morfoot Contributor Manhattan’s Downtown Community Television Center celebrated the opening of the media arts center’s long-anticipated nonprofit, 67-seat movie theater, Firehouse: DCTV’s Cinema for Documentary Film, on Tuesday.The only movie theater in New York City dedicated to screening documentaries, Firehouse is an official Academy Award-qualifying theater that will screen first-run films and curated programs.On Sept. 23, Abigail Disney and Kathleen Hughes’ self-distributed “The American Dream and Other Fairy Tales” about the growing inequalities in America and better pay for Disneyland cast members, will be the inaugural docu to play at Firehouse cinema. The week-long screening will serve as the film’s qualifying run in New York. Disney is set to appear in person for opening weekend Q&As.

A teenager at the centre of a murder investigation in Rochdale has been named locally as Callum Riley. An investigation was launched following his death on Saturday morning (September 17).

A steady flow of specialty films starts this weekend with the return of a key player to cinemas and a broader arthouse slate that will expand steadily into awards season. This is still a weird theatrical landscape but independent distributors and theater owners have agreed for months that there’s no recovery without a brisker pace of new releases

Peter Farrelly’s “The Greatest Beer Run Ever” isn’t so much a bad movie — though it’s certainly that — as an inexplicable one, a comedy/drama set in the Vietnam War that somehow believes it’s saying anything that hasn’t been said a million times already about that conflict, and far more skillfully.

Owen Gleiberman Chief Film Critic Film-festival awards don’t usually have much lasting impact, but four years ago, when “Green Book” played at the Toronto International Film Festival and won the People’s Choice Award, it had a seismic effect. It set the film on what would become its road to Oscar glory. Since that turned out to be a very bumpy road, with many critics dumping on the film for what they perceived to be its outdated liberal race consciousness (not me — I thought “Green Book” was terrific), the Toronto award kept coming back into the conversation. It was used to signify the nature of the movie’s appeal — namely, that maybe this wasn’t a film destined to be embraced by the most elite levels of the establishment, but it was one that “the people” went for. And that’s just what ended up happening. (The people, in this case, including a great many Oscar voters.)