The Party Film Sales Picks Up World Rights for Bellucci-Ekberg Doc ‘The Girl in the Fountain’

Elsa Keslassy International CorrespondentParis-based sales company Charades has closed a raft of deals on “Forever Young,” Valeria Bruni Tedeschi’s film which competed at Cannes and earned a warm critical welcome. “Forever Young” opens at the end of the 1980s in Paris and follows a young troupe of comedians who have just have been admitted to Les Amandiers, the prestigious theater school headed by Patrice Chéreau. Bruni Tedeschi wrote the script alongside Agnès De Sacy and regular collaborator Noémie Lvovsky.

Mario Falcone is gearing up to wed Becky Miesener this week after the couple were forced to postpone their wedding plans twice.To kick off the long awaited wedding celebrations the couple threw a lavish party for their nearest and dearest in the stunning surroundings of Italy’s Amalfi Coast. Despite Mario announcing he had a health scare just a week before the couple’s jetted off to Italy ahead of their big day, he showed no signs of letting an illness keep him down.Taking to social media to document the evening, Mario, 34, showed off what he and Becky, 33, wore for their “white party”.

Nick Vivarelli International CorrespondentVeteran Italian auteur Marco Bellocchio returned to Cannes this year with “Exterior Night,” a limited TV series about the 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists that, prior to playing on pubcaster RAI, is now on release in two installments via Lucky Red in Italian cinemas where it’s doing quite well.Bellocchio, who previously recounted Moro’s still-mysterious abduction in the 2005 film “Goodmorning, Night” from the viewpoint of one of his captors, is taking a different narrative approach in this series consisting  of six one-hour episodes that reconstruct the 55 days of Moro’s imprisonment from different points of view, including that of his family, his fellow high-echelon Christian Democrat politicians, and the ailing Pope Paul VI, played by Toni Servillo. He spoke to Variety about what drove him to revisit Italy’s deepest recent collective trauma and why he thinks the crucial issue of whether the Italian government should have negotiated with the Red Brigades to try and save Moro remains an open question.

Cineflix Rights Goes On Scripted Sales Spree

Guy Lodge Film CriticFrench film “The Worst Ones (Les Pires)” is the surprise winner of the top prize at this year’s Un Certain Regard awards ceremony, with Italian actor-director Valeria Golino and her fellow jurors also handing prizes to Pakistani breakout “Joyland,” Romanian drama “Metronom” and “Corsage” star Vicky Krieps.

Addison Rae has been partying in Ibiza this week after being notably missing from Kourtney Kardashian and Travis Barker's wedding in Italy.MORE: Addison Rae looks unreal in figure-flaunting latex dress and killer heelsInstead, Addison was on the Spanish island of Ibiza, where she spent time with Jaden Smith and Ella Mai for the Pandora summer festival to launch their festival-inspired ME collection. Addison is one of five ambassadors for Pandora"I loved working with everyone so much," shared Addison of her fellow collaborators on the collection - Charli XCX, Donte Colley, Cecilia Cantaeano, and Beabadoobee."We are all quite different in many ways and everyone brought their own style to the shoot, but we're all also connected through our love of music, style and what we believe in."MORE: We're obsessed with Addison Rae's peachy orange lipsFor the big event, Addison rocked a black mini dress covered in sixties-inspired blue flower prints, with chunky biker boots.The event saw DJ performances from DJ Cat Poulain and DJ Tara Kumar, before the night was closed out with epic music sets by Ella Mai, who performed her hit single Boo'd Up, and Jaden Smith.

Unlike most films and series set in Naples, “Nostalgia” really does show us the city like we’ve never seen it before: from the melancholy perspective of someone who left forty years ago. Italian director Mario Martone makes the astute and powerful decision not to make this immediately obvious, opening the film with a stunning sequence showing a man (Pierfrancesco Favino) silently arrive in and explore the city at night.

For decades, Italian filmmakers dominated Cannes.If the 1960s saw Federico Fellini, Michelangelo Antonioni and Luchino Visconti reign supreme, somehow the 1970s were even richer. Elio Petri and Francesco Rosi won shared top prizes in 1972, while for two consecutive years later that decade the Taviani brothers and then Ermanno Olmi hoisted Palmes across a border that sits just 40 miles away.This year’s lone competition title from an Italian director (the only other Italian language film, “The Eight Mountains,” comes courtesy of two Belgians), Mario Martone’s “Nostalgia” will probably not break that particular drought, but the Neapolitan director can take solace in another modest honor: Telling a story about mothers and sons, about gangsters and priests, and about a peculiar kind of longing for the past in a place where little has changed for hundreds of years, “Nostalgia” is a nigh perfect candidate to wave il Tricolore.Taking a thin amount of plot and stretching it as far and wide as it can go, the film itself is far from perfect, but it does benefit from “The Traitor” star Pierfrancesco Favino’s terrific lead performance as a man who learns the hard way that there’s no going home again.After forty years abroad, Felice (Favino, of course) returns to his native Naples a stranger in a familiar land.

Kim Kardashian channelled Marilyn Monroe at the Met Gala. Now, Kendall Jenner has joined in with a special nod to Monica Bellucci while attending older sister Kourtney Kardashian’s wedding to Travis Barker in Portofino, Italy.

Kourtney Kardashian and Travis Barker are ready to dance the night away!

Måneskin stopped by the The Tonight Show With Jimmy Fallon yesterday (May 20) to deliver a performance of their new single ‘Supermodel’ – watch it below.The Italian Eurovision winners were without their usual bassist, Victoria De Angelis, due to illness, but instead of recruiting another musician to fill in, the band asked the show’s host Jimmy Fallon to strap up.Rocking a blonde wig, colourful eyeliner, and a red and black jacket, Fallon addressed the audience before the performance. “This is a true story,” he explained.

Netflix Greenlights Swedish Film ‘A Day And A Half’ From ‘Chernobyl’ Star Fares Fares

A host of the stage, screen and sports stars will help celebrate Queen Elizabeth II’s 70 years on the British throne at a BBC Studios Productions-led live event at Buckingham Palace titled the Platinum Party in the Park.

Nick Vivarelli International CorrespondentNeapolitan director Pietro Marcello, who made the transition from high-profile docs to fiction with his Naples-set 2019 adaptation of Jack London’s Martin Eden – that made a splash on the international art-house scene – has now tackled a France-set tale inspired by a Russian novel in his new film “Scarlet” (see review) that mixes fable, musical, historical and magical realism elements.The pic’s central character is Juliette, played by promising newcomer Juliette Jouan, an orphan girl raised by a community of women and by her father Raphaël, a burly soldier who returned from the First World War to find that his adored wife after giving birth had passed away. Marcello spoke to Variety about what he calls his first ‘feminine’ film. Excerpts.I’ve always made films that are quite masculine.

Not quite a musical, sort of a folktale, and almost but not entirely a hardscrabble hunk of post-war realism before all of a sudden changing gears, “Scarlet” – which opened the 2022 Cannes Film Festival’s Directors’ Fortnight sidebar on Wednesday – is a tricky project to pin down. Of course, director Pietro Marcello wouldn’t have it any other way.Shooting in French for the first time, the Italian filmmaker made his name with documentaries before working found and historical footage into the world of make-believe with 2019’s “Martin Eden.” With this more ambitious (if more uneven) follow-up, Marcello continues at a similar pace, folding fact into fiction as he explores both the landscapes of rural Normandy in the aftermath of the First World War and the plight of the working poor, all through the crags of his leading man’s brow.That brow (and those crags) belongs to Raphael (Raphaël Thiéry), who we discover limping home from the front interspersed with historical footage of fellow soldiers doing the same.

Fremantle’s Fiction Valley Ties With ‘Dirty Lines’ Creator Pieter Bart Korthuis