‘The Lost Daughter’ Filmmaker Maggie Gyllenhaal & Editor Affonso Goncalves On Pic’s Enigmatic Ending – Crew Call Podcast

Tim Gray Senior Vice PresidentAfter Oscar nominations were announced Feb. 8, the buzz seems equally centered on who was nominated and who wasn’t.There’s an impressive roster of work in both categories.

Gigi Hadid's 1-year-old daughter, Khai, is proving she's a mini version of her style-savvy mom. The 26-year-old model recently shared a rare photo of her daughter, whom she shares with ex Zayn Malik, posing in checkered jeans and a custom denim jacket with her name embroidered on the back. Hadid rarely shows pics of the little girl and has never shown her face before, but it's clear that Khai already has some fashionista tendencies like her famous mother. A post shared by Gigi Hadid (@gigihadid)«She's just so smart, and she's so aware,» Hadid recently said of her daughter in a cover story for. «She watches everything, she's always learning, she's always looking.

Channing Tatum’s abs and Brad Pitt’s heroism in “The Lost City” teaser have landed a commercial spot during Sunday’s big game.

Wilson Chapman editorOne day after nabbing her first Oscar nomination, Jessie Buckley’s full talents are on display in the first trailer for “Men,” a horror film from A24 and director Alex Garland (“Ex Machina,” “Annihilation”). It will premiere in theaters May 20.The official synopsis for “Men” reads: “In the aftermath of a personal tragedy, Harper (Buckley) retreats alone to the beautiful English countryside, hoping to have found a place to heal.

When Maggie Gyllenhaal picked up the phone to talk her about her Oscar nomination for best adapted screenplay for the writer/director’s debut film, The Lost Daughter. She wasn’t going to celebrated at first, but soon gave in.

Congratulations. Were you watching the live stream this morning?Yes, we were. Often, in the past, I have tricked myself into not knowing when nominations are being announced.

Dakota Johnson spoke about her own mom Melanie Griffith’s reaction to her movie “The Lost Daughter” in a new interview with Entertainment Weekly‘s “The Awardist” podcast.

Dakota Johnson stars in the new Netflix movie The Lost Daughter and while she isn’t a mother herself, she is opening up about the maternal women who surround her in real life.

TheWrap’s Steve Pond, napping — Maggie Gyllenhaal for “The Lost Daughter.” Pond left both Gyllenhaal and Spielberg out of his predictions, figuring Denis Villeneuve for “Dune” and Paul Thomas Anderson for “Licorice Pizza” have better shots.“The Lost Daughter” had some fans in the Best Actress category as well; two-time Oscar winner Olivia Colman, who plays a college professor on holiday in Greece in Gyllenhaal’s film, was the poll’s No. 1 choice.

While Israeli filmmaker Nadav Lapid been working for years with lots of acclaim (2011’s “Policeman” was very well-regarded and 2014’s “The Kindergarten Teacher” was so good, Maggie Gyllenhaal decided to produce and star in a 2018 remake), the filmmaker seemed to make an even bigger splash on the international scene with “Synonyms” which won the Golden Bear, and the FIPRESCI Award at the 2019 Berlin Film Festival and introduced more audiences to wiry star Tom Mercier.

Channing Tatum is back after a much-needed break.

HEADLINERSBig names, big talent: Headliners bring star power to SXSW, featuring red carpet premieres and gala film events with major and rising names in cinema.Apollo 10 1/2: A Space Age ChildhoodDirector/Screenwriter: Richard Linklater, Producers: Tommy Pallotta, Mike Blizzard, Femke Wolting, Bruno FelixA coming-of-age story set in the suburbs of Houston, Texas in the summer of 1969, centered around the historic Apollo 11 moon landing. Cast List: Jack Black, Zachary Levi, Glen Powell, Josh Wiggins, Milo Coy, Lee Eddy, Bill Wise, Natalie L’Amoreaux, Jessica Brynn Cohen, Sam Chipman, Danielle Guilbot (World Premiere)AtlantaDirector: Hiro Murai, Producers: Donald Glover, Stephen Glover, Hiro Murai, Stefani Robinson, Paul Simms and Dianne McGunigleTaking place almost entirely in Europe, Season 3 of FX’s Atlanta finds Earn, Alfred ‘Paper Boi,’ Darius and Van in the midst of a successful European tour, as the group navigates their new surroundings as outsiders, and struggle to adjust to the newfound success they had aspired to.

Margaret Qualley (Maid, Once Upon a Time… In Hollywood) has signed on to exec produce and star in The End of Getting Lost, an Amazon Studios thriller from Mustang director Deniz Gamze Ergüven, which also has Paul Mescal (The Lost Daughter, Normal People) in talks to co-star, Deadline has confirmed.

A 24-year-old man has been arrested in connection with the racial abuse suffered by Ashley Cole during Man City’s FA Cup tie at Swindon Town.

Tim Gray Senior Vice PresidentHollywood has given us a wide range of mothers, including the hard-working and devoted (“Claudine”), the self-sacrificing (“Bambi”) and the monstrous (“The Manchurian Candidate”).It’s hard to come up with anything new on the subject, but first-time writer-director Maggie Gyllenhaal, adapting Elena Ferrante’s novel, constantly surprises us by depicting several mothers who are complex, original and have the ring of truth in “The Lost Daughter.”“The book and, I hope, the film articulate a lot of the experience about being a woman that we don’t often talk about,” Gyllenhaal tells Variety. “Not just in terms of mothering and how complicated it is — it brings you to your knees.

It stands to reason that a filmmaker reared in comedy improv, Adam McKay, would partner up with an editor, Hank Corwin, who is familiar with cutting for directors known for their impromptu style.

On today’s Crew Call we speak with 2x Oscar-winning costume designer Mark Bridges on his latest 1970s Paul Thomas Anderson reteam, Licorice Pizza, and the pic’s breakout actress, Alana Haim, on her character’s get-up for a carefree, hot summer stretch in the San Fernando Valley, 51 years ago.

Zoe Hewitt Art is unlike other media in that it requires its creators to share parts of themselves as they’re likewise primed for the supremely subjective criticism that follows. After all, no dentist is asked to soliloquize about how a tooth extraction reflects life choices.