EXCLUSIVE: In an eye-catching acquisition, 42 has bought respected UK talent and literary agency Dalzell and Beresford, we can reveal.
21.05.2022 - 20:11 / theplaylist.net
Every child learns at a young age that smell and memory are closely linked, but what if one special child could harness that connection to her own ends? That’s the premise behind “The Five Devils” (“Les cinq diables“), the second feature from writer-director Léa Mysius that stars Adèle Exarchopoulos of “Blue Is the Warmest Color” fame. “The Five Devils” will premiere this weekend in the Director’s Fortnight section of the 2022 Cannes Film Festival.
EXCLUSIVE: In an eye-catching acquisition, 42 has bought respected UK talent and literary agency Dalzell and Beresford, we can reveal.
Cheeky comedian Lee Mack wasted no time in using the Queen's Platinum Jubilee as an opportunity to stick the knife in Boris Johnson – metaphorically of course.The northern comic, 53, opened the concert, which is being held outside the gates of Buckingham Palace, by making light of the so-called 'partygate' affair in Downing Street. Speaking with the Prime Minister in attendance, who was in the royal box, Mack said: "Finally we can say the words ‘party’ and ‘gate’ and it’s a positive." The joke drew cheers and laughs from the crowd.The embarrassing quip comes just a day after the PM was booed outside St Paul's Cathedral as he attended the Thanksgiving service with members of the Royal Family.
French actress Léa Seydoux is having a big moment right now at the 2022 Cannes Film Festival. Not only is she set to star in the latest film from director David Cronenberg, “Crimes Of The Future” (read our review), but she is also the lead in Mia Hansen-Løve’s “One Fine Morning” (read our review) But there is another project she is opening up about that she almost did.
Mike Tindall has given fans a glimpse inside the home he shares with Zara Tindall and their young family. The former rugby union player, who recently how receiving repeated blows while on the pitch had left him unable to breathe normally, took to Instagram to give his 85,000 followers a quick look at this home gym. The 43 year old, who lives on Princess Anne’s Gatcombe Park Estate with his wife and their three children, Mia, 8, Lena, 3, and one year old Lucas, explained how he was partaking in a charity fitness challenge and encouraged others to get involved too.
Marta Balaga French filmmaker Léa Mysius follows her nose in “The Five Devils,” focusing on the sense of smell. That’s her protagonist’s special gift, one that scares her mother (“Blue Is the Warmest Color” actor Adèle Exarchopoulos) but allows her to venture beyond the constraints of time and space.Shown in Cannes’ Directors’ Fortnight – with Wild Bunch on board – it’s Mysius’ second feature film as a director following “Ava,” awarded at the French fest in 2017. She also co-wrote Claire Denis’ “The Stars at Noon,” presented in the main competition.“It all started when I was a kid – I was fascinated by smells,” Mysius tells Variety.“Together with my sister, we had fun making these little potions.
Cristiano Ronaldo's girlfriend, Georgina Rodriguez, made her first public appearance since she and the Manchester United soccer star announced the death of their infant son. Rodriguez took to Instagram to share some snaps from the Cannes Film Festival in France.
A balloon shaped like a heart flies from the open window of a taxi. It is late at night and the woman (Leila Hatami) who this gift was bestowed upon simply couldn’t care less about the useless trinket, far more interested in comparing the quality of the accompanying chocolate boxes dispensed by a handful of men who wish to have her as a Valentine.
sickened by horrific scenes in “Crimes of the Future” reportedly walked out of the premiere at Cannes Film Festival on Monday.The film — starring Kristen Stewart, Léa Seydoux and Viggo Mortensen — is filled with scenes of child autopsies, bloody intestines, body mutations and people orgasming while licking open wounds. The majority of the exits reportedly occurred within the first five minutes of the film but a specifically grotesque scene of Seydoux licking an open wound sent others out the door further along in the film. Both Variety and the Daily Mail reported walkouts, but Entertainment Weekly claimed there were none.New York Times journalist Kyle Buchanan tweeted from the theatre that he counted 15 people who walked out of the cinema during the screening due to “notably gross plot developments.” Despite being too much for some, the movie directed by David Cronenberg received a seven-minute standing ovation from the remaining audience members at the end.
The 2022 Cannes Film Festival is finally here, and with the event comes many premiers of extraordinary talent. Movies like “Decision To Leave” by Park Chan-Wook or documentaries like “Moonage Daydream” by Brett Morgen have premiered at the event, already sparking good reviews.
Director Léa Mysius expertly crafts a queer, witchy movie in her Directors’ Fortnite debut film, The Five Devils, which received a five-minute standing ovation at the screening I attended. Mysius takes concepts like identity, sexuality, and mysticism and creates an intricate genre film that’s part time travel, part drama, and all heart.
David Cronenberg has unfinished business with the future, which is tricky, seeing as it already constitutes a significant slice of his past. His new film — titled “Crimes of the Future,” as in committed by rather than during that span of time — finds the master on the other side of his extended sojourn in high-minded literary adaptation, biopic quasi-prestige, and Tinseltown satire, back to playing the body-horror hits on which he made his name.
“The Five Devils,” from French director Léa Mysius, captivates from its very first seconds. We see Adèle Exarchopoulos in a sparkling gymnast outfit with other similarly dressed girls, all watching an enormous fire in the background; when she turns around, she is crying — fire, beauty, passion and death all conveyed in one image.
“Narcissists are the ones who make it…combined with talent, it’s a plus,” Signe (Kristine Kujath Thorp) coolly observes in the opening stages of the wickedly enjoyable “Sick of Myself.” For anyone who’s watched a partner realize their dreams, a trusted colleague get promoted, or a friend become famous, and curdled with jealousy and resentment, Kristoffer Borgli has made the film for you. The filmmaker’s tart and scabrously funny (both literally and figuratively) sophomore feature is a pointed portrait of a toxic relationship and a razor-sharp evisceration of those warped by a victim mentality.
It probably says something, in spite of their public comments to the contrary, about the severity of the Coen Brothers’ break-up that each of them has proceeded to make a movie that you not only can’t imagine them making together, but that is so easily classifiable — after all, “Shakespeare adaptation” and “musical bio-doc” are two of the most venerable film types of today. The only genre you could safely consign them to before now was their own; they made “Coen Brothers movies,” and everyone knew what that meant, even if they couldn’t precisely pinpoint it.
During the winter in a small town in northern Finland, you might find yourself making plans to ask questions about human existence on a Saturday night. Or perhaps you’ll stay up in bed, giggling while reading a book by Sigmund Freud.
Between her job as a French-English interpreter, the prospect of romantic fulfillment, and the impending deterioration of her father’s health, the woman holding together all the threads in Mia Hansen-Løve’s “One Fine Morning” navigates a wide spectrum of human emotion. In the director’s follow up to last year’s English-language meta homage “Bergman Island,” Sandra (Léa Seydoux) oscillates between desire and grief with believable fluidity.
K.J. Yossman “Westworld’s” Fares Fares is set to make his directorial debut with a Swedish film titled “A Day and a Half” for Netflix.Fares will also star in the feature alongside Alexej Manvelov (“Chernobyl”) and Alma Pöysti (“Tove”). It is scheduled to hit Netflix in 2023.