Their story. Shannon Abloh, the widow of designer Virgil Abloh, opened up about her late husband’s legacy one year after his devastating death.
11.11.2022 - 18:43 / usmagazine.com
It’s over. Chris “CT” Tamburello has filed for divorce from his wife, Lilianet “Lili” Solares, after four years of marriage.
The Challenge alum, 42, filed a motion to dissolve their marriage in Florida on Monday, November 7, Us Weekly can confirm. Tamburello claimed in his filing that their relationship is “irretrievably broken.”
Us previously broke the news in September 2018 that the twosome tied the knot, two years after welcoming son Christopher Jr.
“One of the things I love about Lili is she doesn’t want the attention, it’s just about me and her,” the nine-time champ told Us at the time. “I appreciate that because I’ve been doing this for so long I have a different appreciation for privacy. Her and CJ, they’re like my sanctuary in my own little world.”
He added: “But moving forward, I’m so proud of these times of my life I want to share them with everybody. And Lili wants to come out of hiding, too.”
As Tamburello and Solares, 30, continued raising their now-6-year-old son, their relationship hit a snag as he went to compete on The Challenge: Double Agents.
“The last few seasons I wasn’t in the best place mentally. Marriage was not going well,” the New York native said in a December 2020 episode. “We’re separated, and I feel like I’ve been running from problems for a long time. I feel like they finally caught up with me. I couldn’t lie to myself anymore.”
Without further addressing the nature of their separation, Tamburello admitted at the time that he was ready to dive back into The Challenge — “focused on myself” and “getting my head right.”
After filming concluded, the MTV personality and Solares eventually reconciled — before their relationship status once again made headlines earlier this year.
“Hey guys, quick PSA about
Their story. Shannon Abloh, the widow of designer Virgil Abloh, opened up about her late husband’s legacy one year after his devastating death.
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Filmmaker James Gray has arguably been trying to avoid himself and his past these last few years, perhaps in order to create something new. A filmmaker who has spent much of his time exploring America and his roots in New York, with humanistic, moral, and family stories about class within the genre of crime (“Little Odessa,” “The Yards,” “We Own The Night”), in the last few years of his filmmaking career, Gray has seemingly gone as far away from New York as possible, into the jungles of the amazon for “The Lost City Of Z” (2014) and into the far reaches of outer space for “Ad Astra” (2019). And while those films have expanded the palette of his preoccupation, “Ada Astra” in particular tackling ideas of American exceptionalism and its myths, perhaps both films—still centered on class, family, fatherhood and more— demonstrated, as far as he travels, the filmmaker cannot escape himself or his human obsessions and concerns.
IATSE Studio Mechanics Local 52 in New York has entered into a settlement agreement with James Harker, a nonunion production worker, in which the union has agreed that it will not discriminate against nonunion workers seeking jobs in the film and TV industry.
Filmmaker James Gray has arguably been trying to avoid himself and his past these last few years, perhaps in order to create something new. A filmmaker who has spent much of his time exploring America and his roots in New York, with humanistic, moral, and family stories about class within the genre of crime (“Little Odessa,” “The Yards,” “We Own The Night”), in the last few years of his filmmaking career, Gray has seemingly gone as far away from New York as possible, into the jungles of the amazon for “The Lost City Of Z” (2014) and into the far reaches of outer space for “Ad Astra” (2019). And while those films have expanded the palette of his preoccupation, “Ada Astra” in particular tackling ideas of American exceptionalism and its myths, perhaps both films—still centered on class, family, fatherhood and more— demonstrated, as far as he travels, the filmmaker cannot escape himself or his human obsessions and concerns.
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What the f**k. As more and more Nickelodeon stars speak out about their experience working for the network — and one creator in particular — the story just gets bleaker.