The Celtic Cartel: How the Kinahan crime mob rose to the top of the global drugs trade

The Bill leading to Awaab's Law is set to appear in Parliament for a final time this week before being signed off by King Charles. More than 177,000 people signed a change.org petition launched by the Manchester Evening News to change the law in Awaab Ishak's memory.

Editor’s note: Deadline’s It Starts on the Page features standout drama series scripts in 2023 Emmy contention. It showcases the critical role writers’ work plays in a show’s success. Arrangements were made before the WGA strike began on May 2.

HBO has another hit on its hands with “The Last Of Us,” with the series breaking all sorts of viewership records for the network earlier this year. And a lot of the show’s critical success comes from its cast, leading man Pedro Pascal in particular.

Jennifer Lawrence has a different sort of relationship with the paparazzi since she welcomed her son Cy.

The Bear returns for its second season this month.Created by Christopher Storer, the show’s first season followed award-winning chef Carmen ‘Carmy’ Berzatto (Jeremy Allen White) who returns to run his family’s Italian beef sandwich shop following the suicide of his older brother.The second season picks up after Carmy’s decision to close the shop in order to open a new restaurant, alongside Sydney (Ayo Edebiri) and Richie (Ebon Mass-Bachrach).A synopsis reads: “Carmy, Sydney and Richie work to transform their grimy sandwich joint into a next-level spot. As they strip the restaurant down to its bones, the crew undertakes transformational journeys of their own, each forced to confront the past and reckon with who they want to be in the future.

Chris Willman Senior Music Writer and Chief Music Critic Musical tag-teaming doesn’t have results much more fruitful than what came about when the showrunners of “A Small Light” picked Ariel Marx to compose the score for the limited series and Este Haim to serve as executive music producer. Neither Haim nor Marx was in a position to take anything about the job lightly, given that the eight-episode series for National Geographic and Disney+ tells the story of a Dutch woman, Miep Gies, who helped hide Anne Frank and her family from the Nazis. Yet, in their very separate roles, both found ways to bring musical light or even levity into a drama that inevitably skews toward tension. Este Haim took on the EMP job for the first time with “A Small Light” after previously scoring or co-composing “Maid” and “Cha Cha Smooth” — on top of her day job as one-third of the rocking sister trio Haim. For “A Small Light,” she produced episode-ending covers of songs from the first half of the 20th century, performed by Angel Olsen, Moses Sumney, Kamasi Washington, Sharon Van Etten with Michael Imperioli, Remi Wolf, Weyes Blood, duet partners Orville Peck and King Princess, and her sister Danielle.

Michael Schneider Variety Editor at Large Most of this year’s limited or anthology series Emmy frontrunners had several choices on where to compete. “Dahmer: Monster — The Jeffrey Dahmer Story” is part of a new “Monster” anthology series, but it could have gone drama. “Beef” might have found a home in drama or comedy, but landed in limited (same goes for “Mrs. Davis”). All of these series have a trailblazer to thank for the flexibility that comes with the limited/anthology category: HBO’s “From the Earth to the Moon.” It’s been 25 years since that landmark miniseries was an Emmy contender — and it’s remarkable to look back at what a controversial decision it was at the time to even call it a “miniseries.”

William Earl After the third episode of “The Idol,” series co-creator Sam Levinson described how he developed the creepy, awkward and ambitious cult leader Tedros played by Abel “The Weeknd” Tesfaye. “We’re in Abel’s house, we’re talking it through, imagining the character Tedros,” Levinson said, in the series’ “Crafting the Family” featurette on Max. “And I would say, ‘Imagine you have all of the dreams that you have of what you want to do in life, in terms of music, and your career, all of the aspirations — but imagine you have none of the talent. That’s who this character is.'” Tesfaye described the character similarly in a recent interview.

Matthew Broderick couldn't be happier to be a dad.The celebrated actor walked the red carpet at the 2023 Father of the Year Awards at the Sheraton New York Times Square Hotel on Thursday, where he was joined by his 20-year-old son, James Wilkie Broderick, who presented him with the special honor at the event.ET spoke with the father-son duo ahead of the gala, and Matthew, 61, said that out of all the things he's done, being a father «is my favorite.»Reflecting on the unexpected nature of fatherhood, Matthew explained, «It just happens, you know? You don't really know how to do it, and then suddenly you're a dad. But I'm very happy that that happened.»«I didn't really choose for him to be my dad either, in the same fashion,» James chimed in with a laugh. «But I'm extremely happy.»Matthew and his wife, Sarah Jessica Parker, welcomed James in 2002.

Alison Herman TV Critic The hit British film “The Full Monty” — for a brief period in 1997, the most lucrative release in U.K. history — was, in some ways, the original “Magic Mike.” The comedy chronicled six unemployed ex-steelworkers in post-Thatcher North England as they formed a stripping troupe. (The name referred to the strippers’ willingness to bare all, genitalia included.) By treating sex work as a symbol of larger economic malaise, “The Full Monty” anticipated the approach Steven Soderbergh would take stateside over two decades later.  “Magic Mike” has since ballooned into a full-blown phenomenon spanning a trilogy of films, a reality show and a globally successful stage revue. “The Full Monty” has, until now, resisted such expansion. (There have been a handful of stage adaptations, though nothing on the scale of “Magic Mike Live.”) But on June 14, FX will stream all eight episodes of a TV sequel, also called “The Full Monty,” on Hulu. The show carries the same set of core characters a quarter century into the future — minus the nudity, but retaining the same bittersweet mix of working class social realism and irreverent humor to take the edge off. Even affable British indies, it would seem, are not immune from the modern IP boom.

Michael Schneider Variety Editor at Large The Emmys have been here before. In 1980, the Screen Actors Guild and the American Federation of Television and Radio Artists (back then, they were two separate unions negotiating a joint contract with the studios but are now the combined SAG-AFTRA) went on strike for three months. That year’s Emmy telecast happened to fall right in the middle of it. Actors boycotted the ceremony, but for some reason, the TV Academy went ahead with the Emmy telecast anyway. Famously, only one out of 52 nominees attended: Powers Boothe, who said when accepting his trophy for playing cult leader Jim Jones: “This is either the most courageous moment of my career or the stupidest.”

This story about the casting of “Shrinking” first appeared in the Comedy Series issue of TheWrap’s awards magazine.Say you’re casting a thoughtful comedy about the world of psychotherapists, and you need a seasoned veteran to support the sharp young cast in a potentially scene-stealing mentor role. And then you land one of the biggest movie stars in the world, an icon who has been in two of the largest movie franchises in the last 50 years.This was the reality for “Shrinking” casting directors Debby Romano and Brett Benner when the AppleTV+ comedy was being put together.

Cashing in. Tom Sandoval and Raquel Leviss‘ cheating scandal came with an unexpected paycheck for several Vanderpump Rules stars.

The positive response to the Dutch reality series De Verraders has brought different versions of The Traitors to many countries, but executive producer Toni Ireland says the biggest challenge for her was to ensure that the U.S. production stood out in the crowd. Peacock’s The Traitors brings together a group of everyday people and reality TV stars in an elaborate murder-mystery competition hosted by Alan Cumming. Perhaps the biggest change in the U.S. series was in how the game ended, which led to a shocking finale where the group needed to unanimously decide to either trust their fellow finalists and split the money or call for another elimination vote if they believe a traitor is still among them.

Owen Gleiberman Chief Film Critic There’s a moment in “Stan Lee,” David Gelb’s lively and illuminating documentary about the visionary of Marvel Comics, that’s momentous enough to give you a tingle. The year is 1961, and Lee, approaching 40, is burnt out on comics. It’s a form he has never taken all that seriously, even though he’s been working at it since 1939, when he started, at 17, as a gofer for Timely Comics. (Within two years he’d become the company’s editor, art director, and chief writer.) The comics he creates get so little respect that he tries to hide his profession when asked about it at cocktail parties. In 1961, though, Lee receives a directive from Martin Goodman, the publisher of the company that’s about to be renamed Marvel. He is ordered to devise a team of superheroes that can compete with DC’s Justice League (who have become the fulcrum of the so-called Silver Age of Comics). Lee, weary of superheroes, is ready to quit the business. But his wife, the English-born beauty Joan Lee, suggests that he create the kind of characters he has always been talking about — a more realistic brand of comic-book figure, one that ordinary people could relate to.

The HBO Original documentary Being Mary Tyler Moore reveals the life of the titular actress, producer and philanthropist who dazzled family, friends and fans both on and off screen until her death in 2017.

The HBO Original documentary Being Mary Tyler Moore reveals the life of the titular actress, producer and philanthropist who dazzled family, friends and fans both on and off screen until her death in 2017.

Arnold Schwarzenegger is addressing what he has deemed a major failure in his life. In his upcoming Netflix docuseries, , out Wednesday, the 75-year-old blockbuster star revisited the moment he was confronted by his ex-wife, Maria Shriver, about fathering a child with their former housekeeper, Mildred Baena. As he recalled the events in an episode of the series, Arnold and Maria were in a weekly counseling session when their counselor told Arnold that Maria wanted to know if he was the father of Joseph Baena, now 25.

SPOILER ALERT! This post contains details from Sunday’s premiere of HBO’s The Idol.

warns could be used as “plagiarism machines” to craft scripts without writers. According to a WGA memo, the strike is costing Hollywood’s economy $30 million a day. Jack Kyser, the chief economist of the Los Angeles County Economic Development Corporation, estimated that the 2007-2008 strike cost his state $2.5 billion; this time the estimate of potential damages are likely to top at least $3 billion. Midway through the last strike, Kyser told the L.A.