‘The Boogeyman’ Review: Sophie Thatcher Shines in a Bleak Tale of Trauma and Terror

When Ellen Pompeo sees Katherine Heigl before our photo shoot, she offers a greeting worthy of Barbra Streisand. “Hello, gorgeous!” Pompeo exclaims, giving Heigl a hug. And suddenly, it’s like no time has passed since “Grey’s Anatomy” premiered as a midseason replacement in 2005 — after ABC executives considered not airing the show at all — in the time slot after “Desperate Housewives.” Ultimately, these two women somehow not only surpassed the ladies of Wisteria Lane, they redefined pop culture. Throughout this reunion, we seriously take you back to the first days of TV’s longest running primetime medical drama. As “Grey’s Anatomy” became an overnight sensation, Pompeo and Heigl were launched into the stratosphere of fame together, for better and for worse. On the plus side, the Shonda Rhimes-created series revolutionized television, with women and actors of color leading the show. Yet the sudden, sometimes toxic attention — as well as spending those long days and nights on the infamously grueling set during the early years — taught both of them hard-won lessons. “If you cannot stand up for yourself in this industry, very few people will stand up for you,” Heigl says to Pompeo. “So you’d better learn how to, and you’d better be OK with them not liking you for it. ”

Peter Meyer a prominent talent agent who prior to launching his company was a William Morris agent for over a decade, died Monday following a years-long battle with sarcoma. He was 68.“After a heroic five-year battle against sarcoma, Meyer found peace surrounded by his family.

Britain's Got Talent judge Amanda Holden looked sensational for the final tonight in a strapless mini dress. The TV judge, 52, wowed fans in a sparkly bandeau mini dress which nipped in at her waist to reveal her trim figure. The frock is embellished with little sequins and has a dangling beaded trim.

The Boogeyman” is here.The new supernatural thriller, based on the short story by Stephen King, stars Sophie Thatcher as a young woman whose mother was recently killed in a car accident. After the accident a strange man comes to see her father (Chris Messina) with a story about the Boogeyman, an evil entity that murdered his children. Soon enough this same entity is after the recently bereaved family.

Criminal profiling introduced new monsters into the cultural lexicon in the 1970s when the “serial killer” concept entered the conversation. Television has long been fascinated by these types of criminals, from the long-running “Criminal Minds” to David Fincher’s brilliant “Mindhunter.” Now, Apple TV+’s latest limited series, “The Crowded Room” is taking a stab (excuse the pun) at psychological thriller territory.

The Boogeyman will be terrifying audiences on the big screen this week (June 2), having already received positive reviews.Directed by Rob Savage (Dashcam), The Boogeyman is a supernatural horror based on the work of Stephen King. It follows bereaved high school student Sadie Harper (Sophie Thatcher) and her sister Sawyer (Vivien Lyra Blair) who are haunted by a terrifying entity.Other cast members include Chris Messina, Marin Ireland, Madison Hu, LisaGay Hamilton and David Dastmalchian.The film is based on a short story by King, which was first published in the March 1973 issue of the American magazine Cavalier.

William Earl While many horror movies are saddled with two-dimensional characters, the biggest strength of “The Boogeyman” is centering the story around a family that genuinely seems to love each other, which ratchets up the tension. The film’s cast had a unique path to finding the chemistry before the cameras even rolled, taking two weeks to act as a family in real life to deepen their bonds. “Mindy Project” alum and “Air” scene-stealer Chris Messina stars as Will Harper, a widowed dad who, despite being a therapist, can’t communicate with his daughters about the pain they’re all feeling. Messina said he was able to get in the right zone with “Yellowjackets” star Sophie Thatcher, who played his teen daughter Sadie, and Vivien Lyra Blair, who played the younger Sawyer, because of their family outings.

Forbes has unveilied the list of the 15 richest self-made women celebrities in America! Including some of the most fan-favorite A-List stars, celebrities, and athletes, the publication reports that they are worth a combined $10.8 billion.From Taylor Swift, Rihanna, Madonna and Beyoncé on the top spots when it comes to women in the music business to Shonda Rimes and Reese Witherspoon in the film and television industry, and two members of the Kardashian-Jenner family entering the list.

The Boogeyman” is here.Based on the short story by Stephen King (originally published in a 1973 issue of Playboy competitor Cavalier and collected in King’s 1978 anthology “Night Shift”), the slender story was first adapted by “A Quiet Place” writers Scott Beck and Bryan Woods in 2018 for 20th Century Fox. When Disney acquired the company in 2019, development was canceled, only to be revived in late 2021.

If the title feels familiar you would not be wrong. The word “boogeyman” has been the subject of numerous movies all using the same moniker, at least ten on iMDB database before I stopped counting, but all of them dated post 1973 when the horror master Stephen King first published his 8-page short story in a magazine, followed five years later by its inclusion in one of his classic short story collections, “Night Shift”. So in one form or another this now 50 year old tale has become shorthand for lots of Hollywood concoctions that had nothing to do with it, but hey a good title is a good title.

Spider-Man: Across The Spider-Verse is a film that is as visually stunning as it is philosophical. After the first chapter of Miles Morales’ journey in 2018, (Into The Spider-Verse) directors Kemp Powers, Justin K. Thompson, and Joaquim Dos Santos bring the spectacle that is nothing short of a woven tapestry of comic book realness. With an action-packed concept, it’s a roller-coaster ride through alternate realities and timelines as the viewer is introduced to hundreds of Spider-people.

Owen Gleiberman Chief Film Critic Nearly every mainstream animated feature (and just about every comic-book movie too) sets a tone and visual design that the audience plugs into; the movie, bold and shiny and clever as it may be, won’t deviate much from that. But the images in “Spider-Man: Across the Spider-Verse” have an intoxicating unpredictability. The film makes you feel like you’re dropping through the floors of a modern art museum on acid, yet there’s a thrilling moment-to-moment logic to it all. The madly eclectic images express something — an eyeball-tickling explosion of quantum physics, or a subliminal nod to some comic-book style from decades ago that’s so retro it’s new, not to mention bedazzling. This feels like it could have been the first movie designed to earn a thumbs up from Andy Warhol and Stephen Hawking.

on “The Discourse” podcast, Miller would not be recast despite a history of legal troubles and alleged abuse.“If [a sequel] happens, yes,” Andy Muschietti said about Miller returning for another ‘Flash’ film. “I don’t think there’s anyone that can play that character as well as they did.

Chinese author Yu Hua is no stranger to Cannes. The famed postmodernist writer’s work first graced the silver screens of the Palais back in 1994 with director Zhang Yimou’s masterclass adaptation of his seminal novel, “To Live.” A searing portrait of a single family’s struggle through China’s mid-century upheaval and the Cultural Revolution, “To Live” would go on to win the festival’s coveted Grand Prix award, Prize of the Ecumenical Jury, and the Best Actor Award.

Owen Gleiberman Chief Film Critic Tommy Joe Ballantyne (Dave Turner), the central character in Ken Loach’s “The Old Oak,” is a middle-aged landlord and proprietor of a pub that sits near the bottom of a sloped street of working-class row houses. We’re in an unnamed village in the northeast of England, and the pub, called the Old Oak, has seen better days. So has Tommy, who’s known as TJ. Dave Turner, the very good actor who plays him, resembles a bone-weary cross between John C. Reilly and Michael Moore. There’s a sweet-souled directness to his sad prole stare, and he treats his customers, some of whom he has known since they were in grade school together, with quiet affection and respect. But the pub is falling apart, and the property values in the neighborhood have plunged. TJ is barely scraping by serving pints of bitters.

The Boogeyman” is a very common childhood nightmare. He’s the reason we checked under our beds at night and made our parents triple check the closet. In 1973, Stephen King wrote a short story called “The Boogeyman” about a man who visits a therapist and explains that a monster has killed all of his children, one by one.

Jessica Kiang Imagine the gleaming surfaces of Park Chan-wook’s terrific “Decision to Leave” stripped of romance, all scuzzed-up and grimy. Imagine drilling down through Diao Yinan’s Berlin-winning “Black Coal, Thin Ice” and finding unexpected seams of absurdist dark comedy. You are now somewhere in the seamy offbeat world of “Only the River Flows,” director Wei Shujun’s inventive riff on Asian-noir that gives the expanding subgenre something its Chinese contributions often lack: a pitch-black sense of humor.  Wei has been laying claim to the title of laid-back joker in China’s new-gen pack since debuting with affable slacker comedy “Striding into the Wind” in 2020 (a selection in 2020’s canceled Cannes festival) and following it up with autoreflexive filmmaking satire “Ripples of Life.” Now he brings his wry sensibilities to bear on this murdery mindbender, which he adapts, with a healthy disdain for boring stuff like “linear plotting” and “resolution,” alongside Kang Chunlei, from a short story by postmodernist author Yu Hua.

David Dastmalchian and Sophie Thatcher stepped out for the premiere of their new movie, The Boogeyman, held at El Capitan Theatre in Hollywood on Tuesday night (May 23).

Athletes with an aesthetic! NBA players know how to command attention on and off the court.

Disney’s live-action “The Little Mermaid” — the highly anticipated and revamped musical starring Halle Bailey — is finally here to take us back under the sea. The music by Oscar-winner Alan Menken that made the first one a hit is also back, but these songs have been rewritten for the live version with help from Lin-Manuel Miranda.