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‘Black Panther: Wakanda Forever’ Kicks Off With $10M+ On Day One Overseas – International Box Office - deadline.com - France - Brazil - Mexico - Italy - Thailand - Germany - Indonesia
deadline.com
10.11.2022 / 21:31

‘Black Panther: Wakanda Forever’ Kicks Off With $10M+ On Day One Overseas – International Box Office

Disney/Marvel’s Black Panther: Wakanda Forever got out to a $10.1M start in  17 international box office markets on Wednesday. This is ahead of continued offshore rollout through Friday and the sequel’s domestic debut on Friday (domestic previews start Thursday). 

‘Meet Me In The Bathroom’ A Milestone For Utopia; ‘Banshees’ Expands – Specialty Box Office - deadline.com - New York - Los Angeles - USA - Chicago - county Hall - county Webster - Canada - Seattle - San Francisco - Detroit - Austin - county El Paso - city San Antonio - city Akron
deadline.com
07.11.2022 / 00:51

‘Meet Me In The Bathroom’ A Milestone For Utopia; ‘Banshees’ Expands – Specialty Box Office

Rock documentary Meet Me In The Bathroom grossed $85,683 in four locations for a per screen average of $21,421 in week one, a milestone for the indie distributor. Two of four screenings were one night only, sold-out events at The Fonda in LA and Webster Hall in NY (live performances by The Moldy Peaches, Adam Green, Wah Together)

‘The Banshees of Inisherin’ Brings Indie Box Office a Few More Inches of Progress - thewrap.com - state Missouri
thewrap.com
06.11.2022 / 22:15

‘The Banshees of Inisherin’ Brings Indie Box Office a Few More Inches of Progress

Over the past two weekends in limited release, Martin McDonagh’s tragicomedy starring Colin Farrell and Brendan Gleeson has posted better numbers than Focus Features’ “Tár” but well short of McDonagh’s 2017 Oscar winner “Three Billboards Outside Ebbing, Missouri.” That trend has continued as “Inisherin” beat the $1 million total earned last weekend by “Tár” from 1,095 theaters while grossing roughly half of the $4.4 million 3-day total that “Three Billboards” earned from 614 theaters on Thanksgiving weekend five years ago. Such a result is to be expected, as arthouses that survived the COVID-19 pandemic labor to bring audiences back to theaters for critically-acclaimed but challenging fare.

‘Tár,’ ‘Till’ Post Tepid Numbers in Wide Release at Specialty Box Office - thewrap.com - Britain - New York - Los Angeles - city Buenos Aires
thewrap.com
30.10.2022 / 20:51

‘Tár,’ ‘Till’ Post Tepid Numbers in Wide Release at Specialty Box Office

“Till” is sixth on the box office charts after expanding to 2,058 theaters, grossing just $2.8 million for a per-theater average of $1,366 and a running total of $3.6 million. The good news for Chinonye Chukwu’s true-story drama about the murder of Emmett Till is that critical and audience praise has been overwhelming, with a 98% Rotten Tomatoes score and an A+ on CinemaScore.

‘Black Adam’ Monday Best This Fall To Date, Also Beats Dwayne Johnson’s ‘Jumanji: Next Level’, ‘Central Intelligence’ & More – Box Office - deadline.com
deadline.com
25.10.2022 / 21:53

‘Black Adam’ Monday Best This Fall To Date, Also Beats Dwayne Johnson’s ‘Jumanji: Next Level’, ‘Central Intelligence’ & More – Box Office

Let’s celebrate the heydays of this autumn’s box office where we can, the season greatly hampered by a lack of tentpole product.

Broadway Box Office Holds Steady At $29M; ‘Phantom’ Nabs $1.6M; Gabriel Byrne‘s ’Walking With Ghosts’ Joins The Roster - deadline.com
deadline.com
25.10.2022 / 21:41

Broadway Box Office Holds Steady At $29M; ‘Phantom’ Nabs $1.6M; Gabriel Byrne‘s ’Walking With Ghosts’ Joins The Roster

Broadway box office held steady last week, with impressive attendance for recent arrivals Almost Famous and Kimberly Akimbo, and Leopoldstadt again setting a house record at the Longacre with receipts of $1,158,051.

Searchlight’s Back With ‘Banshees’; ‘Aftersun’, Tanya Tucker & USC’s First Theatrical Film ‘Voodoo Macbeth’ At The Arthouse – Specialty Preview - deadline.com - New York - Los Angeles - Turkey - county Wells - city Venice - city Century - Charlotte, county Wells
deadline.com
21.10.2022 / 22:55

Searchlight’s Back With ‘Banshees’; ‘Aftersun’, Tanya Tucker & USC’s First Theatrical Film ‘Voodoo Macbeth’ At The Arthouse – Specialty Preview

The Banshees of Inisherin, which won writer-director Martin McDonagh Best Screenplay and Colin Farrell the Volpi Cup for Best Actor in Venice last month, hits theaters in New York and Los Angeles on Friday, expanding to 10 more markets/50 locations next weekend, and to 600-800 screens November 4.

Global Box Office Needs A Hero: ‘Black Adam’ Raging To $135M Worldwide Opening - deadline.com - Canada
deadline.com
19.10.2022 / 04:51

Global Box Office Needs A Hero: ‘Black Adam’ Raging To $135M Worldwide Opening

Finally, after a very long drought at the box office, a fire-breathing theatrical-windowed tentpole arrives in New Line’s Dwayne Johnson title, Black Adam.

China Box Office: ‘Homecoming’ Claims Third Weekend Win - variety.com - China
variety.com
17.10.2022 / 08:29

China Box Office: ‘Homecoming’ Claims Third Weekend Win

Patrick Frater Asia Bureau Chief Homecoming, a patriotic rescue movie, dominated the mainland China box office for the third successive weekend. Overall numbers remained anemic in the first full week after the National Day holiday period, sometimes referred to as a ‘Golden Week’. “Homecoming” garnered $12.1 million (RMB85.6 million) between Friday and Sunday, according to data from consultancy and research firm Artisan Gateway. That gave the film a 64% share of the nationwide weekend aggregate. Accordingly, it was far ahead of second-placed film “Give Me Five,” which released on Sept. 9, 2022. “Give Me Five” earned just $1.9 million over the weekend, for a six-week cumulative of $63.8 million.

Korea Box Office: Retreat Continues as Weekend Total Falls to $4.2 Million - variety.com - South Korea - North Korea - city Busan
variety.com
17.10.2022 / 03:11

Korea Box Office: Retreat Continues as Weekend Total Falls to $4.2 Million

Patrick Frater Asia Bureau Chief While the Busan International Film Festival was busily hailing a return to normality the slump at South Korea’s commercial box office deepened dramatically over the most recent weekend. Cinemagoing nationwide was worth only $4.20 million between Friday and Sunday, the lowest weekend total since April and a time before Korean cinemas shed their COVID restrictions. The weekend’s top film “Life Is Beautiful” managed the lowest first place score of any film this year, with a weekend haul of just $777,000, according to data from Kobiz, the tracking service operated by the Korean Film Council (KOFIC).

‘Till’, ‘Decision To Leave’ Open Strong As ‘Tár’, ‘Triangle Of Sadness’ Persevere; A Comeback For Adult-Minded Fare? – Specialty Box Office - deadline.com - state Mississippi
deadline.com
16.10.2022 / 23:27

‘Till’, ‘Decision To Leave’ Open Strong As ‘Tár’, ‘Triangle Of Sadness’ Persevere; A Comeback For Adult-Minded Fare? – Specialty Box Office

Chinonye Chukwu’s Till got off to a solid start at the specialized box office, grossing over $15k per theater from 16 locations in five markets for an estimated weekend gross of $240.9k, possibly more depending on how Sunday plays out.

‘Till,’ ‘Decision to Leave’ Lead Slow Weekend Indie Box Office - thewrap.com - New York - Los Angeles - New York - North Korea
thewrap.com
16.10.2022 / 23:09

‘Till,’ ‘Decision to Leave’ Lead Slow Weekend Indie Box Office

“Till,” directed by “Clemency” filmmaker Chinonye Chukwu, was released in five cities this weekend and grossed $240,940, bringing its per theater average to $15,059 as it will expand to 150-200 theaters in 30 cities next weekend. With critical acclaim on Rotten Tomatoes with a 100% approval rating and a 92% positive rating on Comscore/Screen Engine’s Posttrak, “Till” has built Oscar buzz for lead actress Danielle Deadwyler for her performance as Mamie Till-Mobley, who spent years fighting for justice after the racist lynching of her 14-year-old son, Emmett.

‘Smile’ Continues to Kill at International Box Office, ‘Ticket to Paradise’ Hits $70 Million Overseas - variety.com - Australia - Britain - France - Mexico - Germany - city Lost - Beyond
variety.com
16.10.2022 / 22:57

‘Smile’ Continues to Kill at International Box Office, ‘Ticket to Paradise’ Hits $70 Million Overseas

Rebecca Rubin Film and Media Reporter Paramount’s R-rated thriller “Smile” continues to beat box office expectations in North America and beyond. Over the weekend, the horror movie added $16.3 million at the international box office, boosting its overseas tally to $66.4 million. Globally, “Smile” has grossed $137.5 million, a killer result for a film with a $17 million production budget. It’s an even bigger win when taking into account that “Smile” was originally commissioned for the streaming service Paramount+ and wasn’t intended to play in theaters at all. But positive test screenings encouraged Paramount to give the film a full theatrical rollout. It’s the studio’s latest win following “Top Gun: Maverick,” “The Lost City,” “Scream” and “Sonic the Hedgehog 2.”

‘Halloween Ends’ just beginning to slash its way to top of box office - nypost.com
nypost.com
16.10.2022 / 00:25

‘Halloween Ends’ just beginning to slash its way to top of box office

“Halloween Ends” is only just beginning.The slasher film cut its way to first place at the box office on Friday, earning more than $20 million in theaters.The sequel to last year’s “Halloween Kills” is predicted to take in $43.4 million on its opening weekend, according to Variety.“Smile” was bumped from the top spot this week, moving down a notch to second, after spending two weeks at number one.The flick surpassed earnings of $100 million at the global box office in less than two weeks, as per Collider.The live-action/CGI musical comedy “Lyle, Lyle, Crocodile” swam down to third place, clawing in $2 million. The movie adaption of the popular children’s book series enjoyed a $11.5 million domestic debut on its opening weekend, according to Deadline.“The Woman King” held up her crown, remaining in fourth, with a $1 million-dollar take.

Can ‘Halloween Ends’ Turn Jamie Lee Curtis’ Last Stand Into a Big Box Office Run? - thewrap.com - Beyond
thewrap.com
12.10.2022 / 23:56

Can ‘Halloween Ends’ Turn Jamie Lee Curtis’ Last Stand Into a Big Box Office Run?

$49.4 million last year and finished with a $92 million domestic total, and pre-release projections for “Ends” have it matching that opening mark with a $50 million opening. By contrast, the first installment in this “Halloween” revival in 2018 opened to $76 million on the way to a $159 million domestic total and $255 million worldwide, buoyed before its release by strong reviews from critics praising Jamie Lee Curtis’ return to her debut role, Laurie Strode, that expanded interest beyond the series’ most devoted fans. “Kills,” on the other hand, got much poorer reviews, with critics slamming the sequel for sidelining Laurie in the hospital instead of having her take the murderous Michael Myers head-on like she did in the first film.

Box Office: ‘Halloween Ends’ Targets Big $50 Million-Plus Debut Even With Hybrid Release on Peacock - variety.com - USA
variety.com
12.10.2022 / 18:47

Box Office: ‘Halloween Ends’ Targets Big $50 Million-Plus Debut Even With Hybrid Release on Peacock

Rebecca Rubin Film and Media Reporter Laurie Strode is going out with a bang. “Halloween Ends,” the supposed finale to Universal’s long-running slasher series (are we ever going to be able to quit Michael Myers?) is targeting a healthy $50 million to $55 million in its opening weekend even with its hybrid release on Peacock. If those estimates hold, it’ll be the first movie since “Thor: Love and Thunder” in July to open to at least $50 million. “Halloween Ends” is the rare day-and-date release with a proper point of comparison since its predecessor also launched on streaming during the pandemic. “Halloween Kills” opened to $49 million last October while landing simultaneously on the NBCUniversal-owned Peacock — a bloody-good result given the COVID-era limitations in 2021. “Halloween Ends,” which is playing in 3,800 North American theaters, has the added benefit of monopolizing the entire Imax and premium large format footprint.

What’s Behind the Scary-Good Box Office Holds for ‘Smile’ and ‘Barbarian’? - variety.com
variety.com
12.10.2022 / 17:15

What’s Behind the Scary-Good Box Office Holds for ‘Smile’ and ‘Barbarian’?

Rebecca Rubin Film and Media Reporter At the box office, horror movies have a tendency to run out of steam faster than a teenager being chased through the woods by a masked killer. Even the most successful scary stories are known to earn the bulk of their money in the first weekend of release. Yet “Smile” and “Barbarian,” two recent big-screen thrillers, have defied conventional wisdom by impressively sticking around in theaters after opening weekend. Ticket sales for “Smile,” in particular, nominally declined in between its first and second weekend of release, a sign of exceptionally positive word-of-mouth. Over the weekend, Paramount’s “Smile” retained the No. 1 spot in North America with $18 million, sliding just 18% from its $22 million start. At the international box office, something even crazier happened: “Smile” actually improved on its debut by 31%, bringing in $19.1 million in its second weekend. And it continues to flex during the week, adding $2.6 million domestically on Monday. After only 12 days in theaters, the movie is already nearing the coveted $100 million mark. It’s a bloody-good result for the $17 million-budgeted “Smile.”

Irish Oscar Entry ‘The Quiet Girl’ Breaks UK & Ireland Box Office Record - deadline.com - Britain - Ireland
deadline.com
10.10.2022 / 21:11

Irish Oscar Entry ‘The Quiet Girl’ Breaks UK & Ireland Box Office Record

Colm Bairéad’s The Quiet Girl, which is Ireland’s entry in the Best International Film Oscar race this year, has punched through the €1m ($971,000) box office ceiling in a record-breaking performance for an Irish-language feature.

Will Oscar Movies Finally Rebound at the Box Office? Deciphering Ticket Sales for ‘Tár’ and ‘Triangle of Sadness’ - variety.com - New York - Los Angeles - Los Angeles
variety.com
10.10.2022 / 18:39

Will Oscar Movies Finally Rebound at the Box Office? Deciphering Ticket Sales for ‘Tár’ and ‘Triangle of Sadness’

Rebecca Rubin Film and Media Reporter After two years of upheaval and unfamiliarity at the box office, there’s something refreshingly familiar about the theatrical release of “Tár.” The acclaimed movie, directed by Todd Fields and starring Cate Blanchett as a world-famous conductor embroiled in a controversy of her own making, generated a stellar $160,000 from four theaters (two in New York City and two in Los Angeles) over the weekend, averaging a mighty $40,000 per location. Next weekend, it’s expanding its theater count (ever so slightly), to 30 new venues in 10 domestic markets. That kind of steady and deliberately paced rollout, one that relies almost entirely on positive word-of-mouth, is about as traditional as it gets for an arthouse film. Yet for most of the pandemic, it was rendered obsolete.

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