The 58th New York Film Festival Officially Kicked Off With Steve McQueen’s “Lovers Rock”

Dino-Ray Ramos Associate Editor/ReporterAvengers: Endgame and Marvel Studios auteurs Joe & Anthony Russo, Slugfest directors Don Argott and Sheena M. Joyce, DC’s Legends of Tomorrow alum Brandon Routh as well as comic book pioneers Jenette Kahn and Jim Starlin took the virtual dais and New York Comic-Con with fanboy godfather Kevin Smith on Thursday afternoon to talk about the upcoming Quibi serieswhich details the complex history (or some may say rivalry) between DC Comics and Marvel.

Sundance title in the mix, too.)For the 2021 Oscars, however, the enthusiasm is muted — COVID, election — and that 7/9 proportion will likely skew lower. After Sundance, the last carefree, business-as-usual festival, big titles a la “Joker” and “1917” have been in relatively short supply because studios want traditional theatrical releases after premieres.

Owen Gleiberman Chief Film CriticIn “Red, White and Blue,” the fifth and final film of Steve McQueen’s Small Axe anthology (and the third to be shown at this year’s New York Film Festival, after the lilting reggae house-party movie “Lovers Rock” and the wrenching social-protest courtroom drama “Mangrove”), Leroy Logan (John Boyega), a British research scientist, figures that he’s had enough of the lonely work of staring at tissue specimens through a microscope, so he decides to become a member

Todd McCarthy Red, White and Blue, the third and final installment of Steve McQueen’s Small Axe quintet of films about racial issues specific to Great Britain being world premiered at the New York Film Festival, zeroes in on the ordeal of a young black Londoner set on helping to definitively break the color barrier at London’s Metropolitan Police Force in the early 1980s.

One of the great joys of the New York Film Festival has been watching Steve McQueen’s new film anthology “Small Axe.” Composed of five works set between the late-’60s and early-’80s, the two recently screened films — “Lovers Rock” and “Mangrove” — are intimate slices of life of a little-represented community, British Black folks from the West Indies, resiliently thriving amidst a racially hostile environment.

One of the great joys of the New York Film Festival has been watching Steve McQueen’s new film anthology “Small Axe.” Composed of five works set between the late-’60s and early-’80s, the two recently screened films — “Lovers Rock” and “Mangrove” — are intimate slices of life of a little-represented community, British Black folks from the West Indies, resiliently thriving amidst a racially hostile environment.

NEW YORK -- In a movie year mostly lacking big, ambitious releases, Steve McQueen’s “Small Axe” anthology is an unqualified main event. While many other filmmakers are on hold, the “12 Years a Slave” director has raced to finish not one but five new films.The movies, spanning 1968 to 1985, are each individual stories about the West Indian community in London.

Brent Lang Executive Editor of Film and MediaThe 58th edition of the New York Film Festival is unlike any of the previous 57 iterations. Coronavirus restrictions on public gatherings forced the festival’s organizers to overhaul their usual approach to highlighting the best of cinema.

Naman Ramachandran BBC Studios sells Steve McQueen’s “Small Axe”; ZDF commissions natural history series “Africa From Above”; “Married at First Sight” gets live wedding; ITV orders game-show format “Game of Talents”; travel format “Heads and Tails” goes to Spain; Jellyfish promotes Natalie Llewellyn; German Film Office opens in New York; and Monte-Carlo TV Festival sets 2021 dates.BBC Studios has secured several global pre-sales for Oscar, BAFTA and Golden Globe-winning filmmaker Steve McQueen‘

Todd McCarthy If Lovers Rock provided a sensuous, feel-good vibe to the opening night of this year’s unusual New York Film Festival, Mangrove supplies a follow-up thwack to the head and punch to the gut.

Andrew Barker Senior Features WriterJust judging by the slate, last year’s New York Film Festival offered a testament to the nearly six-decade-old fest’s place in the fall awards circuit firmament, and in New York filmgoing culture.

Todd Spangler NY Digital EditorTribeca Film Festival is expanding its focus on video games at next year’s planned fest in New York City: For the first time, Tribeca will open submissions for games to join the 2021 festival as official selections — and will bestow the inaugural Tribeca Games Award from the entries.The festival also announced a new advisory board for Tribeca Games comprising luminaries from the games and film worlds.

Mike Fleming Jr Co-Editor-in-Chief, FilmEXCLUSIVE: Keeping intact its long relationship with filmmaker Pedro Almodovar, Sony Pictures Classics has acquired The Human Voice, the 30 minute short film that stars Tilda Swinton and will be unveiled during the New York Film Festival.

Since its founding, the New York Film Festival has been intertwined with Lincoln Center. But, as with the entertainment industry at large, the coronavirus pandemic has shaken up long-standing traditions.

Bad Bunny surprised the city of New York with a livestreaming concert from the flatbed of a truck. The concert was also done to commemorate Hispanic Heritage Month as well as the anniversary of Hurricane Maria.

“If you are the big tree, we are the small axe,” this is the Jamaican proverb that has inspired filmmaker Steve McQueen‘s, “Small Axe,” a collection of five films inspired by real-life events about ordinary people showing courage, belief, and resilience to overcome injustice and achieve something transformative in their West Indian community.

Like most aspects of life, the New York Film Festival looks a little different this year, switching to a mostly virtual format in light of the pandemic.

Owen Gleiberman Chief Film CriticIn the most transporting scene of Steve McQueen’s “Lovers Rock,” we’re at a London house party that has just hit its smoky seductive dirty-dancing groove. It’s 1980, and most of the revelers have West Indian roots.

Todd McCarthy Watching Lovers Rock is akin to going to see Romeo and Juliet and only staying through the first act, to departing a basketball game after the first quarter, to sipping the soup and skipping the rest of the meal. A mere wisp of a thing, Steve McQueen’s 68-minute feature, the only fictional section of a five-film anthology called Small Axe about London’s West Indian community between the late 1960s and 1980, steeps you in the atmosphere and music of the latter date.

Also Read: Steve McQueen's 'Lovers Rock' Set as New York Film Festival Opening Night FilmCinematographer Shabier Kirchner (“Skate Kitchen”) gets us so close to the action that we’re reminded of why students at Catholic high-school dances are always admonished to leave room for the Holy Spirit.This is very much an ensemble piece, introducing us to various members of London’s West Indian community, but our protagonist is Martha (Amarah-Jae St.