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Season 3 of “Bridgerton” would be a lot less spicy.“I requested a PG version for my mammy because I am not doing that,” Coughlan, 37, jokingly said to Australia’s Today FM on Wednesday, February 14. “If you want to watch it with your mum and dad, go for it, [but] having seen bits … No way, no, no, no, no, no.”The hit Netflix series finally follows the love story between Penelope Featherington (Coughlan) and Colin Bridgerton (Luke Newton) after focusing on Daphne Bridgerton’s (Phoebe Dynevor) love story with the Duke of Hastings (Regé-Jean Page) in Season 1 and the romance between Anthony Bridgerton (Jonathan Bailey) and Kate Sharma (Simone Ashley of “Sex Education”) in Season 2. Newton, 31, also shared Coughlan’s sentiments and revealed that he won’t even watch the second episode with his mother.

released the first trailer for an upcoming comedy series in which a woman is accidentally turned into a chicken nugget. “A woman steps into an odd machine and becomes… a chicken nugget,” reads the South Korea-produced show’s synopsis on Netflix’s site. “Now, it’s up to her father and admirer to embark on a zany quest to bring her back.” The show, which is expected to hit the streaming site on March 15, stars Ryu Seung-ryong, Ahn Jae-hong and Kim You-jung.Netflix’s protein-packed comedy is directed by Lee Byeong-Heon, whose 2019 film “Extreme Job” also focused on chicken.

“Squid Game: The Challenge,” based on the hit South Korean drama, has gotten the green light — and the first trailer is officially here.At first glance, one thing is abundantly clear: “This is a savage game,” says one of the 456 players competing for the massive $4.56 cash prize, which is easily the largest prize in reality-TV history. And the tagline says it all: “Make friends.

Jake’s celebrity older sibling, Logan Paul, 28, corroborates his younger brother’s experiences on screen, calling Greg “a menace.”“Jake may throw around the the word ‘abusive,’ I prefer ‘not quite legal,’” Logan says.“We’ve been through some s–t dude. It wasn’t fun, it was f–king torture bro.

a crackdown on password sharing, which led to a huge subscription spike — presumably as freeloaders found themselves locked out.Unlike other services, Netflix did not show commercials until late 2022, when it began trialing an ad-supported plan. A recent report stated that just 5 million users had signed up for the option globally.

terrifying new AI weaponry, a new documentary exploring the future of artificial intelligence in battle reveals.“World leaders in Russia and China, people in the US military have said, whoever gets the advantage in AI is going to have an overwhelming technical advantage in war,” Jesse Sweet, director of “UNKNOWN: Killer Robots, premiering Monday on Netflix, told The Post.“This revolution is happening now, but I think our awareness [is] lagging behind,” Sweet, an Emmy Award-winning filmmaker and producer, warned. “Hopefully, it doesn’t think a mushroom cloud to make us realize, ‘Oh man, this is a pretty potent tool.'”Weapons-grade robots and drones being utilized in combat isn’t new, the documentary shows.

that claimed three lives and wounded more than 280 more on April 15, 2013, left law enforcement officials scrambling for answers — and fighting over whether or not to make public the identities of the radicalized bomber brothers, a new Netflix docuseries reveals. “American Manhunt: The Boston Marathon Bombing,” out Wednesday, walks viewers step by step through the chaos that characterized those first, frightening hours, and spotlights both forgotten and fresh new details about the nearly weeklong, dramatic efforts to catch the perpetrators.With security footage from the catastrophic moment at the marathon finish line coming up empty, authorities wound up catching their first big break when an innocuous tip from a shutterbug snapping pictures at the finish line turned into a major lead.“We got a phone call from a member of the public who said ‘I was across the street and I have a couple of still shots that you may want’ … and the still shot showed a bag on the ground,” FBI agent Kevin Swindon remembered.

mysteriously lost all radar contact a mere minute and a half later.The flight had vanished without a trace and to this day, what actually happened in the air remains one of the biggest mysteries in aviation history. A new Netflix docuseries, “MH370: The Plane That Disappeared,” examines several theories as to what happened that night.

Chase “publicity stunt” Stokes. Last season saw the plot of ye old treasure hunt thicken with the emergence of the potentially miraculous and absolutely bankable Cross of Santo Domingo, the establishment of desert island Neverland by the name of “Poguelandia” and the resurrection of John B.’s long lost, presumed dead daddy-o. Phew.

original Woodstock founder Michael Lang and his partners attempted to re-create the magic. Instead, Woodstock ’99 devolved into a catastrophe of arson, riots and sexual assault as over 200,000people descended on Rome, NY over the course of three days.

Devi (Maitreyi Ramakrishnan) who is torn between two boys at her high school: prickly academic Ben (Jaren Lewison) and popular jock Paxton Hall-Yoshida (Barnet). “It’s fun getting into the mind of a character like that because he’s the guy that everyone wanted to be in high school,” said Barnet. “He’s kind of the opposite of what I was like in high school.

“Westworld”).Now, he’s at the center of Netflix’s new epic, “Shadow and Bone,” the fantasy series based on a series of bestselling novels by Leigh Bardugo.“I was such a big fan of fantasy.

Kristin Hannah’s 2008 novel.The 10-episode Netflix drama, adapted for the small screen by Maggie Friedman, pinball-pings between the ’70s, ’80s and 2003 and will appeal to fans of earnest, tug-at-your-heartstrings drama finessed by two familiar TV faces.The storyline is woven around BFFs Tully Hart (Heigl) and Kate Mularkey (Chalke), who meet as teens in the mid-’70s when Tully (Ali Skovbye) moves to the show’s titular street with her hippie/druggy irresponsible single mom Cloud (Beau Garrett),

Denouncing the difficult-to-work-with rep that tanked her popularity in the 2010s, Heigl, 42, is starring in the buzzy new Netflix series “Firefly Lane” — and she’s also asking almost $4 million for the 5,267-square-foot home in the mountain state. The “Grey’s Anatomy” alum and her 40-year-old husband, singer-songwriter Josh Kelley, appear to have left this four-bedroom, five-bathroom chateau on N.

#TinyPrettyThings.”Another tweeted: “These sex scenes are a little much. They are teenagers.

Escaping human society is one thing, human nature quite another in “The Decline.” The Canadian thriller, available exclusively through Netflix, offers a modicum of timeliness for U.S. viewers who’ve coped with the coronavirus crisis by patronizing gun stores en masse: This fiction offers a sort of “how not to” in terms of locked ’n’ loaded response to civilization’s potential meltdown, as a group of survivalists discover they’ll be lucky to survive each other.

“Man, you get beat up a lot,” an aspiring boxer tells the eponymous punching bag/pulp-fiction private eye Mark Wahlberg plays in “Spenser Confidential.” “And I’ve noticed every single time you get your face pushed in, you come back with just a little bit more information.” That’s a pretty apt description of Spenser’s modus operandi, and one of several self-aware winks that makes this genre-bruising made-for-Netflix action vehicle a lot more fun, if not nearly as respectable, as Wahlberg’s four

“Jazz is Paris and Paris is jazz,” spoke-sang Malcolm McLaren a quarter-century ago, though the statement is valid as ever today: Since the end of World War I, when a number of African American soldiers settled in Paris — and still others left their music behind — the city has become a kind of world capital for jazz, with clubs still packing in audiences around town.

There is a Robert Frost poem called “Escapist – Never” which provides a frequent refrain in Greg Barker’s deeply admiring but drawn-out biopic of Brazilian diplomat and U.N. leading light Sergio Vieira de Mello.

A funny thing happens about a third of the way into “Horse Girl,” Jeff Baena’s fourth Sundance feature after “Life After Beth,” “Joshy” and “The Little Hours.” Or rather, a funny thing stops happening: the familiar, steady-heartbeat rhythms of the low-budget social awkwardness comedy become erratic, tachycardiac, as the initially endearing foibles of the film’s heroine, Sarah (a revelatory Alison Brie), are found to have deeper roots and more painful ramifications than feels right to laugh at.

Why stay in your lane when you can veer into other roadways with your own turbo-charged vehicles? With “A Fall from Grace,” mogul Tyler Perry swerves back and forth between his usual woman-centered melodrama and a quasi-thriller. Shot over just five days in late 2019, the writer-director-actor’s first made-for-Netflix feature hits trademark beats that might satisfy loyalists but are sure to make others wince or opt out.