Filmmaker Michael Mann always makes visceral movies; whether it’s the intensity at the heart of a tricky moral decision, the stakes centered in a high-octane heist drama, or the imperative choices felt by men pushed into dangerous corners with few options, his films are always going full-throttle. Fortunately for Mann, this works two-fold in his latest drama, “Ferrari,” a racing drama where everything is at stake for the characters and far beyond just winning a race for bragging rights or the spoils of victory.