Even though last year’s film festival circuit was greatly impacted by COVID-19, with many being canceled, there were still enough opportunities for some relatively small films to break out in a big way when given the chance to screen.
Even though last year’s film festival circuit was greatly impacted by COVID-19, with many being canceled, there were still enough opportunities for some relatively small films to break out in a big way when given the chance to screen.
Usually, the twists and turns during awards season are prompted by scandals, public relations goofs, or films that simply didn’t play as expected. This year, the ongoing pandemic has created changes in the process itself that continue to surprise longtime observers.
The 2020 Cannes Film Festival has risen from the dead. And much like a zombie from a George A.
Boldy unfolding through a series of fixed shots, Georgian director Dea Kulumbegashvili’s debut feature “Beginning” is a striking portrait of a woman’s internal suffering at the hands of a husband who prioritizes religious devotion over marital equality. Taking place within a small congregation of Jehovah’s Witnesses in Georgia, “Beginning” consists of roughly a week in the life of Yana (Mohsen Makmalbaf), wife to the congregation’s leader David (Rati Oneli, who also co-wrote).
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