Sundance Review: Karen Gillan In ‘Dual’

Jessica Kiang Freezing winter in a place designed for frolicsome summer can be a doleful time. A case in point: the empty hotels, shuttered waterparks and endless fog banks of the Italian beach town that gives Ulrich Seidl’s challenging but riveting Berlin competition film its name.

There’s bleak, there’s despairing, and then there is Ulrich Seidl, Austrian chronicler of the marginal, the miserable and plain mad. If there are Nazis still worshipping Hitler in some rural basement, Seidl will dig them out. Closet religious fanatics, marriages mired in cruelty, depraved things respectable people do on holiday that nobody at home will know about: Ulrich Seidl sets them out for all to see. Perhaps the Rimini director/co-writer is not so much bleak as relentlessly clear-eyed.

Naman Ramachandran Protagonist Pictures has closed multiple deals for several key territories on Sundance selection and Berlin Film Festival competition title “Call Jane.”Territories sold include DCM for Germany, Austria and Switzerland, Umbrella Entertainment for Australia and New Zealand, Mis.label for Scandinavia, Eagle for Italy, Shaw for Singapore and Empire for South Africa.Directed by Phyllis Nagy, the Oscar nominated writer of “Carol,” the film stars Elizabeth Banks, Sigourney Weaver, Kate Mara and Chris Messina. The film follows Joy (Banks), a traditional 1960s housewife who unexpectedly falls pregnant and finds the Janes, an underground abortion movement led by Virginia (Weaver).

Leonine And Lionsgate Strike Germany/Austria Film Deal

The deals keep coming at the 2022 Virtual Sundance Film Festival. MUBI closed the docu Free Chol Soo Lee, including North America, and Warner Bros is negotiating a near $7 million WW rights deal for the Tig Notaro/Stephanie Allynne film Am I Ok? to place the film on HBO Max. The Lauren Pomerantz-scripted film stars Dakota Johnson, Sonoya Mizuno, Jermaine Fowler, Molly Gordon, June Diane Raphael, and Sean Hayes.

Production company MUBI has acquired Julie Ha and Eugene Yi’s documentary “Free Chol Soo Lee” that premiered last week at Sundance, the company said in a release.The film has been acquired for North America, UK, Ireland, Latin America, German, Austria, Italy and Turkey and will release theatrically in 2022 in the U.S., with plans for other regions coming later.The documentary is about a movement in the 1970s in San Francisco, where a 20-year-old Korean immigrant Chol Soo Lee gets racially profiled and convicted of a Chinatown gang murder. Lee is sentenced to life and fights to survive until a journalist takes up his case and ignites a social justice movement in the Asian American community.

Wyatte Grantham-Philips editor“Free Chol Soo Lee” has been acquired by global distributor, streamer and production company MUBI.The documentary, which premiered last week at the Sundance Film Festival, will come to U.S. theaters in 2022, with release plans in other territories (Latin America, Ireland, Germany, Austria, Italy, Turkey, the U.K.

EXCLUSIVE: Saban Films has acquired North American and other overseas territory rights to The Old Way, the Western from director Brett Donowho that stars Nicolas Cage. The distributor is targeting a theatrical and VOD release for the pic sometime during the fourth quarter of 2022.

Utama (Our Home) is precisely the sort of discovery that justifies film festivals and makes them useful: a small, hitherto unheard-of work from an out-of-the-way country that grabs you from the opening minutes and afterwards makes you want to tell your friends they’ve got a real treat to look forward to. A rare Bolivian entry in a major festival, this Sundance World Dramatic Competition title and feature debut by Alejandro Loayza Grisi is gorgeously made and brings to life a backwater existence in a distant land with skill and assurance.

IndieWire.“My biggest challenge was first of all getting out there — that was a challenge, but I’ll save that for another day,” he said. “But I got out there [and] just dealing with the jet lag at all.

The 2022 virtual edition of the Sundance Film Festival is in full swing, and among the films making a debt at this year’s fest is “Dual”, a dark comedy starring Karen Gillan (“Doctor Who”, “Guardians of the Galaxy”) and Aaron Paul (“Breaking Bad”).

RLJE Films last night acquired U.S. rights to Riley Stearns’ thriller Dual in a competitive bidding situation, striking a low-mid seven figure deal for the film, which recently premiered in U.S. Dramatic Competition at the Sundance Film Festival.

Brent Lang Executive Editor of Film and MediaRLJE Films, a business unit of AMC Networks, has taken all U.S. rights to “Dual,” a sci-fi film about cloning with Karen Gillan and Aaron Paul, in a low to mid seven figure deal. XYZ Films, CAA Media Finance and UTA Independent Film Group closed the deal with RLJE Films last night in a competitive bidding situation following the film’s Sundance premiere.

“Dual,” the latest film from director Riley Stearns that stars Karen Gillan and Aaron Paul, has sold its U.S. rights to RLJE Films, a division of AMC Networks, for a deal that landed in the low to mid 7-figure range.

Things have not been going well for Emily. Some of it is just terrible luck.

Attempting to remake a classic film is never an easy assignment. Especially when said classic is as revered as Akira Kurosawa’s 1952 drama “Ikiru.” Director Oliver Hermanus and screenwriter Kazuo Ishiguro could have placed the story in contemporary times, making a new version more palatable for some critics, but instead, set it in the exact same era only interchanging London for Tokyo.

With a promising start with his first film Shithouse for which he starred, directed and wrote and won the Grand Jury Narrative Prize at SXSW, Cooper Raiff looms now also to be one of the breakouts of this year’s Sundance Film Festival where Cha Cha Real Smooth, his small but splendid second film for which he performs the same triple threat duties debuted Sunday as part of the Dramatic Competition lineup. I can only imagine if the festival had managed to be in person as originally planned rather than virtual in this Omicron-stricken year it would be met with a massive standing ovation. Raiff is bound to become an indie darling as if further proof was needed, but Cha Cha Real Smooth cements him as the real deal both in front of and behind the camera.

Rarely has a filmmaker kept his central character at such a distance as writer-director Ricky D’Ambrose does in The Cathedral. This is clearly an autobiographical work in some very important ways, and no doubt a purging of some demons as well. And yet the kid here, whose life the film follows from birth to his acceptance at college, has very few lines of dialogue and for the most part remains a cipher. All the same, this is a penetrating look at childhood that, distinctively, focuses more than anything on the foibles and shortcomings of the child’s parents, particularly his father.

Virgino and Sisa live what most people would consider a very simple life. They raise and care for Lamas in the Bolivian highlands keeping the traditions of their Quechua people alive.

The primary simultaneous imbalance and blessing of W. Kamau Bell’s We Need To Talk About Cosby is that even with a running time of four-hours, it’s clear by the end there’s still a lot more to say about the ex-convicted sex offender who was once America’s Dad.