Sundance Film Festival Adds Docs ‘The American Dream And Other Fairy Tales’ & ‘Phoenix Rising’ To Special Screenings Section

Sundance Film Festival closed its second virtual edition on Sunday, having fielded a few breakout new films and filmmakers, as well as some big sales.With the indie film box office in the doldrums, many of the most aggressive buyers were streaming giants, which have both an insatiable need for content and a desire to generate some awards buzz. While some of the movies received a more muted reception than in past years, when a standing ovation at Park City’s Eccles Theater was enough to trigger an all-night bidding war, there’s been no shortage of headline-making moments.

Directed by Paula Eislet and Tonya Lewis Lee (Spike Lee’s producer and partner), the documentary “Aftershock” chronicles the dismal maternal mortality rate that women of color face in the United States medical system. The statistics are shameful, pointing to a systemic racist indifference, and the documentary chronicles the staggering number of times that expectant mothers entering into hospitals simply do not come out alive due to a lack of care and sensitivity.

TikTok is an undeniable force in our society. It has the power to launch music careers, house the homeless, and unite people worldwide.

DistroTV, a free ad-supported streaming television platform, is moving into original content with the global debut of a feature film, Escándalo Secreto: En Plena Cuarentena. The comedy feature, directed and written by Jorge Cano, will bow on February 25th.

Angelique Jackson Netflix has acquired worldwide rights to the Sundance award-winning documentary “Descendant,” by filmmaker Margaret Brown (“The Order of Myths,” “Be Here to Love Me: Townes Van Zandt,” “The Great Invisible”). Higher Ground, President Barack Obama and Michelle Obama’s production company, will present the Participant feature alongside Netflix later this year.The film follows members of Africatown, a small community in Alabama, as they share their personal stories and community history as descendants of the Clotilda, the last known ship carrying enslaved Africans to the United States.

The Sundance Film Festival is revealing award winners for its 2022 edition on Friday afternoon beginning at 2 p.m. PT. Like the rest of this year’s festival, which was forced to go all-virtual because of the recent Omicron surge, the awards ceremony is playing out on Twitter.

his review, the film features a couple who both work at Disneyland but live with parents because they can’t afford a house or apartment. It also shows employees who are so cash-strapped, they frequent food banks set up specifically for Disney employees.

Peter Debruge Chief Film CriticAt the same moment Disney-critical documentary “The American Dream and Other Fairy Tales” was premiering at the Sundance Film Festival, the media giant’s controversy du jour involved the treatment of dwarfs in its upcoming live-action “Snow White” remake. “Heigh-ho! Heigh-ho!” as the lyrics go. “We dig up diamonds by the score / A thousand rubies, sometimes more / Though we don’t know what we dig ’em for.” Turns out, the employees of Disneyland can say the same, generating enormous wealth for shareholders and CEOs while earning barely enough to feed their families — a situation Abigail Disney wants to do something about.The granddaughter of The Walt Disney Co.

poisoned Russian dissident Alexei Navalny premiered at the Sundance Film Festival on Tuesday. Called “Navalny,” it’s a no-holds-barred indictment of Russian President Vladimir Putin and the Kremlin, and insists that Navalny’s close brush with death was the result of a secret state-run operation to assassinate him.“As I became more and more famous guy, I was totally sure that my life became safer and safer because I am kind of famous guy — and it will be problematic for them just to kill me,” Navalny, 45, says in the film. “I was very wrong.” The doc, heading to HBO Max, was added at the last minute to the Sundance slate just as Putin had stationed more than 100,000 troops along the Ukrainian border.

At first glance, actor-writer-director Cooper Raiff’s “Cha Cha Real Smooth” might look like your typical cutesy and whimsical Sundance dramedy, about a twenty-something college graduate learning a valuable life lesson and experiencing a bit of a delayed coming of age. While that’s not an inaccurate description of Raiff’s disarmingly lovely film (programmed in this year’s US Dramatic Competition), what feels miraculous about “Cha Cha” is: it doesn’t come with even an ounce of that cringe-inducing Sundance fancifulness, a brand that many love to hate.

The 72nd Berlin International Film Festival has confirmed its various juries, including who will be joining M. Night Shyamalan to award the International Competition prizes.

The 2022 Sundance Film Festival obviously has so much to offer. Big premieres from indie auteurs, world cinema, documentaries, films for kids, and movies that are receiving so much acclaim right now, you’ll be hearing more from them later in the year upon regular theatrical release.

Wilson Chapman editorThe Miami Film Festival has announced its opening and closing titles for its upcoming 39th edition.The festival, which showcases works from filmmaker’s in the Ibero-American diaspora, will premiere and end with two films listed on the Oscar shortlist for international feature film. “The Good Boss” (El Buen Patrón), a comedy written and directed by Spain’s Fernando León de Aranoa, will open the festival, which will close with “Plaza Catedral,” the sophomore narrative feature of Panamanian director Abner Benaim.“The Good Boss” stars Javier Bardem as Blanco, the owner of a family business up for consideration for a local award for business excellence. Determined to win the award, Blanco begins meddling in the lives of his employees, setting off a chain of events that leads to shocking repercussions.

$25 million Apple paid for “CODA,” the $15 million Netflix paid for “Passing” or documentary-record $15 million Searchlight/Hulu paid for “Summer of Soul.”  There’s still plenty of time for dealmaking, but not much time for new films to grab the spotlight: All of the festival’s movies were programmed to launch in the first five days, with Monday’s lineup – which included “Emily the Criminal,” “The American Dream and Other Fairy Tales,” “Dos Estaciones,” “The Janes” and “Am I OK?” – scheduled as the last of this year’s premieres.

Bob Iger is barely out the door at the Walt Disney Company and a film from a scion of the founding family has already come along to give the well compensated ex-CEO a kick in the ass. However, besides attracting a lot of attention, the Abigail Disney co-directed The American Dream and Other Fairy Tales documentary doesn’t have much to add to the discussions of income inequity, ice cold hearted corporations and the legacy of the Reagan Revolution, except a high profile and well-heeled surname.

is a Disney.It’s a self-conscious film, to be sure, driven by a combination of passion and guilt. It’s also a scattershot one that could have viewers wondering if it’s a film about the Walt Disney Company or a film about American capitalism.

Addie Morfoot ContributorThis year at the Sundance Film Festival, three feature documentaries — Paula Eiselt and Tonya Lewis Lee’s “Aftershock,” Reid Davenport’s “I Didn’t See You There” and Isabel Castro’s “Mija” — share in common a $10,000 grant provided by the Points North Institute and CNN Films’ American Stories Documentary Fund.Launched in 2020, the fund underwritten by CNN has dispensed a total of $100,000 in grants to emerging U.S. filmmakers working on 10 documentary projects that highlight pivotal moments in America. Eiselt and Lewis Lee’s “Aftershock,” and Davenport’s “I Didn’t See You There” are two of nine films in the Sundance U.S.

Jazz Tangcay Artisans EditorThe Academy of Motion Picture Arts and Sciences announced the launch of the new interview series, “Seen.” Nick Barili, an Argentinean-American journalist, director, writer and producer, sits down for one-on-one conversations with some of the most influential artists and filmmakers with Latin-American and Spanish roots. The first season of the web series will include Academy members John Leguizamo, Eva Longoria and Oscar-nominee Edward James Olmos (“Stand and Deliver”), as they discuss their personal journeys, culture and breaking down barriers in filmmaking.Leguizamo will lead the first episode as he explores his beloved New York City and maneuvering through the industry over his long career, also covering the topics of colorism and tokenism.

Owen Gleiberman Chief Film CriticHe’s a cha cha real smooth talker. He’s 22, tall and handsome with a beard, but not a scruffy hipster beard — more like a post-millennial, post-ironic traditional beard, which sets off features that are finely chiseled in a Middle American corporate way. (When he grins, he looks like Donny Osmond.) He’s just out of college but has no idea what he wants to do.