Sundance Documentaries Showcase Enhanced Storytelling Through Animation

Griffin Campbell and his family will be back solving supernatural mysteries after Disney Channel renewed Secrets of Sulphur Springs for a third season.

Roadside Attractions is taking U.S. distribution rights to Oscar-Nominee Phyllis Nagy’s theatrical feature directorial debut, Call Jane. A theatrical release is planned for the film this year.

Taraji P. Henson has signed on to star alongside H.E.R. and Corey Hawkins in Blitz Bazawule’s (Black Is King) adaptation of The Color Purple for Warner Bros., Deadline has confirmed.

including here at TheWrap), but has drawn fire on social media for the fact that the film calls the men “terrorists,” and because the filmmaker herself is not Muslim. One typical tweet by writer Jude Chehab of Turkish news website TRT World says: “When I, a practising Muslim woman say [the film’] is problematic, my voice should be stronger than a white woman saying it’s not.”Smaker, who spent five years making the film, told TheWrap that the movie challenges assumptions about people Americans regard as terrorists, while also offering a never-before-seen perspective into the men who embraced the ideology of groups like al Qaeda.

Jazz Tangcay Artisans EditorWomen have always been in the center of Pedro Almodovar’s films, driving his narrative. For the past few years, a woman has also been in the editing chair. For years, José Salcedo Palomeque was his go-to editor, until Palomeque died in 2017.

Jem Aswad Senior Music EditorThe full list appears below, but highlights include Cassandra Jenkins (New York), Coogie (South Korea), Ian Sweet (Los Angeles), Kosha Dillz (New York), La Doña (San Francisco), Moonchild Sanelly (South Africa), Pom Pom Squad (New York), Sloppy Jane (Los Angeles), Wet Leg (England), Wolf Eyes (Detroit) and dozens more.According to the announcement, SXSW continues to plan for a hybrid event (in-person with online viewing and participation options). The festival has updated its Covid-19 guidelines and will continue to coordinate with both the City of Austin and Austin Public Health — more details on SXSW’s Covid protocols are available on the SXSW website.All SXSW Music registrants receive primary access to Music and Convergence Conference programming, including Keynotes and Featured Speakers, Music Festival showcases, the Comedy Festival, exhibitions, networking Meet Ups, the Flatstock Poster Show, Registrant Lounge, the SXSW Outdoor Stage at Lady Bird Lake concerts, and the closing BBQ & softball tournament.

Rebecca Rubin Film and Media Reporter“Living,” an acclaimed re-imagining of Akira Kurosawa’s classic meaning-of-life story, has been sold to Sony Pictures Classics follow its premiere at Sundance Film Festival.Sony Pictures Classics, the indie division of Sony Pictures, has acquired rights in North America, Latin America, India, Scandinavia, Eastern Europe, Germany, South Africa, Southeast Asia, and airlines worldwide. A release date has not been announced yet.“Living” was directed by Oliver Hermanus and written by Nobel Prize-winning author Kazuo Ishiguro.

Call Jane,” a film starring Elizabeth Banks as a housewife in late-1960s suburban Chicago who seeks an abortion with the Jane Collective, where she is cared for by a member played by Sigourney Weaver. (Click here to read about Waxman’s conversation with the director and cast of “Call Jane.”)Lessin addressed how a story from 50 years ago could have resonance in 2022. “It’s a great story,” she said.

Angelique Jackson The story of the 2014 Jackson Robinson West little league baseball team’s championship run and subsequent downfall will be chronicled in the feature-length documentary “One Golden Summer.”The all-Black team from Chicago’s South Side defied expectations to win the U.S. Little League Championship, going on to face the baseball team from Seoul, South Korea, for the world title.

Guy Lodge Film CriticIf the Jane Collective has gone under-credited in American women’s rights history over the last half-century, independent cinema is doing its best to make up for lost time. Right on the heels of Phyllis Nagy’s colorful fictionalized drama “Call Jane,” “The Janes” is the second film at this year’s Sundance festival dedicated to the female-staffed, Chicago-based underground service that provided over 11,000 illegal abortions to women in need between 1968 and 1973, at which point Roe v.

Addie Morfoot ContributorThis year at the Sundance Film Festival, three feature documentaries — Paula Eiselt and Tonya Lewis Lee’s “Aftershock,” Reid Davenport’s “I Didn’t See You There” and Isabel Castro’s “Mija” — share in common a $10,000 grant provided by the Points North Institute and CNN Films’ American Stories Documentary Fund.Launched in 2020, the fund underwritten by CNN has dispensed a total of $100,000 in grants to emerging U.S. filmmakers working on 10 documentary projects that highlight pivotal moments in America. Eiselt and Lewis Lee’s “Aftershock,” and Davenport’s “I Didn’t See You There” are two of nine films in the Sundance U.S.

NEW YORK -- Can a music scene still develop the way grunge did in 1990's Seattle or hip-hop did in the Bronx in the 1970s? Or has the digital makeover of music made such geographical-based explosions obsolete?It's a question that hovers over the Sundance Film Festival documentary “Meet Me in the Bathroom,” a vivid and shambolic time capsule of early 2000s New York when bands like the Yeah Yeah Yeahs, TV on the Radio, the Strokes, Interpol and LCD Soundsystem made the city — and Brooklyn in particular — one the last easily identifiable hotbeds of rock music.The film, which debuted Sunday at Sundance, is directed by Dylan Southern and Will Lovelace, and adapted from Lizzy Goodman’s book, “Meet Me in the Bathroom: Rebirth and Rock and Roll in New York City 2001-2011." Focusing mainly on the first handful of those years, the documentary is an ode to an already far-gone era when a wave of bands revitalized New York's music scene, capturing the gritty romance of the city. Brief interludes of news footage hint at a broader digital narrative forming largely outside the scene's bubble: Y2K fears, the onset of Napster, the introduction of the iPod.“One of the things we kept asking is: Is it even possible for a scene to emerge in one place with such intensity?” Southern, who with Lovelace made the 2012 LCD Soundsystem documentary “Shut Up and Play the Hits,” said in a recent interview.

Chris Willman Music WriterNetflix’s epic Kanye West documentary, “Jeen-yuhs: A Kanye Trilogy,” will unfold in three feature-length parts, as the subtitle promises. (The first part premiered Sunday in the Sundance Film Festival, and gets a one-night theatrical release Feb.

A suburban housewife falls in with a group of activists in Call Jane, a Sundance Film Festival premiere directed by Phyllis Nagy, the writer of Carol. Elizabeth Banks is a likeable lead in this story inspired by the network of women who arranged safer illegal abortions in 1960s and ’70s Chicago. Written by Hayley Schore and Roshan Sethi, it strikes an upbeat, non-judgmental note while exploring the gender and body politics of the time.

‘Big Brother’ Spain Label Zeppelin Unveils MD

click here to watch with closed captions), and below have a look at the poster for the film. You can also access the clip in a version with Audio Description by clicking here.“I Didn’t See You There” premieres at the 2022 Sundance Film Festival on Jan.

Rebecca Rubin Film and Media ReporterBelieve it or not (actually, it’s probably easy to believe), there was a time when pregnant women were deemed too risqué for broadcast television. That changed when Lucille Ball was memorably rushed to the hospital to give birth on “I Love Lucy,” the groundbreaking sitcom that co-starred her real-life husband Desi Arnaz and left an indelible mark on show business.“Lucy and Desi,” a new documentary from director Amy Poehler, explores the unlikely rise to fame and enduring legacy of two comedy icons who broke barriers and subverted expectations about what it means to be an all-American couple. In advance of the movie’s premiere at Sundance Film Festival on Jan.