International buyers have jumped on Maria Schrader's I'm Your Man, and the Daniel Brühl-directed Next Door, both of which premiered in competition at the Berlin International Film Festival last week.
23.02.2021 - 03:11 / variety.com
Naman Ramachandran Australia’s Stranger Than Fiction Films and the U.K.’s Arrow Pictures have teamed for theatrical documentary “River,” commissioned by BBC Arts and ABC Arts.Exploring the relationship between humans and rivers, the documentary spans six continents.
It is directed by Jennifer Peedom, co-directed by Joseph Nizeti and produced by Jo-anne McGowan and Peedom from Stranger than Fiction and John Smithson from Arrow.Peedom’s previous film “Mountain” (2017) is the highest-grossing
.International buyers have jumped on Maria Schrader's I'm Your Man, and the Daniel Brühl-directed Next Door, both of which premiered in competition at the Berlin International Film Festival last week.
Leo Barraclough International Features EditorBerlinale Competition entries from two actors turned directors, Maria Schrader and Daniel Brühl, were among titles on the Beta Cinema slate at the European Film Market to prove popular among international distributors.Schrader, an Emmy Award winner as the director of “Unorthodox,” premiered comic-tragic tale “I’m Your Man,” starring Dan Stevens (“Downton Abbey”), Maren Eggert (“I Was At Home, But…”) and Sandra Hueller (“Toni Erdmann”), at the virtual
Filmed in glossy black and white, and adopting a non-judgmental vérité approach, director Carlos Alfonso Corral’s debut is a humanizing look at a small section of the homeless population in El Paso, Texas. “Dirty Feathers,” is a short, but thematically rich, film about those on the margins of society.
It’s 1943. A particularly cruel winter has swept through the occupied Soviet Union.
Emilio Mayorga Breathing in its deadly gases, Yono works for a few dollars a day at an East Java sulfur mine. When unexpectedly abandoned by his wife, he turns to animism, Islamism and finally capitalism to try to find an answer to life.
One year in the life of a teenager can feel like an eternity. The intensity of the fleeting romances, the wild swings between happiness and despair, the thrilling yet uneasy anticipation of a future that seems simultaneously imminent and distant — it’s a wonder that we come out of adolescence intact.
The first thing to understand about the social dynamics in Mexico around police is that they differ greatly from how the public in the United States relates to law enforcement officers. Stateside, both the uncritical reverence some feel toward them—namely the Blue Lives Matter crowd—and the terror they incite among BIPOC communities emanate from their violent efficaciousness and status as inflexible figures reveling in a lack of accountability.
As industry guests enjoy the Berlinale from home this year, eagle-eyed viewers will take pleasure in spotting a familiar location in the latest film from South Korean auteur and festival-regular Hong Sang-soo. If we can’t stroll around Potsdamer Platz this year, at least the characters in “Introduction“ can share a moment there.
The latest from T.J.Martin and Daniel Lindsay, directors of “Undefeated” and “LA 92,” “TINA” looks like another documentary that came off of a factory line, complete with the usual panning shots of contact sheets, dramatic zooms into rolling tapes, cross-cutting between audio interviews and their published print versions, melodramatic score cues doing their best to emulate Philip Glass.
There is an unavoidable distance in life between ourselves and those who came before. Parents, grandparents; no matter how open and honest they are with their children or younger relatives, there is a sense that their pasts remain partial enigmas.
Christopher Vourlias One year ago, as thousands of global film and TV industry reps descended on Berlin for the European Film Market, executives from Nigerian production and distribution powerhouse FilmOne Entertainment had good reason to feel optimistic. The company had recently unveiled a $1 million film fund with China’s Huahua Media and South Africa’s Empire Entertainment, an unprecedented pact for the Nigerian movie industry.
EXCLUSIVE: Oscar-winner Allison Janney, Schitt’s Creek Emmy winner Annie Murphy and Dear Evan Hansen star Ben Platt are set for The People We Hate At The Wedding. Emmy winner Claire Scanlon (Set It Up) is directing an adaptation of the Grant Ginder novel that is a character-driven wedding comedy that aspires to be a next generation Four Weddings and a Funeral. UTA Independent Film Group is introducing it today at the Virtual Berlin Market.
Jamie Lang Brussels-based Best Friend Forever Sales has given Variety exclusive access to the international trailer for Berlin Panorama player “All Eyes Off Me,” the sexually charged sophomore outing of actor-director Hadas Ben Aroya.Told in three distinct yet related chapters, the film begins at a party in Tel Aviv where young Danny is trying to find Max to let him know that she’s pregnant with his child.
It’s always interesting to see what an actor will deliver as they make the step towards directing, and for “Next Door” director and star Daniel Brühl has not shied away from a premise that closely parallels, yet distorts, his own life. It’s a film that explores a space of conversation highlighted to great effect in Bong Joon-ho’s recent towering success, “Parasite,” toying with societal dichotomies and opening up discussions around wealth, class, gentrification, and spatial divides.
Lise Pedersen The new action-horror film set to be shot by acclaimed blockbuster director Renny Harlin (“Die Hard 2,” “Cliffhanger”) is being introduced online at Berlin’s virtual European Film Market.
EXCLUSIVE: New York-based distributor FilmRise has struck a deal with sales firm WaZabi Films for U.S. rights to TIFF 2020 and Berlin 2021 drama Beans.
ever do nothing nice and easy,” she said in a sultry snarl. “We always do it nice and rough.”“Tina,” the documentary about Turner that premiered at the 2021 Berlin International Film Festival, has moments where it tries to be nice and easy, sliding over difficult portions in Turner’s life in an attempt to find a celebratory tone.
Dan Lindsay and T.J. Martin co-directed the sports documentary Undefeated in 2011, and their Berlin Film Festival Special Gala, Tina, could have shared the same title.
There’s no doubt about it, it’s all in the eyes: an ice-blue stare, locked on you, promising satisfaction and loyalty without asking for anything in return. That’s what love is, and Dan Stevens is the humanoid robot here to give it to us.
2020 may have been something of an "annus horribilis" for vast swathes of the film industry, but that didn’t stop the buzzy new packages from landing. Even at the virtual Cannes market in June, when much of the world was still under some form of lockdown from the first COVID-19 wave and most film sets and studios were gathering dust, major A-list-heavy projects were popping in all directions (ok, mostly via Zoom pitches), with buyers not shying away.