Stage Version of Santiago Requejo’s Hit Short ‘All in Favor’ Bowing in Buenos Aires, Feature Film Version in Development (EXCLUSIVE)

to life. My greatest hope for this project has always been to find a home for it among people who not only love, respect, and understand the romantic comedy genre, but also have that same love and respect for its audience,” Henry added. “The film couldn’t have landed in better hands.

Matt Donnelly Senior Film Writer “Book Lovers,” a subversive romantic comedy and bestselling novel from Emily Henry, is getting the feature film treatment. Movie rights have been picked up by Tango, Lia Buman’s film and television development financier and producer. Sarah Hayward (“Girls,” “Modern Love”) is attached to write the script. “Emily is a dominant force in the world of romantic comedy and we feel so lucky to bring to the screen a story that has already delighted so many on the page. The irreverent and whip smart writing delivers on classic romcom tropes while avoiding cliches, making it perfect for a cozy and refreshing adaptation,” Buman said.

Scott Huver After starring in “Paint” as a Bob Ross-esque (but far more angry and tortured) paint instructor, Owen Wilson admits he’s warmed to finding his own sense of zen calm — not with watercolors and brushes, but with Crayolas. “When my boys were little, at restaurants I’d give them crayons and try to calm them down, but I think that maybe adults should be doing that, too,” Wilson told Variety at the premiere of the IFC film at the Ace Hotel on Thursday. ”I don’t know why we ever stop doing that, because there is something really nice about trying to create something.” “I guess there’s that Picasso quote: ‘I want to spend the rest of my life learning to paint like a child,’” he mused. “Not worrying about anything and just expressing yourself — that feels good.”

After twenty years of silence (as a director, anyway), Tommy Wiseau is back with an all-new feature film, his first since the immortal 2003 cult classic “The Room.” Is this cause for celebration or riots? It all depends on what one thinks of Wiseau: a lovable hack, a shameless charlatan, or some seemingly impossible hybrid of both things at once. READ MORE: The 100 Most Anticipated Films Of 2023 In any case, Wiseau’s next film is “Big Shark,” about three best friend firefighters who must save the city of New Orleans from, that’s right, a really big shark.

Killer Mike‘s new solo album will feature collaborations with André 3000, Lil Wayne, Dave Chappelle and more.According to a new Instagram post from Radio Milwaukee station HYFIN, the new project is called ‘Michael’ and will feature a number of collaborations.Following a listening party at SXSW in Austin, Texas last week, DJ Kenny Perez shared: “Without a doubt, RUN and embrace it when it drops. The project is journey through his life and he doesn’t hold back.

The  Royal Shakespeare Company’s stage adaptation of Maggie O’Farrell’s best-selling novel Hamnet, a tale of love and heartbreak concerning Agnes Hathaway and her beloved one William Shakespeare, has taken the unheralded step of announcing its West End transfer before it has has even opened in the famous playwright’s place of birth.

The awards season is officially at an end. The Oscars have come and gone.

Elena Rybakina is the champion!

Ed Meza @edmezavar The Barcelona-set feature “La nit no fa vigília” and Argentine film “Hidden City” (“Ciudad Oculta”) won the Malaga Festival Work in Progress awards for Spanish and Latin American projects on Friday. “La nit no fa vigília” (which roughly translates to “The Night Does Not Keep Watch”) centers on a young man who lives with and cares for his aging, frail grandmother, but still finds time for a nocturnal social life. It was among the frontrunners to win at the awards ceremony. A joint project from a student collective comprising Laura Corominas Espelt, Laura Serra Solé, Clara Serrano Llorens, Gerard Simó Gimeno, Ariadna Ulldemolins Abad and Pau Vall Capdet, “La nit no fa vigília” also won the industry magazine Cine y Tele prize.

Ed Meza @edmezavar Estíbaliz Urresola Solaguren’s celebrated Spanish feature “20,000 Species of Bees” and Kattia G. Zúñiga’s Panamanian drama “Sister & Sister” took the top prizes at the Malaga Film Festival, garnering the Golden Biznagas for Spanish and Latin American pictures respectively.   “20,000 Species of Bees” also won best supporting actress for Patricia López Arnaiz and picked up theSpanish Cinematographic Informers Association’s Feroz Puerta Oscura award. The film’s success follows two awards in Berlin, including a Silver Bear for Sofía Otero for her portrayal of a young girl going through a gender crisis. For Zúñiga, the Golden Biznaga is sure to help further propel “Sister & Sister,” an autobiographical story about two teenage sisters who travel from Costa Rica to Panama in search of their absent father.

Ed Meza @edmezavar David Pujol, whose enchanting drama “Waiting for Dalí” premiered at the Malaga Film Festival on Sunday, has a new feature film project and an international TV series in the works. Pujol has just completed the script for “Rehearsal for a Kiss,” the story of a passionate yet hapless movie theater owner in Barcelona whose love of classic movies has left his cinema in a precarious position. On the verge of losing the family business, he seeks help from his uncle in America, who has made a career for himself as a character actor in Hollywood. A flashy, larger-than-life personality, the uncle returns to his native city after 40 years to help his nephew save the theater while also reconnecting with his own past.

Ed Meza @edmezavar In Álvaro Carmona’s award-winning short, “The Treatment,” Miguel, a middle-aged man unhappy with his baldness, visits a clinic that promises to reverse his hair loss with a new remedy, but with a potentially problematic side effect. The black comedy is a satirical critique of the vanity that is so celebrated in today’s social media-drenched society and it has struck a chord with festival goers, so far picking up 67 domestic and international awards. It’s was also one of four Spanish works shortlisted for this year’s live-action short film Oscar. “Everything arises from trying to play with the idea of this obsession with aesthetics that has become somewhat accentuated in recent years in the modern world,” Carmona tells Variety.

Ed Meza @edmezavar Daniela Fejerman and Elvira Lindo’s “Someone Who Takes Care of Me,” a celebration of actors, their passion, craft and historical legacy, opened this year’s Malaga Film Festival in a fitting tribute to the Spanish entertainment industry.   The film, which screened out of competition, centers on three women whose careers have spanned stage, film and television, actresses of different generations whose fortunes in life have greatly differed and who struggle with untold secrets and unresolved conflicts. Aura Garrido stars as Nora, a young, award-winning actress with a promising future who carefully balances between the two main pillars in her life, her grandmother Lilith (Magüi Mira), who reigned for decades as a renowned theater star, and her mother Cecilia (Emma Suárez), whose career has languished after having achieved some glory in the 1980s, a decade of excess in which she heavily partook.

An emergency communication tool dubbed the 'armageddon alert' system will reportedly be rolled out in the next few weeks. Millions of people will hear a loud alarm from their mobile phones as the system is tested, the Mirror reports.

slap heard around the world — but the world won’t get to hear one of Chris Rock’s jokes about it.A joke about Will Smith in Rock’s Netflix special “Chris Rock: Selective Outrage” was edited out after the comedian messed it up during the live show.Rock, 58, was joking about Smith, 54, and his wife Jada Pinkett Smith, 51, toward the end of his March 4 show, specifically discussing a conversation he claims to have had with them about his hosting gig for the 2016 Oscars when he botched the joke.“Years ago, his wife said I should quit the Oscars; I shouldn’t host ’cause her man didn’t get nominated for ‘Emancipation,’ the biggest piece of s–t ever!” Rock said during Netflix’s first-ever global live-streaming event. “No, not ‘Emancipation,’ I f–ked up the joke.”The comedian meant to refer to the 2015 sports drama “Concussion,” a film based on the true story of neuropathologist Dr.

With the Academy Awards this weekend, one can’t help but think about last year’s ceremony. And last year’s Oscars will forever live in infamy, thanks to Will Smith getting onstage and slapping Chris Rock in the face for making a joke about his wife, Jada Pinkett Smith.

Netflix has edited out a mistake made by Chris Rock in his comedy special Chris Rock: Selective Outrage.In the special, the comedian addresses the moment at last year’s Oscars where Will Smith slapped him in the face onstage.At one point, Rock claims Smith and his wife Jada Pinkett Smith were upset with him beforehand when he hosted the Oscars back in 2016.“Years ago his wife said I should quit the Oscars, I shouldn’t host ‘cause her man didn’t get nominated for Emancipation, the biggest piece of shit, ever,” Rock told the crowd in Baltimore, Maryland (via Decider).After naming the wrong movie, Rock quickly corrected himself, adding: “No, not Emancipation, I fucked up the joke. She started this shit. She said that me, a fucking grown ass man, should quit his job because ‘My husband didn’t get nominated for Concussion’.”The correction was pointed out by Vulture’s Jesse David Fox on Twitter, who wrote: “They fixed the Concussion–Emancipation slip up in the version that’s now on Netflix.”He added: “It makes me wonder if there has been other tweaks!”Speaking about the Oscars slap, Rock said: “Everybody knows it happened.

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Chris Rock‘s live Netflix special on March 4, Selective Outrage, has been making headlines thanks in large part to Will Smith.Rock infamously was slapped on-stage live at the Oscars in 2022 by Smith, after the comic made a joke directed towards Smith’s wife, Jada Pinkett-Smith. Despite the incident causing outrage around the acting world, and beyond, Rock remained silent even when Smith eventually apologised.However, in Rock’s new stand-up special, which aired on the streaming giant over the weekend, he addressed the matter for the very first time. Though the DOGMA star’s response comes in the form of a multi-layered joke about the Smiths.Rock notably calls Smith a “bitch” and a “motherfucker” repeatedly throughout the segment, but also highlights how he believes Smith practices “selective outrage” whilst blasting the actor’s wife for revealing her infidelity to the Bad Boys star on her web-based talk show.The full transcript for the Netflix special can be read below:“Y’all know what happened to me, getting smacked by shug Smith.

The hook of IFC’s “Paint” seems to be “What if Bob Ross was challenged for public broadcasting painting supremacy by a younger and, yes, more inclusive artist?” Think “All About Eve” or “Showgirls,” in this case offering a set-in-their-ways veteran on-television painter and art instructor being usurped by a younger, more exciting upstart. Owen Wilson isn’t literally playing late painter Bob Ross, who died at the age of 52 in 1995. However, at least some of the comedy offered up in the latest trailer for “Paint” is contingent upon audiences being somewhat aware of the beloved, soft-spoken artist.