‘Spider-Man: No Way Home’ Finally Busts Into the Oscar Voters’ Screening Room

Tom Holland can’t believe just how successful “Spider-Man: No Way Home” has been.

Tom Holland heads out of the studio following an appearance on The One Show in London, England on Wednesday (February 2).

Rebecca Rubin Film and Media ReporterWill this be the weekend that “Spider-Man: No Way Home” is dethroned at the box office once and for all?Paramount’s go-for-broke action comedy “Jackass Forever” and director Roland Emmerich’s disaster epic “Moonfall” certainly hope that’s the case. After an excruciatingly slow January at the movies, one that let “Spider-Man” tower over the competition for weeks, the two nationwide releases will try their hand at getting audiences to multiplexes.“Jackass Forever,” the fourth installment in the ongoing saga of projectiles to the groin, appears to have the best shot at taking down “Spider-Man: No Way Home,” which has spent six of the last seven weeks at No. 1.

For the first decade of the Marvel Cinematic Universe, Iron Man was the biggest name in Marvel Studios. If you wanted to kickstart a franchise, just use Iron Man.

According to court documents obtained by TheWrap, Regal has filed a lawsuit at Los Angeles Superior Court against Allianz, Liberty Mutual, and Zurich American seeking unspecified damages and a court order requiring the companies to pay out the claims. “Regal has sustained hundreds of millions of dollars in financial losses since March 2020 as a result of the COVID-19 pandemic, including lost ticket sales, concession sales and extra expenses,” the suit states.

Rebecca Rubin Film and Media Reporter“Spider-Man: No Way Home” is the box office juggernaut that can’t be caught.The comic book adventure, starring Tom Holland as Marvel’s favorite teen web-slinger, opened in theaters in December and spent every weekend except one as the top movie at the domestic box office. This weekend proved to be no exception. Now in its seventh weekend of release, “No Way Home” has again secured the No.

another disinformation campaign to put a positive public relations spin on its aggression, and had enlisted anti-vaxxer Aaron Rodgers to star in propaganda commercials.With fake news headlines like “American CDC Strongly Recommends Russia Invades Ukraine,” and “Neil Young to Remove Music for Spotify Unless Ukraine Surrenders” going viral, the White House turned to a high school junior to counter Moscow’s cyberattack.“Mr President I think your generation could learn a lot from mine,” the teenage social media pro (Chloe Fineman) said. “Like we don’t believe in drone strikes we believe in breaking down our enemies psychologically.

Winter Storm Kenan, which meteorologists are describing as a “bomb cyclone,” is dominating the Northeast from as far south as Delaware into New Jersey, up the Eastern seaboard to the top of Maine.

“Belfast,” “Dune,” “King Richard,” “No Time to Die” and “The Power of the Dog” have been nominated as the best dramatic film editing of 2021 by the American Cinema Editors, which announced the nominees for the 72nd annual ACE Eddie Awards on Thursday.Those five films will compete in the Best Edited Feature Film (Dramatic) category, while the field in Best Edited Feature Film (Comedy) will consist of “Cruella,” “Don’t Look Up,” “The French Dispatch,” “Licorice Pizza” and “tick, tick…BOOM!”The most surprising omission was probably “West Side Story,” while ACE Eddie voters also bypassed “Nightmare Alley,” “CODA” and “Spider-Man: No Way Home.”Nominations for the editing of animated features went to the same five animated films that have also been nominated by the Cinema Audio Society, Motion Picture Sound Editors, Visual Effects Society and Art Directors Guild: “Encanto,” “Luca,” “The Mitchells vs. the Machines,” “Raya and the Last Dragon” and “Sing 2.”In the television categories, “Kevin Can F**k Himself” received three nominations to sweep the Best Edited Multi-Camera Comedy Series category, while “Curb Your Enthusiasm,” “Ted Lasso,” “Succession,” “Mare of Easttown” and “The White Lotus” each received two.The nominations were announced on a day that will also see nomination announcements from the Producers Guild, Directors Guild and Writers Guild, capping a wild four-day blitz in which 10 different guilds or professional societies announced their nominations.

Clayton Davis A tsunami of buzz and Oscar-telling indicators drop on Thursday, with the major guilds announcing award nominations. The Directors Guild of America (DGA), Writers Guild of America (WGA), Producers Guild of America (PGA) and American Cinema Editors (ACE Eddies) all serve as critical barometers for the Academy Awards, especially in the race for best picture.DGA has averaged four of their five nominees landing in the Oscars’ best director category, including last year with Aaron Sorkin (“The Trial of the Chicago 7”) getting bumped for Thomas Vinterberg (“Another Round”).

Clayton Davis Sam Raimi, the director of Columbia Pictures’ original “Spider-Man” trilogy starring Tobey Maguire, has spoken out about watching his original cast reprise their roles in last year’s “Spider-Man: No Way Home.”In an exclusive interview with Variety while promoting the Oscar-shortlisted film “You’re Dead Hélène,” a live-action horror short film produced by Raimi, the director discussed seeing Maguire, Willem Dafoe and Alfred Molina take up their iconic characters once again.“It was so much fun,” Raimi said. “I love ‘No Way Home’ and the audience I was with went crazy.

Having passed the domestic run of “Black Panther” last weekend, “Spider-Man: No Way Home” now joins the fellow MCU film among the short list of films since the turn of the century to earn at least five No. 1 weekends. Such an achievement has become increasingly rare as the rise of home entertainment has made the box office more frontloaded than in the 80s and 90s.

After spending one weekend in second place, “Spider-Man: No Way Home” proved it still had some fight left. Sony's superhero juggernaut swung back to first place in its sixth weekend in theaters and became the sixth highest grossing film of all time, globally.The film topped the North American charts with $14.1 million, according to studio estimates on Sunday.

Rebecca Rubin Film and Media ReporterAdd another notch on “Spider-Man: No Way Home’s” long list of box office achievements.Over the weekend, Sony’s comic book adventure became the sixth-highest grossing movie in history with $1.69 billion at the global box office (not adjusted for inflation). It passed “Jurassic World” ($1.67 billion) and “The Lion King” ($1.66 billion) to secure that spot.Now in its sixth weekend of release, “Spider-Man: No Way Home” returned to the No.

Rebecca Rubin Film and Media ReporterIt’s Peter Parker’s world, we’re just living in it.After a brief hiatus to let another movie sell a few tickets, “Spider-Man: No Way Home” has unseated “Scream” and reclaimed the top spot on domestic box office charts. Now in its sixth weekend of release, Sony’s comic book sequel has added another $14.1 million from 3,705 North American venues.It’s rare for any film to secure the No. 1 slot in its sixth outing, though “Spider-Man: No Way Home” didn’t have much in the way of competition.

horror reboot has grossed $42.6 million, according to IMDB’s Box Office Mojo database.“Spider-Man: No Way Home” remained in second place, after “Scream” knocked it from the top spot on its opening night last week, pulling in $3.5 million in sales on Friday and $710 million to date.Romance flick, “Redeeming Love,” based on a 1991 novel, took third, with $1.5 million in ticket sales on Friday, its opening day.