A.D. Amorosi Every album in the synth-pop arsenal of Héloïse Adélaïde Letissier – aka French vocalist-composer Christine and the Queens – benefits from a delicious brand of drama to go with his often obtuse lyricism. Yet it is only with this weekend’s release of “Paranoïa, Angels, True Love” that Chris (as he prefers to be known) has gone the extra mile in his decade-long journey of music making and found genuine theater his melancholy work, courtesy of the inspiration of playwright Tony Kushner’s iconic HIV-AIDS elegy “Angels in America.” Calling the grand new work a “heart-opening transformation, a prayer towards the self,” and “a rest in true love,” Chris opened up his mind to the smartly, tortured soul of Kushner… and his Queens’ usually cloistered self-productions to collaborators such as Madonna, 070 Shake and Mike Dean, the co-producer of “Paranoia, Angels, True Love.”