Sigourney Weaver, Joel Edgerton Discuss Working With Paul Schrader in Venice Title ‘Master Gardener’

EXCLUSIVE: New York-based arthouse distributor KimStim has acquired all North American rights to Huang Ji and Ryuji Otsuka’s third feature film, Stonewalling, which recently premiered in the Giornate Degli Autori section of this year’s Venice film festival.

Algerian filmmakers have stepped up a campaign calling for their government to unlock promised state funds for cinema, warning that Algeria’s film industry is on its last legs following a near-year-long funding freeze.

Magnolia Pictures acquired North American rights to Blue Jean, the directorial debut of Georgia Oakley which just world-premiered in the Venice Days section of the Venice Film Festival. Pic stars Rosy McEwen and won Venice’s Giornate degli Autori (GdA) People’s Choice award. Magnolia plans to release the film next year.

A new direction. Prince William and Duchess Kate have officially stepped into new roles within the British royal family after Queen Elizabeth II‘s death.

Naman Ramachandran The spirit of Marilyn Monroe was very much present during the making of Andrew Dominik’s “Blonde,” according to the film’s talent. Produced by Brad Pitt’s Plan B Entertainment, the film, which is in the main competition at the Venice Film Festival, is a fictionalized version of the life of the iconic actor and is based on the bestselling novel by Joyce Carol Oates. The film traces the volatile childhood of Norma Jeane Baker, through her rise to stardom as Marilyn Monroe and her romantic entanglements. It blurs the lines of fact and fiction to explore the widening split between her public and private selves. Ana de Armas (“No Time to Die”), who plays Norma Jeane/Marilyn, Adrien Brody (“The Pianist”), who plays her second husband, and Julianne Nicholson, who plays her mother, were present at a press conference for the film at Venice, alongside Dominik.

Christopher Vourlias Paris-based sales agency and production company Luxbox has released the trailer for “Trenque Lauquen,” Argentine director-producer Laura Citarella’s adventure mystery that has its world premiere Sept. 8 in the Horizons sidebar of the Venice Film Festival. Variety has been given exclusive access to the trailer, which can be seen below. Filmed in two parts, Citarella’s fourth feature begins with a pair of men both searching for a woman who has mysteriously vanished. While one of them claims to be her boyfriend, the other has also forged an intimate bond with the missing woman, with a series of flashbacks revealing that he’s also fallen in love with her.

Naman Ramachandran Florian Zeller and the cast of his “The Son,” including Hugh Jackman, Vanessa Kirby, Laura Dern and Zen McGrath, addressed the issue of mental health, the film’s central subject, ahead of its world premiere at the Venice Film Festival. The film, Zeller’s follow up to his Oscar-winning “The Father,” is an adaptation of his own stage play. It focuses on Peter (Jackman), whose busy but happy life with his infant and new partner Beth (Kirby) is disrupted when his ex-wife Kate (Dern) informs him about their teenage son Nicholas (McGrath), who has been missing from school for months and is disturbed. Addressing a press conference at Venice, Zeller said that he wanted to “explore these very emotional territories in a very honest and humble way” and that his work with the cast “was such a joyful, truthful and intense journey that we shared.”

Paul Schrader is under no illusions about “Master Gardener,” the sure-to-be-divisive final chapter in an informal trilogy that kicked off with 2017’s “First Reformed” and continued with last year’s “The Card Counter.” For starters: the film centers on a former white supremacist (played by Joel Edgerton) and his attempts at redemption. “This one is going to piss people off,” Schrader told IndieWire of the film, which premiered out of competition this weekend at the Venice Film Festival, where the auteur is also being given a lifetime achievement award.

“I made a new life for myself from flowers,” marvels the green-thumbed Narvel Roth. “How unexpected is that?” To be fair, it’s about the only plausible thing that happens in Paul Schrader’s Venice Film Festival out of competition entry Master Gardener, an incredibly silly but fitfully entertaining noir-tinged drama that follows so neatly on from First Reformed and The Card Counter that it’s almost as if Schrader has patented his own sui generis subgenre, a mix of the sublime and the ridiculous that just about works if you’re prepared to walk the line with it.

Paul Schrader is under no illusions about “Master Gardener,” the sure-to-be-divisive final chapter in an informal trilogy that kicked off with 2017’s “First Reformed” and continued with last year’s “The Card Counter.” For starters: the film centers on a former white supremacist (played by Joel Edgerton) and his attempts at redemption. “This one is going to piss people off,” Schrader told IndieWire of the film, which premiered out of competition this weekend at the Venice Film Festival, where the auteur is also being given a lifetime achievement award.

Joel Edgerton has the support of his partner Christine Centenera at his big premiere at the 2022 Venice Film Festival!

A man scribbles in his diary. The pages are visible by dim light, the wooden table nondescript.

Gene Maddaus Senior Media Writer A man who met writer-director Paul Schrader at a campus event at their Michigan alma mater has filed a lawsuit alleging that Schrader later stole his ideas and used them in the film “The Card Counter.” Mark Vanden Berge alleges in the suit that he met Schrader after a screening of “First Reformed” at Calvin University, a Christian college in Grand Rapids, in February 2018. He says he told Schrader about a treatment he was working on for a film called “Blown Odds,” about a gambler’s search for redemption, and asked Schrader for help developing it into a marketable screenplay. According to the suit, Schrader told him to email him the treatment. Vanden Berge sent it to him, according to the suit, but never heard back from Schrader directly, though he says he was told that Schrader had received it.

Anna Marie de la Fuente For Argentina’s Santiago Mitre, his courtroom drama “Argentina 1985,” a Golden Lion contender at the 79th Venice Film Festival, is an examination of the machinations of power from within, as were his past four features. But unlike those films, “Argentina 1985” is based on a real event, the trial of Argentina’s military leaders who ruled with brutal impunity until democracy was finally restored in 1983. The civil trial is considered one of the most significant in modern world history, along with the Nuremberg trials when defeated Nazi leaders were put on the stand. The difference in this David vs. Goliath story is that Argentina’s military junta still had a grip on power when they were taken to court for their crimes.

Elsa Keslassy International Correspondent After taking a break from his filmmaking career to preside over the French film promotion org Unifrance, Jean-Paul Salomé has made a big comeback with a pair of films with Oscar-nominated French actor Isabelle Huppert. The latest one, “The Sitting Duck,” is world premiering at Venice in the Horizons section. Adapted from Caroline Michel-Aguirre’s book “La Syndicaliste,” “The Sitting Duck” tells the true story of Maureen Kearney, the head union representative of a French multinational nuclear powerhouse who becomes a whistleblower, denouncing top-secret deals that shook the French nuclear sector. One day, Kearney is found in her home, tied to a chair, the letter “A” carved into her abdomen, and a knife handle inserted into her vagina. Traumatized, she has no memory of the assault. However, after an investigation, the police accused her of staging the attack herself.

Naman Ramachandran Revered writer-director Paul Schrader is enjoying a late career renaissance, with “Master Gardener” being his third successive film to premiere at Venice after “First Reformed” and “The Card Counter.” The film follows Narvel Roth (Joel Edgerton), the conscientious horticulturist of the historic Gracewood Gardens estate, which is owned by wealthy dowager Norma Haverhill (Sigourney Weaver). When she demands that he take on her troubled biracial great-niece Maya (Quintessa Swindell) as an apprentice, Roth’s spartan existence turns chaotic. Schrader made Roth, a man with a past, a gardener because he felt that the profession is a “rich metaphor” for both good and evil. “On one hand, a white supremacist can say ‘We’re the gardeners, we pull out the weeds.’ On the other hand a humanist can say, ‘We’re gardeners, we help things grow.’ And both are using the gardening metaphor — one is evil and one is good,” Schrader told Variety.

Fresh off her role in one of the biggest films of all time, “Top Gun: Maverick,” Jennifer Connelly has found her next gig, which brings her back to the world of TV. READ MORE: ‘Bad Behavior’: Jennifer Connelly & Ben Whishaw To Star In Alice Englert’s Directorial Debut According to Deadline, Jennifer Connelly is set to star opposite Joel Edgerton in the upcoming Apple TV+ thriller series, “Dark Matter.” “Dark Matter” tells the story of a physicist and family man, Jason Dessen (Edgerton), who finds himself trapped in an alternate universe where everything is different than what he knows.

EXCLUSIVE: Karl Spoerri, Viviana Vezzani and Tobias Gutzwiller are officially launching production label Zurich Avenue, which will sit under the banner of their finance company SPG3.

It will be a long while until Sigourney Weaver actually retires from acting.