Shoppers can bag Morphe makeup, Liz Earle skincare and perfumes for £10 in Boots flash sale

Måneskin have spoken to NME about working with director Baz Luhrman on their cover of ‘If I Can Dream’ for upcoming Elvis biopic.Elvis, the upcoming Presley biopic directed by Baz Luhrmann that’s set to arrive in cinemas next month, comes with a soundtrack of covers along with “original songs and recordings” by Presley himself and the film’s star, Austin Butler. Artists to have contributed include Eminem, Tame Impala, Stevie Nicks, Jack White, Swae Lee, Diplo, Chris Isaak, Denzel Curry, Jazmine Sullivan, Pnau and more.Speaking to NME for this week’s Big Read cover story, Måneskin told us about recording their version of Evlis’ “huge ballad” ‘If I Can Dream’.“We were talking about it with Baz Luhrmann, who had this really cool, super-smart idea, because it would have been so easy to give us an up-tempo song and go super rock-ish,” said frontman Damiano David.

Jessica Kiang In order to return somewhere, you first have to leave it. So it’s arguable whether the initial visit in Davy Chou’s strange, deep, changeable and wise “Return to Seoul” even qualifies in a meaningful sense as a return.

The stars of the new movie Elvis, directed by Baz Luhrmann, stepped out for a press conference and photo call at the 2022 Cannes Film Festival.

“fizzy, delirious, impishly energized, compulsively watchable” — reviews have been mixed with one critic all shook up.IndieWire writer David Ehrlich published his review of the Austin Butler and Tom Hanks-led film Wednesday and trash-talked the flick, calling it a “nightmare” as well as “deliriously awful.”The journalist dove right into “Elvis” — out June 24 — writing that the “159-minute eyesore” is more about Hanks’ Colonel Tom Parker, the longtime manager of the “Love Me Tender” star, and less about Butler’s Elvis.He gave “Elvis” a grade of “D.”IndieWire described the Oscar winner’s character as the “Kentucky Fried Goldmember” and is “possibly the most insufferable movie character ever conceived.” The Hollywood Reporter seemed to agree, dubbing the “Forrest Gump” actor’s role as “arguably the least appealing performance of his career.”But for IndieWire’s Ehrlich, the problem seemed to lie in the pudding: the writing.“Luhrmann’s dizzying script (co-written by Sam Bromell, Jeremy Doner and Craig Pearce) frequently returns to the idea that Presley’s life was caught in the crossfire between two different Americas: One gyrating towards freedom, and the other snuffing it out,” he penned in his review.The critic also compares scenes in “Elvis” to Luhrmann’s other “sensory overload” and “swooningly electric moments” such as the fish tank sequence in his 1996 romance “Romeo + Juliet” and the wild party scene in 2013’s “The Great Gatsby.” “The hyper-romantic energy of those films helped braid the present into the past in a way that made them both feel more alive,” he wrote. “’Elvis’ discovers no such purpose.

CANNES – Following its world premiere at the 2022 Cannes Film Festival the reviews for Baz Luhrmann’s “Elvis” are in. So far most critics have raved about Austin Butler’s performance as the King of Rock and Roll and complicated Luhrmann’s staging of the movie’s musical performances.

There’s really no overstating the sociocultural impact of Elvis Aaron Presley, whose music and celebrity cleaved the twentieth century in half as an Ozymandias colossus foretelling the future of fame: merchandising, overexposure, descent into self-parody. That’s all in Baz Luhrmann’s new biopic “Elvis,” though mostly because he’s jammed everything he possibly can into its million-millennia run time.

“When we made this, we wanted to make it theatrical to bring audiences into theaters,” said Baz Luhrmann at the Cannes press conference for Elvis, the morning after the pic received the longest standing ovation of the fest at ten minutes.

WATCH: Bec Judd's Signature Beach Wave TutorialWith her stunning good looks and fashion-forward signature style, Bec has been on the top of the local style charts since the early 2000s and has adapted her wardrobe to suit the times.But fans have noticed that Bec's had a bit of a beauty makeover in the last 10 years too.RELATED: Inside Jessika Power's plastic surgery transformationComparing photos of the mum-of-four today with shots from her first Brownlow Medal appearance with Chris Judd in 2004, there's no denying her look has evolved.Bec Judd attends the Brownlow Medal with husband Chris Judd in 2004.For years rumours have swirled that the star may have undergone some cosmetic work to hold onto her youthful good looks, but it there any truth to the speculation?Absolutely not, claims Bec! "Every year after the Brownlow I get, 'You've had something done', or that I'm anorexic," she previously told News Corp."It's funny. I think my boobs look bigger in 2004 than they are now.

Elvis Presley, has spoken about the “emotional experience” of watching Baz Luhrmann’s Elvis at Cannes Film Festival.“It’s very intense to watch when it’s your family,” the actor/director told Variety. “The first movie I ever watched in the theater and said I wanted to make movies was ( Luhrmann’s) Moulin Rouge when I was 12. It was a real honour to know Baz was doing this movie.

Annika Pham Half a dozen Sweden pics and co-prods are set to storm the Croisette, flagships of the solid public support system in place, and fully or partly shot in a foreign language. Headlining the slate are the completion entries “Triangle of Sadness” by former winner Ruben Östlund (“The Square”), shot in the English language, and the Arabic-speaking thriller “Boy From Heaven” by Tarik Saleh (“The Nile Hilton Incident”), set in Cairo.

An adoptee explores her Korean roots in Return To Seoul, Davy Chou’s engaging drama premiering at Cannes in Un Certain Regard. Newcomer Park Ji-Min plays the magnificently complex Freddie, who was raised in France and has impetuously decided to spend a couple of weeks in the country of her birth.

Patrick Frater Asia Bureau ChiefUn Certain Regard title “Return to Seoul” from French-Cambodian director Davy Chou caused an early stir by being one of the first Official Selection titles from this year’s Cannes to secure a U.S. release — through Sony Pictures Classics. That may be a reflection of Chou’s quest for authenticity in a bi-cultural tale about a European-raised woman and her biological family in Korea.

Patrick Frater Asia Bureau ChiefEpic Pictures Releasing has licensed North American rights to Korean action film “Hot Blooded,” from leading Seoul-based film sales agency Finecut. The deal is one of several struck by the agency ahead of Cannes, where it is also launching sales on Critics’ Week title “Next Sohee.”Starring Bae Doona and Kim Si-eun, “Next Sohee” is directed by Jung July, whose acclaimed “A Girl at My Door” played in Un Certain regard in 2014.

GFRIEND member Yerin has shared a teaser for her upcoming debut solo single ‘Aria’, from her first mini-album of the same name.In the vibrant clip Yerin is perched on a swing, and smiles as gigantic flowers bloom around her and petals fall from the sky. In another scene, she dances to a snippet of the track with a group of backup dancers.

Manori Ravindran International EditorIn one of the first major deals of the Cannes market, Sony Pictures Classics has swooped on Un Certain Regard title “All The People I’ll Never Be.” The distributor has picked up rights in North America, Latin America, the Middle East, Australia and New Zealand.The film, which is written and directed by Davy Chou (“Diamond Island”), will be re-titled as “Return to Seoul.” It premieres in the Un Certain Regard section at the Cannes Film Festival on Sunday.The pic centers on 25-year-old Freddie, who impulsively returns to South Korea for the first time, where she was born before being adopted and raised in France. The headstrong young woman starts looking for her biological parents in a country she knows so little about, taking her life in new and unexpected directions.

Fun in the sun! The weather is heating up, and summer is right around the corner. Bring on beach days, barbecues and barefoot bashes! In order to properly prep for the upcoming season, we need to restock on beauty essentials and step up our storage game (can you tell we’ve been binging The Home Edit on Netflix lately?).