‘Shazam 2’ Fizzles at Box Office With $30.5 Million Opening

Rebecca Rubin Film and Media Reporter “John Wick: Chapter 4” knocked down the box office competition, collecting a remarkable $73.5 million in its opening weekend. Boosted by positive reviews and enthusiastic word-of-mouth, the fourth installment in Lionsgate’s action series, led by Keanu Reeves as a legendary assassin, landed the best start of the franchise. It’s one of the rare original properties to keep growing and improving upon the last, in terms of box office ticket sales. The original “John Wick” opened to a modest $14 million in 2014, its sequel “John Wick: Chapter 2” took in $30.4 million to start in 2017, and the third film “John Wick: Chapter 3 – Parabellum” previously held the opening weekend record with $56.8 million in 2019. 

according to IMDB’s Box Office Mojo.The Post praised the “assassin’s unrelenting brutality” as “a beautiful sight to behold.”The thriller is expected to enjoy a $70 million-plus opening weekend, the best in the entire franchise, according to Collider.“Scream VI” remained in second place, with a $2.46 million take.

“Shazam! Fury of the Gods” hit theatres on March 17, resulting in a disappointing opening weekend with just $65 million at the worldwide box office — a 43 per cent drop from the first “Shazam” movie.

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Shazam! Fury Of The Gods has failed at the box office.The DC sequel earned $30million (£24million) at the domestic box office in its opening weekend, which is well below the $53million (£44million) the original Shazam! opened with in 2019.Fury Of The Gods cost a reported $110million (£90million) to make and a further $100million (£80million) to market, so the film has recorded a huge loss overall.Levi, who stars as the titular hero in both films, made sure not to blame Snyder fans for the box office failure but acknowledged that many of them would be happy to see the film underperform after Warner Bros. dropped Snyder’s DC Universe.“There is no denying that at the moment there are many Snyder fans who are happy for the failure of your film and many of them wish that everything that is to come fails just for not continuing with the films of their director,” one fan wrote to Levi on Twitter.“This is also true,” Levi replied in a since deleted tweet.

“Shazam! Fury of the Gods” hit theatres on March 17, resulting in a disappointing opening weekend with just $65 million at the worldwide box office — a 43 per cent drop from the first “Shazam” movie.

Zachary Levi, star of Shazam! Fury of the Gods, is opening up about the box office results of the DC film sequel that fell below the already low projections the studio had for the movie.

Shazam!: Fury of the Gods” was released by Warner Bros. and New Line and sunk to a $30.5 million box office opening, a big drop from the $53.5 million launch that the first “Shazam!” made four years ago. Levi, who is very interactive with his fans on Twitter, responded to some tweets sent his way about the struggles his sequel is facing and felt that the marketing campaign that Warner Bros.

Many people are weighing in about the performance of Shazam! Fury of the Gods at the box office, which brought in $30 million in its opening weekend, well below the original Shazam!, which opened to $53 million in 2019.

Naman Ramachandran Warner Bros.’ “Shazam! Fury Of The Gods” debuted atop the U.K. and Ireland box office with £2.3 million ($2.9 million), according to numbers released by Comscore. In its third weekend, in second place, another Warner Bros. title, “Creed III,” punched its way to £1.2 million for a total of £11.6 million. In third place, Paramount’s “Scream VI” scared up £987,312 in its second weekend and now has a total of £5.1 million. Debuting in fourth position was Warner Bros.’ “Allelujah” with £715,783 and rounding off the top five was Sony’s “65,” which earned £567,710 in its second weekend for a total of £2.4 million.

The marketing push for “Shazam! Fury of the Gods” has been an odd one, no doubt. The questions about the film’s future amid the soft reboot from new DC Studios co-CEOs, James Gunn and Peter Safran, dominated the discourse.

Patrick Frater Asia Bureau Chief Hollywood’s new release titles fantasy action adventure “Shazam! Fury of the Gods” and horror thriller “M3gan” made only modest impressions on the box office in mainland China in their opening weekends. The box office chart was led by “Post-Truth,” a Chinese comedy which probes the impact of social media in a story about a wronged small-time businessman. It earned $18.8 million (RMB130 million) in its second weekend of release, according to data from consultancy Artisan Gateway. That was an increase of more than 10% on its opening frame. After ten days on release, “Post-Truth” has a cumulative of $51.2 million (RMB353 million).

Patrick Frater Asia Bureau Chief Japanese animation “Suzume” retained the top spot at the South Korean box office for a second weekend, far outstripping holdover titles and newcomers including “Shazam! Fury of the Gods.” On its second weekend of release, “Suzume” earned $5.65 million, just a small fraction below its opening weekend score of $5.71 million. Underlining its dominance, the film increased its market share from 60% previously to 62%. After 12 days of release, the film has accumulated $15.8 million, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Shazam: Fury of the Gods might have debuted at No. 1 at the box office this weekend, but it fell short of expectations.

The gods are looking furious indeed.

Refresh for latest…: New Line/DC/Warner Bros’ Shazam! Fury of the Gods has had a less than heroic launch with $65.5M global, including $35M from the international box office. We always knew this sequel was going to come in lower than its predecessor, but the result is also far off where projections were ahead of the weekend.

Rebecca Rubin Film and Media Reporter Shazam wasn’t the magic word at the weekend box office. “Shazam: Fury of the Gods” opened to No. 1 in North America, but the Warner Bros. and DC Comics sequel fell short of expectations with its disappointing $30.5 million debut from 4,071 theaters. Heading into the weekend, the film was expected to collect $35 million to $40 million, which already wasn’t all that spectacular since it cost north of $110 million to make and another $100 millions more to market. It’s a substantial drop from 2019’s “Shazam,” the first comic book installment starring Zachary Levi’s quirky hero, which opened to $53.5 million and ended its box office run with $140 million domestically and $366 million globally. It’s also one of the worst starts in the DC Cinematic Universe, other than pandemic-era releases like “Wonder Woman 1984” ($16.7 million) and “The Suicide Squad” ($26 million), which both opened simultaneously on HBO Max.

according to IMDB’s Box Office Mojo. The Post gave the sequel to the 2019 original “0 stars for a teenage train wreck.”“Scream VI” which was in the number one spot last week, shrieked its way down to second, with close to $5.2 million in sales.The horror film, the first in the slasher series to be set in New York City, enjoyed a $44.5 million opening weekend, the highest out of any in the franchise, according to The Hollywood Reporter.Michael B.

J. Kim Murphy “Shazam! Fury of the Gods” is thundering to a No. 1 opening at the box office, though the DC Comics adaptation is expected to fly in lower than its predecessor. “Fury of the Gods” grossed $11.7 million in opening day ticket sales, a figure that includes $3.4 million in Thursday previews. That’s almost half of the $20.3 million that the 2019 original earned in its first day of release, on its way to a $53 million bow. “Fury of the Gods” carries a production budget of $125 million, which is $25 million higher than its predecessor’s. Opening in 4,071 theaters, the superhero sequel will likely struggle to reach a $30 million debut. With DC Studios under the newly minted leadership of Peter Safran and James Gunn, “Shazam! 2” represents somewhat of a relic of a bygone regime for the comic book banner. While a film like “The Flash” was also conceived before Safran and Gunn’s tenure, the pair of CEOs have often declared their conviction in the quality of the upcoming Ezra Miller film. Chatter around the “Shazam!” sequel has been much quieter.

When New Line/DC’s Shazam: Fury of the Gods hit tracking four weeks ago with a low $35M projection, it was shocking and not shocking to rival distributors. Shocking, because in a spring full of franchise tentpoles, many of which are seeing record opening domestic highs, how can a DC property like Shazam! not keep up with the pack? Not shocking in that — well, it’s a goofy, old Shazam!