Shawn Mendes and Javier Bardem Explain Why ‘Lyle, Lyle, Crocodile’ Is More Than ‘Just a Kids’ Movie’

Naman Ramachandran Sony’s “Lyle, Lyle, Crocodile,” the film adaptation of the children’s books by Bernard Waber, featuring a singing crocodile, bowed at the U.K. and Ireland box office with £2.7 million ($3.1 million), according to numbers released by Comscore. Universal’s “Halloween Ends,” the final instalment in the horror trilogy of sequels to the original 1978 film, starring Jamie Lee Curtis, debuted in second place with £2.1 million. Another horror, Paramount’s “Smile,” collected £1.4 million in third position in its third weekend for a total of £7.2 million. In fourth place, in its fourth weekend, Universal’s “Ticket to Paradise,” starring Julia Roberts and George Clooney, took £617,041 for a total of £7.7 million.

Peter Caranicas Deputy Editor EnergaCamerimage, the international cinematography-focused film festival, will honor Oscar winner Sam Mendes with the Special Krzysztof Kieslowski Award for Director during its 30th anniversary edition, which will run in Toruń Poland Nov. 12-19. The helmer’s “Empire of Light,” starring Academy Award winner Olivia Colman (‘The Favourite,” “The Lost Daughter”) and BAFTA-winner Michael Ward (“Blue Story,” “Top Boy”), will open the Camerimage fest in addition to being one of the Main Competition nominees. Aside from “Empire of Light,” Mendes’ notable films include “American Beauty” (for which he won his best director Oscar), “Road to Perdition,” “Revolutionary Road,” “Skyfall,” “Spectre” and “1917.”

Trailblazing director Sally Potter’s latest short film “Look At Me,” a verbal battle of wills between a combative rock drummer (Javier Bardem) and the harried director of a fundraising gala (Chris Rock), is a passionate Trump-era time capsule featuring two mesmerizing performances from its leads.  The short was originally conceived as part of Potter’s profoundly personal 2020 film “The Roads Not Taken,” which starred Bardem as a Mexican-American man named Leo whose dementia sees him traveling inside his mind through past choices and Elle Fanning as his grown daughter tasked with his care.

It looks like Carey Mulligan must’ve gotten on a plane right after the New York premiere of her movie She Said!

EXCLUSIVE: Orlando, filmmaker Sally Potter’s seminal gender-bending and much acclaimed 1992 movie, is finding new life with a 30th anniversary 4K restoration and a theatrical re-release beginning Friday. It’s from Sony Pictures Classics, the specialty arm of Sony Pictures that also happens to be celebrating their 30th anniversary this year, counting Orlando as a major part of their first year in business in 1992. It went on to score even a couple of Oscar nominations for its Production Design and Costume Design in addition to becoming a movie that not only never seems out of date, but now in this era even more pertinent and timely than ever.

“The Little Mermaid” is doing swimmingly on the journey to its live-action release.

Ellise Shafer “Dune: Part Two” is coming to theaters sooner than expected. It was revealed on Tuesday that the highly-anticipated sequel to Denis Villeneuve’s sci-fi epic will hit theaters on Nov. 3, 2023, instead of Nov. 17, 2023. “Dune” has taken the previous spot of Marvel’s “Blade,” which was delayed on Tuesday to Sept. 6, 2024. Villeneuve returns to direct “Dune: Part Two,” with its star-studded cast including Timothée Chalamet, Rebecca Ferguson, Josh Brolin, Stellan Skarsgård, Dave Bautista, Stephen McKinley Henderson, Zendaya, Charlotte Rampling, Javier Bardem, Florence Pugh, Austin Butler, Christopher Walken and Léa Seydoux. The first “Dune” released in October 2021 and scored over $400 million at the box office worldwide, in addition to scoring six Oscars. “Dune: Part Two” will cover the second half of Frank Herbert’s 1965 novel, in which protagonist Paul Atreides (Chalamet) joins forces with the Fremen to avenge his family. New characters will include Princess Irulan (Pugh), Harkonnen heir Feyd-Rautha (Butler), Shaddam IV (Walken) and Lady Margot (Seydoux).

Warner Bros has shifted the release date by two weeks next year for Dune: Part Two going from Nov. 17 to Nov. 3 and still hanging onto Imax screens for the Denis Villeneuve directed sequel.

is dad to son Leo, 11, and daughter Luna, nine, who he shares with Penelope Cruz. And he’s hoping that his new film with Shawn Mendes, Lyle, Lyle, Crocodile, is the one that’s finally going to get them caring about their dear old dad’s job. Chatting to Metro. co. uk about why he took on the ‘surreal’ film, which sees him star as a showman alongside a singing and dancing crocodile played by Shawn Mendes, he quipped: ‘For my kids to watch a movie with dad in it, so they’re finally proud of what I do – because they don’t care!’‘I watch many family and kids’ movies because of my kids and I have to say I enjoy most of them, because most of them are great, are fun, are beautifully done,’ he added.

Zack Sharf Geena Davis writes in her new memoir, “Dying of Politeness,” about a “bad” experience she had with Bill Murray when the two were making their 1990 crime comedy “Quick Change,” which Murray co-directed with Howard Franklin. Davis details an uncomfortable first meeting with Murray in a hotel suite, followed by a time on set when Murray repeatedly screamed at her in front of the crew. As summarized by The Times UK (via NME): “She’s introduced to [Murray], she writes, in a hotel suite, where Murray greets her with something called The Thumper, a massage device he insists on using on her, despite her emphatically refusing; later, while they’re filming on location, Murray tracks Davis down in her trailer and begins screaming at her for being late (she’s waiting for her wardrobe), continues to scream at her as she hurries onto the set and even as she gets there, in front of hundreds of cast, crew, curious passers-by.”

“Lyle, Lyle, Crocodile” book series is now a major motion picture. The live action/CGI musical comedy stars a whole host of names, including one Canadian singer as the voice of a talented crocodile. The film will feature songs performed by star Shawn Mendes and written by the songwriting team behind “The Greatest Showman” — Benj Pasek and Justin Paul — with an ensemble cast that includes Javier Bardem and Constance Wu.For “Lyle,” Pasek and Paul are joined by Ari Afsar, Emily Gardner, Xu Hall, Mark Sonnenblick and Joriah Kwamé.

Jazz Tangcay Artisans Editor Josh Gordon and Will Speck’s live-action musical “Lyle Lyle Crocodile” lives up to it name. The story, about a crocodile named Lyle voiced by Shawn Mendes that can dance and sing, features songs penned by the award-winning Justin Paul and Benj Pasek. The dup then brought in a team of songwriters to carve out toe-tapping, infectious earworms. From the get-go songwriting and composing duo Pasek and Paul knew Lyle would be a singing crocodile which made the project all the more exciting for them. “But when the voice actor became Shawn Mendes, that really informed a lot of the style and what we were going to write for,” explains Pasek. 

Jordan Moreau “Lyle, Lyle, Crocodile” is slowly getting ready to take a bite out of the weekend box office. It earned $575,000 from 3,453 theaters in Thursday previews, while David O. Russell’s “Amsterdam” picked up $550,000 million from 3,005 theaters. Sony’s live-action/CGI hybrid, co-financed by TSG, is a family-friendly movie about a singing crocodile, starring Grammy-nominated artist Shawn Mendes as the titular reptile. The studio projects an opening haul of $11 million to $12 million, with some projections belting out upwards of $15 million. With a budget of $50 million, it will need plenty of support from kids and families over the fall to snap up a profit. The cast includes Javier Bardem as Hector P. Valenti, Lyle’s flamboyant owner, Brett Gelman as Mr. Grumps and Constance Wu, Scoot McNairy and Winslow Fegley as the Primm family. The Primms move to a new house in New York City, where they discover Lyle, a saltwater crocodile with the voice of a high-end recording artist, living in their attic.

Owen Gleiberman Chief Film Critic The movie format where a character beloved by kids becomes a CGI creature, who is then plugged into a live-action universe, is one of the most casually technically astonishing of all popcorn genres — and, as often as not, one of the most stunted. It almost doesn’t matter if the hero is Garfield or Stuart Little, Alvin and the Chipmunks or Sonic the Hedgehog: The way this genre has descended from the noisy bravura of “Who Framed Roger Rabbit,” the actors tend to be reduced to one-note stooges who get stuck in too many green-screen reaction shots, whereas the critter at the center — the animated star — is, almost inevitably, a preening chatterbox who wears out his welcome by pelting the live-action players, and the audience, with too many bad punchlines.

Don’t underestimate the second weekend of Paramount’s horror movie Smile. The Parker Finn directed and written title, which has provided many in town that horror remains a bankable genre for the big screen after a $22.6M opening, has a shot of possibly upsetting Sony’s family movie Lyle, Lyle, Crocodile and 20th Century Studios/New Regency/Disney’s upscale David O. Russell comedy Amsterdam for No. 1 with around an $11M+ take.

Susanna Reid was more than happy to step in to defend Ed Balls after he was told he is 'wasted' at Good Morning Britain. The presenter was back at the helm of the ITV new programme alongside the former Labour MP on Tuesday (October 4) following Martin Lewis' regular stint on Monday.