Taylor Swift fans went into a frenzy after the NFL announced Friday its multi-year partnership with Apple Music as the new sponsor for the iconic Super Bowl Halftime Show. But it wasn't so much the announcement that had Swifties excited.
07.09.2022 - 18:35 / theplaylist.net
When the first trailer for “See How They Run” appeared early this summer, a fair number of observers came to the same conclusion: Wes Anderson rip-off. It wasn’t hard to see; the ‘50s-set murder mystery seems to deliberately ape the Anderson aesthetic, from the meticulously detailed design work to the rich color palates to the striking and frequently symmetrical compositions, and it’s populated by a big, busy, impeccably attired ensemble cast that includes Anderson standby Adrien Brody and “Grand Budapest Hotel” co-star Saoirse Ronan.
Taylor Swift fans went into a frenzy after the NFL announced Friday its multi-year partnership with Apple Music as the new sponsor for the iconic Super Bowl Halftime Show. But it wasn't so much the announcement that had Swifties excited.
Taylor Swift was honoured with the Nashville Songwriters Association International’s Songwriter-Artist of the Decade Award at the NSAI’s annual ceremony on Tuesday (September 20) night.Accepting the award at Ryman Auditorium in Nashville, Swift gave a 13-minute speech in which she discussed her approach to songwriting, re-recording her first six studio albums following her much-publicised masters dispute, the extended version of ‘All Too Well’ that appeared on ‘Red (Taylor’s Version)’ last year and more.“I’m up here receiving this beautiful award for a decade of work, and I can’t possibly explain how nice that feels. Because the way I see it, this is an award that celebrates a culmination of moments,” Swift said when accepting the award, as transcribed by Pitchfork.“Challenges.
Taylor Swift is back at it, teasing fans ahead of the release of her 10th studio album Midnights.
An exceptional and, one might venture, unprecedented group of politicians, diplomats, policy wonks, elected officials and veteran Washington insiders expound on the effectiveness of international military intervention—and the lack thereof—in The Corridors of Power. Israeli director Dror Moreh made one of the great political documentaries of recent times in The Gatekeepers (2012), as well as the excellent The Human Factor (2019), and this time he has assembled an all-star cast of more than 30 political heavyweights including Henry Kissinger, Hilary Clinton, George Shultz, Madeleine Albright and Condoleeza Rice, who in deep, original interviews, help to build a picture of how and why the best intentions can come unglued. The film deserves to be seen in any and all venues by audiences interested in the state of the world and clarity about how we got here.
Peter Farrelly’s “The Greatest Beer Run Ever” isn’t so much a bad movie — though it’s certainly that — as an inexplicable one, a comedy/drama set in the Vietnam War that somehow believes it’s saying anything that hasn’t been said a million times already about that conflict, and far more skillfully.
Owen Gleiberman Chief Film Critic Film-festival awards don’t usually have much lasting impact, but four years ago, when “Green Book” played at the Toronto International Film Festival and won the People’s Choice Award, it had a seismic effect. It set the film on what would become its road to Oscar glory. Since that turned out to be a very bumpy road, with many critics dumping on the film for what they perceived to be its outdated liberal race consciousness (not me — I thought “Green Book” was terrific), the Toronto award kept coming back into the conversation. It was used to signify the nature of the movie’s appeal — namely, that maybe this wasn’t a film destined to be embraced by the most elite levels of the establishment, but it was one that “the people” went for. And that’s just what ended up happening. (The people, in this case, including a great many Oscar voters.)
The upcoming movie Amsterdam has a star-studded cast and 20th Century Studios has shared 15 character posters featuring all of the big names!
Joe Otterson TV Reporter Natasha Lyonne’s upcoming Peacock detective series “Poker Face” has added three new cast members, Variety has learned exclusively. Brandon Michael Hall (“God Friended Me,” “Search Party”), Colton Ryan (“The Girl From Plainville,” “Dear Evan Hansen”), and Megan Suri (“Never Have I Ever,” “The Pisasch”) have all been cast in the show. As with past casting announcements for “Poker Face,” details on their characters are being kept under wraps. Hall is repped by Gersh, Viewpoint, and Felker Toczek. Ryan is repped by Gersh and Echo Lake Entertainment. Suri is repped by Entertainment 360.
In today’s episode of The Discourse, host Mike DeAngelo sets his sights on Searchlight Pictures’ latest release, “See How They Run,” with the star of the film, and Academy Award Winner, Sam Rockwell. In the film, Rockwell plays Inspector Stoppard, who, along with a rookie partner (Saoirse Ronan), must investigate a murder that just so happens to take place within a production of an Agatha Christie play.
The hearse carrying the late Queen’s coffin departed her beloved Balmoral Castle yesterday (11 September) amid crowds of mourners and she began her final journey back to London, via Edinburgh. Royal fans watching the procession noticed something rather odd about the hearse itself, as at the beginning of the drive, a large sticker bearing the name of William Purves, the undertaker chosen to transport the coffin, was visible on the vehicle's window.The sticker obstructed part of the view of the coffin, which was draped with the Royal Standard of Scotland.
No film at the Venice Film Festival not called “Don’t Worry Darling” has attracted such morbid fascination as Andrew Dominik’s Marilyn Monroe not-a-biopic, “Blonde.” Turns out that “morbid” qualifier is soft, to say the least: to call “Blonde” relentless would be about as immense an understatement as one can conjure of a movie that subjects its lead, Ana de Armas’ fictionalized Monroe, to two hours and forty-seven minutes of unending sexual torture, leering voyeurism, and devastating dehumanization. READ MORE: Venice Film Festival Preview: 16 Must-See Films To Watch Much has already been made about the X-ratedness of it all, but god, this is — by design — soul-sapping stuff, leaving you bloodied and brutalized.
EXCLUSIVE: Emmy and Tony winner Cherry Jones (Succession), Luis Guzmán (Shameless), Hong Chau (Watchmen) and Tony winner Reed Birney (Succession) have joined the cast of Peacock’s Poker Face, a mystery drama series starring Natasha Lyonne, from Rian Johnson, his T-Street banner and MRC Television.
Following her outstanding and irreverent directorial debut, “Booksmart,” actor-turned-filmmaker Olivia Wilde returns with a much more ambitious effort in “Don’t Worry Darling.” Taking the mystery box route, “Twilight Zone” meets “The Stepford Wives,” with a little dash of “The Matrix,” the audacious film is ultimately a misfire because of its overextending mystery conceit. But regardless, it’s a well-crafted film that shows Wilde’s debut was no fluke.
Guy Lodge Film Critic Just before director Christopher Nolan’s upcoming “Oppenheimer” plants a fixed image of Ted Hall in the popular imagination, along comes Steve James’s sensitive, studious documentary “A Compassionate Spy” to preemptively set any records straight. Unpacking the life and work of the prodigious teenage Manhattan Project physicist who passed key information about the endeavor to the Soviet Union — cuing an adulthood dogged by suspicion and secrecy — the film demonstrates its director’s characteristic nose for strong material and knack for gripping, straightforward storytelling. If the filmmaking is more televisual than in James’s best work, with its flourishes limited to some unnecessary dramatized passages, that should be no impediment to “A Compassionate Spy” commanding a sizable audience on multiple platforms.
Taylor Swift has announced three new collectable editions of her forthcoming 10th studio album, ‘Midnights’, all of which will boast unique features and will only be available to purchase for a limited time.The three different variants are a ‘Jade Green’ edition, a ‘Blood Moon’ edition and a ‘Mahogany’ edition. Each is named for the colour it represents – for example, the ‘Jade Green’ edition has the title and tracklisting on the album’s front cover (as well as the left-side bar of the CD version’s jewel case) printed in a muted gradient of deep greens, while the original version is laid out in blue.Similarly, the ‘Blood Moon’ edition of ‘Midnights’ features a gradient of deep red to orange, and the ‘Mahogany’ edition comes with brown and gold accents.
Chris Willman Senior Music Writer and Chief Music Critic Maybe she meant to call her new album “1979.” Taylor Swift has unveiled three additional album covers for her October release “Midnights,” each of which is being promised as only being available for the next seven days, as a pre-sale in both vinyl and CD formats. Even more than the more permanent cover that was revealed Sunday night, these album jackets very much look designed to evoke the 1970s, sometimes subtly, sometimes more blatantly. There’s the touch-tone phone. There’s the LP jacket on the floor. (Well, that one evokes the 2020s, too, but the reckless disregard for the treatment of a piece of vinyl is very retro.) And most of all, as a backdrop for not just all the cover images but the Swift webstore landing page, there is wood paneling. (It’s not just for vintage VHS porn anymore.)
Mikhail Gorbachev has died at the age of 91, according to reports.