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Whoopi Goldberg is opening up about her role in the upcoming movie Till and she’s also responding to a critic who claimed she was wearing a fat suit in the film.

Whoopi Goldberg has slammed a film critic for claiming she wore a "fat suit" in the new movie Till. During an appearance on The View on Monday, the Sister Act actress called out an unnamed reviewer who made a comment about her wearing a "distracting fat suit" to portray Emmett Till's grandmother, Alma Carthan, in the biographical feature. However, during a conversation on the talk show, Whoopi noted that she wasn't wearing a fat suit and looked different because she had suffered a variety of health issues in the lead-up to production beginning in September 2021.

Whoopi Goldberg is reacting to criticism of her role in the new movie “Till”.

Whoopi Goldberg is addressing head-on a criticism about her looks in the Emmett Till biopic. On Monday's episode of, the 66-year-old EGOT winner -- who portrays Emmett's grandmother, Alma Carthan, in  reacted to a review of the film that claimed Goldberg wore a fat suit for her role. «There was a young lady who writes for one of the magazines, and she was distracted by my fat suit, in her review,» she shared.

Zack Sharf Whoopi Goldberg attended the New York Film Festival on Oct. 1 to world premiere her new drama “Till,” director Chinonye Chukwu’s biographical drama about Mamie Till’s pursuit for justice following the murder of her son, Emmett. Goldberg has a supporting role in the film as Alma Carthan, Mamie Till’s mother and Emmett’s grandmother. One “Till” review was critical of Goldberg’s fat suit in the film, but the Oscar winner was not wearing a fat suit in the film. Goldberg called out the review during the Oct. 3 episode of “The View.” “There was a young lady who writes for one of the magazines, and she was distracted by my fat suit, in her review,” Goldberg said. “I don’t really care how you felt about the movie, but you should know that was not a fat suit, that was me. That was steroids. Remember last year? I assume you don’t watch the show, or you would know that was not a fat suit.”

Whoopi Goldberg had a few choice words on The View this morning for a critic who commented about her appearance in Till, the true-story film from Chinonye Chukwu about the 1955 lynching of 14-year-old Emmitt Till in Mississippi for whistling at a white woman.

About twenty minutes into “Till” — the 1955 story of Emmett Till’s brutal murder — a moment encapsulating this conventional, elegantly rendered biopic’s greatest asset arises. An anxious Mamie Till-Mobley (Danielle Deadwyler), the mother of 14-year-old Emmett (she affectionately calls her son Bo), plays poker in the living room of her Chicago home with two of her girlfriends.

Peter Debruge Chief Film Critic Growing up in Texas toward the tail end of the 20th century, I was not taught about Emmett Till. I’ve learned about him since, of course. Till’s name adorns this year’s overdue federal antilynching act, and his tragic fate has inspired plays and films, including 2018’s Oscar-nominated short, “My Nephew Emmett,” and now a powerful new feature from Chinonye Chukwu, who gave Alfre Woodard one of her greatest roles in 2019 Sundance winner “Clemency.” Till’s story — that of a 14-year-old Black boy from Chicago who was kidnapped in the middle of the night and lynched while visiting his family in Mississippi — may have been omitted from my Southern schooling for racist reasons, though I suspect it had as much to do with Western culture’s “great man” bias. History, as a field of study, celebrates the achievements of heroic individuals. Nat Turner, Harriet Tubman, Rosa Parks. Those names were all taught. But Emmett Till was a kid whose murder galvanized the American civil rights movement, and it has taken a different kind of thinking — à la “Say Their Names” campaign or Ryan Coogler’s “Fruitvale Station” — to position victims in the public’s mind.

Till directed by Chinonye Chukwu and written by Chukwu, Keith Beauchamp, and Michael Reilly follows Mamie Till, a woman who moved the nation with her resilience in the face of her teenage son’s death. The film stars Danielle Deadwyler, Jalyn Hall, Whoopi Goldberg, and Haley Bennett.

The stars of Till are stepping out to promote their highly-anticipated new movie.

EXCLUSIVE: Barbara Broccoli, one of the teams of producers behind the powerhouse film Till, about the extraordinary efforts of Maimie Till Mobley to find justice after the lynching of her 14-year-old son Emmett Louis Till, for whistling at Carolyn Bryant, a white woman, by white supremacists in Mississippi in 1955, told Deadline, that audiences must seek out the movie: ”This is not a time for us to look away.”

Clayton Davis We have Denzel Washington’s single teardrop. We have Viola Davis’ runny nose. And now, we have Danielle Deadwyler’s lip quiver, expertly executed in Chinonye Chukwu’s deeply moving drama “Till.” Another best actress contender emerges although I wish the film could rise to the level of Deadwyler’s performance.   The sturdy drama follows Mamie Till (Deadwyler), the mother of Emmett Till, whose abduction and lynching in 1955 sparked global outrage and served as an important catalyst in the civil rights movement. “Till” charts Mamie’s grief, as well as her pursuit of justice. But getting people to see a movie about such a horrific event will be a tough sell, even if the film avoids depicting much of the brutality of Emmett Till’s killing.  

Clayton Davis Grammy-winner Jazmine Sullivan has teamed up with Grammy and Oscar-winning songwriter Dernst “D’Mile’ Emile II for a possible Oscar contender for best original song. Variety has exclusively learned the song “Stand Up,” which will be featured in Orion and United Artists Releasing’s upcoming drama “Till,” will be submitted for Academy Awards consideration. The song will be released on Oct. 7. Written by Sullivan and D’Mile, the end-credits song captures the moving spirit of the harrowing true story of Mamie Till Mobley (Danielle Deadwyler) and her relentless pursuit of justice after her 14-year-old son Emmett Till (Jalyn Hill) is lynched in 1955.

Trevor Noah is nearing his last laugh on “The Daily Show.” The comedian, who came out of near anonymity to take over the program from Jon Stewart in 2015, plans to exit the flagship Comedy Central series after a seven-year tenure that saw him transform it for a new generation of viewers who are more at home on social media than they are cable outlets and broadcast networks. Noah revealed his plans to an audience at Thursday evening’s taping of the program in New York, according to two people familiar with the matter. It was not immediately clear when his actual exit would take place, or whether the Paramount Global cable network had begun to consider a successor. Jill Fritzo, a representative for Noah, could not be reached for immediate comment.

Mike Wass The group 5 Seconds of Summer gets back to basics on “5SOS5,” writing and producing the bulk of the band’s fifth album in-band. What began as pandemic-related precaution soon turned into an opportunity to recalibrate their sound in an authentic way. After all, they launched as a teenage pop-punk outfit in 2014 and then proceeded to reinvent themselves on each subsequent project, detouring into the worlds of Top 40, electronica and R&B. The Australian rockers started recording the album — which arrives this weekend — in late 2020 in Joshua Tree, CA. “We went up there with no expectations,” says guitarist Michael Clifford, who also doubled as producer. “We were still in the thick of the pandemic and none of us were really ready to write.” While tempted to cancel the trip, the band decided to simply go and hang out. Before too long, they were jamming and songs started taking shape in the hot Californian desert.

SPOILER ALERT: The following reveals major plot points from the Season 8 premiere of NBC’s Chicago Med.

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