RTL2 Axes Docu Series Featuring Controversial Germany Singer Michael Wendler Following Backlash

UPDATE, 8:55 am: Paramount+ has released the official trailer for Fatal Attraction, its series reimagining of the classic 1980s psychosexual thriller film.

William Earl “House of Sand and Fog” director Vadim Perelman has signed on to direct “The House with No Walls,” a docu-series examining the mystery surrounding the 2010 death of eccentric millionaire John Bender in Costa Rica. The four-part series hails from Former Prodigy Media, the production company headed by “Brady Bunch” alumnus Christopher Knight and producer Phil Viardo. “House with No Walls” is based on an upcoming podcast about the Bender story, “Hell in Heaven,” from Blanchard House. The project has been developed with Selectors, a London-based IP incubator run by journalist William Ralston with backing from financier Goldfinch. “We couldn’t be more thrilled that our collab with Selectors and Blanchard House on this documentary will now be masterfully led by such a talented and accomplished director as Vadim Perelman,” said Viardo.

Elsa Keslassy International Correspondent After such a well-attended comeback edition for the Berlinale, this week’s news that festival co-head Mariëtte Rissenbeek is stepping down next year came as a big surprise. It turns out Rissenbeek will have reached retirement age (67) by March 2024, when her contract as executive director of the Berlinale expires. That leaves her with one more edition to prepare with her teammate Carlo Chatrian, the festival’s artistic director. The pair has formed a dynamic duo since being jointly appointed in 2018, succeeding Dieter Kosslick. In an interview with Variety, Rissenbeek said that after next year’s festival, she’s decided she will dedicate herself to other things she enjoys, such as social and humanitarian work. She also spoke about her personal highlights during the 2023 edition and what’s next for the Berlinale.

John Hopewell Chief International Correspondent LILLE, France — Headed by a commanding performance from Navid Mohammadzadeh, superbly shot and packing arguably the best opening scene of any series in Series Mania main competition, Navid Javidi’s “The Actor” won the Grand Prize at Series Mania on Friday night. The top Series Mania award for the “The Actor” also proves vindication for the Festival which this year has broadened its geographical reach in an effort to discover new narrative modes and styles. Consistently subordinating narrative to mood, “The Actor” certainly wins on that score. Main scribe John Kåre Raake (“The Quake”) and co-scribe Linn-Jeanethe Kyed (“Bø”) scooped best writing for “The Fortress,” a banner upcoming Viaplay title produced by Norway’s Maipo Film and sold by TrustNordisk, which delivers a telling political cautionary tale for our times, a chic isolationist parable thriller set in an alternative Norway which has built a wall to keep foreigners out. When a virus strikes, it becomes a prison.

Elsa Keslassy International Correspondent Eitan Mansuri, who attended Series Mania Festival to pitch season 2 of “No Man’s Land” (pictured), is re-teaming with award-winning Israeli director Samuel Maoz on his next film “It’s Good to Die For Your Country.” The project will mark Maoz’s follow up to “Foxtrot” and “Lebanon” which won Venice’s Silver and Golden Lion awards, respectively. Mansuri told Variety that “It’s Good to Die For Your Country” will be like the third opus of a trilogy on war, completing “Foxtrot” and “Lebanon.” “‘Lebanon’ was about being a soldier, ‘Foxtrot’ was about the implication of war on families and ‘It’s Good to Die For Your Country’ will be about trauma itself,” said Mansuri, whose produced Maoz’s last two movies.

Malina Saval Associate Editor, Features It’s 25 minutesbefore showtime at Krakow, Poland’s Tauron Arena, and Michael Bublé is cool as a cucumber. A February chill in Europe, where he is touring across more than a dozen countries including the U.K., Germany, France, Spain and Italy, is nothing new to the singer raised outside Vancouver. Likewise, the dress- ing room serves as a familiar home away from home for the five-time Grammy winner, who picked up his latest gramophone statuette for traditional pop vocal album in February. A dual citizen of both Canada and Italy, from where his maternal side hails, Bublé never gets stage fright. And 11 albums in — “Higher” was released last March — with sales topping 75 million and his songs streaming over 14 billion, sold-out crowds have also become de rigueur, worthy of recognition with Variety’s Intl. Achievement in Music Award, which he is receiving March 26 in London.

Neon has unveiled a raft of cast additions for Joshua Oppenheimer’s musical The End as principal photography begins in Ireland.

Elsa Keslassy International Correspondent While she retired prematurely at the age of 39, Brigitte Bardot has left an indelible mark on France’s popular culture in the 1960’s and 1970’s. With her wild blonde mane, smoky eyes and pouty lips, Bardot became a symbol of a modern and effortlessly sexy French woman, and a style emblem that continues to inspire current trends. The event series “Bardot,” which is penned and directed by Daniele Thompson (“The Queen Margot”) and Christopher Thompson (“La bûche”), world premiered at Series Mania Festival to unanimous praise and has been pre-sold by Federation nearly worldwide. “‘Bardot’ is like the French ‘The Crown’ because Bardot embodied France, and through her journey we reminisce about many parts of France’s history and popular culture in the 1950’s and 1960’s,” Federation’s boss and “Bardot” producer Pascal Breton told Variety.

John Hopewell Chief International Correspondent LILLE, France —  “Yours, Margot,” from  “Compartment No 6’s” Juho Kuosmanen, Guatemalan Cannes Camera d’Or winner César Díaz (“Our Mothers”) and Brazil’s Beatriz Seigner (“Los Silencios”) have won the three prizes on offer at the first edition of Seriesmakers. A mentoring program for filmmakers making their TV creator debut, after an inaugural edition delivering one of the most talent-packed project lineups at any festival, film or TV, in 2023, Seriesmakers backers Beta Group and Series Mania opened on Wednesday a call for admissions for a second edition.   Though all three series range hugely in setting and creators, all three see their protagonists go back to a recent past to explore events that have impacted their family (“Yours, Margot”), their modern-day country (“The Invisible Ink”), or traumas in the present (“Amigas”). 

A24 is putting together a star-studded pop star movie!

Elsa Keslassy International Correspondent Strand Releasing has bought all North American rights to Emily Atef’s last two movies, “Someday We’ll Tell Each Other Everything” which competed at the Berlin Film Festival, as well as her Cannes entry “More Than Ever.” Both films are represented in international markets by The Match Factory. Based on Daniela Krien’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.“More Than Ever,” meanwhile, premiered at last year’s Cannes Film Festival in the Un Certain Regard. It stars Vicky Krieps (“Corsage,” “Phantom Thread”) and late French actor Gaspard Ulliel as a couple whose bond is tested when one of them is diagnosed with a terminal disease.

William Earl Disney+ has landed a four-part Ed Sheeran docu series, “The Sum of It All,” that is set to premiere May 3. The project comes from Disney Branded Television and Fulwell 73 Productions (“Adele: One Night Only”). It coincides with the May 5 release of Sheeran’s latest album, ” -” (aka “Subtract”), from Atlantic. “Ed Sheeran: The Sum of It All” promises to offer a candid look into the British star, his family and his rise to superstardom after suffering with a stutter as a child. “I’ve always been very guarded in my personal and private life; the only documentary I’ve ever made has been one that focused on my songwriting,” Sheeran said. “Disney approached me to make a four-part documentary, and it felt like the right time to open the door and let people in. I hope people enjoy it.”

Holly Jones Brazilian media titan Globo bowed its ambitious doc series “Extremists.br” to market audiences in Berlin last month alongside a slate of equally promising emerging concepts. With sights now set on France, the telenovela and docu-centered powerhouse readies for buyers at Series Mania. Directed by journalist and documentary filmmaker Caio Cavechini (“Marielle – The Crime That Shook Brazil”), the project examines Brazil’s far-right movement, from the sociology of its radical idolatry to the underpinnings of corrosive propaganda campaigns that urge it on, shining a torch on the country’s highly divisive political climate. With unnerving ease, the eight-part series captures how readily a captive audience takes to fastly-spread tall tales, with original and nuanced thought thrown out the window as devotees cling to their dogmas, waging war with cut and paste battle cries while the vivid green and yellow flag of their country hangs around their shoulders, representative of a certain painted-on patriotism.

John Hopewell Chief International Correspondent Series Mania has always been about discovery: Of drama series as an art form, in its early days from launch in 2009; then of key players on a burgeoning international premium TV scene. Series Mania’s International Panorama now catches a new wave of creatives transitioning from film to scripted TV – Israel’s Yaron Shani with “Innermost,” Spain’s Isaki Lacuesta and Isa Campo with episodes of “Apagón”; and highlights notable emerging auteurs: Denmark’s Kasper Møller Rask, Canada’s Alexis Durand-Brault, Spain’s Fran Araujo, Pakistan’s Assim Abassi and Germany’s Jakob and Jonas Weydemann.  But for having already bowed at national festivals, some of the 12 titles below could well have been in the running for a Competition berth. 

Lucy Liu isn't totally ruling out a return to .ET's Ash Crossan spoke to Liu at the  premiere in Los Angeles Tuesday, where Liu said that while she doesn't know «what lies ahead,» she would love to work with her fellow angels, Drew Barrymore and Cameron Diaz again.«I don't know. I mean, of course, we love each other. So, any opportunity to work together would be fun, but I don't know what lies ahead.

Elsa Keslassy International Correspondent The blockbuster French cast of Amazon Prime Video’s third season of “LOL: Qui rit, qui sort” speaks volumes about the Japanese variety format’s tremendous popularity in France. The Amazon Original series, adapted from the format “LOL: Last One Laughing,” scored its biggest launch to date on Prime Video in France since bowing on March 10. The show is one of the streamer’s first unscripted originals in France and has been a major coup as a brand exercise that’s succeeded with limited resources — certainly in comparison to scripted comedy. Adaptations of “LOL” have also thrived in Italy and Germany where they have ranked as the most watched local titles on the service, respectively. Local versions are also available in Spain, Canada, Mexico and Australia (hosted by Rebel Wilson).

John Hopewell Chief International Correspondent Series Mania, Europe’s biggest TV fest, and German film-TV powerhouse Beta Group has revealed the 10 projects in the first edition of Seriesmakers, unveiling what must be one of the most talent-packed project lineups at any festival, film or TV, in 2023, A mentoring program for filmmakers making their TV creator debut, Series Mania features in development drama series from “Compartment No 6’s” Juho Kuosmanen, ‘Bang Gang’s’ Eva Husson and “Birds of a Passage’s” Ciro Guerra and Cristina Gallego. Also in the mix is “Amigas,” the first TV project of Beatriz Seigner (“Los Silencios”), one of Brazil’s foremost young movie directors, “The Invisible Ink,” teaming Cannes best first feature winner César Díaz (“Our Mothers”)and New Uruguay Cinema founding father Fernando Epstein; and Indian arthouse filmmaker Pushpendra Singh, who scored with Berlin Encounters’ title “The Shepherdess and the Seven Songs.”

Football Focus and Final Score have been axed from today's BBC schedule as presenters are continuing to pull out in solidarity with Gary Lineker. BBC Radio 5 Live Sport has also suffered as contributors refused to go on the air.

Leo Barraclough International Features Editor The first image has been unveiled from Miguel Gomes’ upcoming late 1910s drama “Grand Tour,” which is being sold by The Match Factory. The film is currently shooting in Italy, and stars Gonçalo Waddington and Crista Alfaiate. “Grand Tour” comes after the successful international sales and distribution of Gomes’ critically acclaimed features “Tabu,” “Arabian Nights” and “The Tsugua Diaries” – all titles sold by The Match Factory. “Grand Tour” kicks off in Rangoon, Burma, 1917. Edward, a civil servant for the British Empire, runs away from his fiancée Molly the day she arrives to get married. During his travels, however, panic gives way to melancholy. Contemplating the emptiness of his existence, the cowardly Edward wonders what has become of Molly… Yet Molly, determined to get married and amused by his move, follows his trail on this Asian grand tour.

Elsa Keslassy International Correspondent Mk2 films has enlisted leading distributors around the world for “Reality,” Tina Satter’s feature debut starring Sydney Sweeney, on the heels of its buzzy world premiere at the Berlinale. The movie, which bowed in the Panorama section, stars Sweeney (“White Lotus,” “Euphoria”) as Reality Winner, a 25 year-old whistleblower who spent five years in prison during the Trump administration. A former U.S. Air Force member and National Security Agency translator, Winner was convicted for leaking a confidential report on Russian election interference to the media. The film is based on Satter’s 2019 stage play “Is This a Room” and contains verbatim dialogue from the unedited transcript of a FBI audio recording. “Reality” captures the tense and surreal 90 minutes of FBI’s interrogation with Winner at her home in 2017.