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18.10.2022 - 16:11 / deadline.com
The historic Barberini Cinema in Rome reopens its doors to the public this Thursday for the first time in two-and-a-half years after an ambitious multi-million-euro refurbishment.
Situated in the former carriage house and stables of the 17th Century Barberini Palace, the theatre was built in 1930 by architect and construction firm owner Angelo Giuseppe Rossellini, the father of iconic neo-realist director Roberto Rossellini.
Local cinema folklore recounts that Rossellini Snr. gave his son free entry to the venue, cementing the Rome, Open City director’s love of the moving image from an early age.
Siblings Caterina, Francesca and Alessandro Saviotti, whose family has owned the cinema since the 1950s, have spearheaded the renovation of the six-theatre venue.
They have kitted it out with state-of-the-art Dolby Atmos and 4K Barco technology; distinct green, yellow and orange designer furnishings, a soon-to-be-opened bar and restaurant with a view of Piazza Barberini and Via Veneto, and a roof-top garden terrace. A seventh theatre will also open in the basement next year.
After a glitzy opening party on October 1, the cinema welcomed hundreds of film and TV professionals as the conference venue for Rome’s International Audiovisual Market (MIA) last week and is now gearing up for its soft opening to the public.
The inaugural program includes Jaume Collet Serra’s Black Adam, local comedy Astolfo by Gianni Di Gregorio and Mark Cousins’ documentary March On Rome, exploring the legacy of Benito Mussolini exactly 100 years after he rose to power.
The relaunch comes at a tough time for Italy’s exhibition sector which has been one of the hardest hit in Europe by the Covid-19 pandemic. The box office for the current box year up
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Patrick Frater Asia Bureau Chief Patriotic rescue film “Homecoming” largely dominated the Chinese box office over the latest weekend and brought to a close a deeply-depressed National Day holiday period. “Homecoming” earned $21.5 million between Friday and Sunday to lift its ten-day cumulative to $163 million, according to data from consultancy Artisan Gateway. That score accounted for a 71% share of the weekend’s $30.3 million total. Second-placed film “Ordinary Hero” earned just $2.2 million, giving it a ten-day total of $19.7 million. Previous top-ranking film, “Give Me Five” held on to third place, despite the volley of new releases on either September 30 or October 1. It collected $1.7 million for a cumulative of $60.8 million since release on Sept. 9, 2022.
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