Romain Gavras Says Netflix’s ‘Athena’ Formed a ‘Dogville’ in Suburb Where it Lensed

 podcast released Tuesday, a day after Adnan Syed walked out of court following the vacating of his murder conviction, host Sarah Koenig noted that most or all of the evidence cited in prosecutors' motion to overturn the conviction was available since 1999.«Yesterday, there was a lot of talk about fairness, but most of what the state put in that motion to vacate, all the actual evidence, was either known or knowable to cops and prosecutors back in 1999,» Koenig said in concluding the new episode. «So even on a day when the government publicly recognizes its own mistakes, it's hard to feel cheered about a triumph of fairness.

Elsa Keslassy International Correspondent Ruben Östlund’s Palme d’Or winning film “Triangle of Sadness” has been sold by Coproduction Office to major distributors around the world. “Triangle of Sadness,” which was acquired by Neon for North America at the Cannes Film Festival, just had its North American premiere at Toronto and is playing at the San Sebastian Film Festival. Coproduction Office has now sold the movie worldwide to major distributors. Recent deals have been closed with Stay Golden (China), Edko (Hong Kong), Impact (India), Gaga (Japan), Green Narae (South Korea), Catchplay (Taiwan), TBA Studios (Philippines), Sun (Latin America), Frontrow (Middle East), Forefont (South Africa) and Les Films 26 (French-speaking Africa). 

Elsa Keslassy International Correspondent Canal+, France’s leading pay TV group, has signed distribution deals with Universal and Sony to ramp up its programming of U.S. movies. Under the pact, Canal+ now has access to the studios’ new films six months after their releases. Sony’s “Spiderman : No Way Home” is currently being broadcast on Canal+’s linear pay TV channels, along with its transactional VOD platform, My Canal. The news was half-revealed by Maxime Saada, Canal+ Group’s chair and CEO, during the company’s upbeat press conference on Sept. 14, which was held at their posh headquarters in Paris. Saada, who recently joined the management board of Vivendi, Canal Plus Group’s parent company, said the outfit already boasts partnerships with Fox, Disney and Warner, as well as Paramount.

Elsa Keslassy International Correspondent Pathé, which operates France’s leading cinema circuit, is planning to enter the Paris stock exchange in 2024, Variety has confirmed. The company’s president, Jérôme Seydoux, revealed the group’s long-gestated listing project in an interview with the French publication Les Echos. Seydoux said the company suffered a loss of approximately €100 million during the financial years 2020 and 2021, mainly due to the fact that theaters in France were shut down for a total of 300 days during the pandemic. While it ruffled feathers by selling “Coda” to Apple at Sundance in 2021 in a splashy $25 million deal, the company was one of the rare French studios which maintained its release plans for major local productions during the health crisis, for instance Martin Bourboulon’s “Eiffel” with Romain Duris and Emma Mackey, and Jean-Jacques Annaud’s “Notre Dame on Fire.”

This weekend saw the big premiere of “Glass Onion: A Knives Out Mystery” at the Toronto International Film Festival. And if early reviews are to be believed, it would appear Rian Johnson has yet another major hit (and Oscar contender) coming our way.

Knives Out director Rian Johnson says he will “keep making” more sequels of the whodunnit film as long as star Daniel Craig is on board.Johnson was speaking at the premiere of sequel Glass Onion: A Knives Out Mystery last night (September 10) at the Toronto International Film Festival (TIFF).Addressing the crowd before the screening, Johnson said (via Variety): “My granddad Howard Johnson traveled here tonight, he’s in the audience. Granddad, you are my role model.

Nicolas Winding Refn‘s upcoming Netflix series “Copenhagen Cowboy” premieres today at the Venice Film Festival, his first project in three years. It’s also his first project in his native Denmark in fifteen years.

Nicolas Winding Refn says that the characters in his upcoming Netflix series Copenhagen Cowboy, are a “female evolution” of characters from previous projects such as Valhalla Rising, Drive and Only God Forgives.

Former Manchester United star Ryan Giggs has said he is 'obviously disappointed' after a judge ordered a retrial over allegations he assaulted his ex-girlfriend.

Elsa Keslassy International Correspondent Les Films Pelleas, the Paris-based banner behind Mia Hansen-Love’s “One Fine Morning” (pictured), is set to produce Guillaume Senez (“Our Struggles”)’s next project, as well as the feature debut of Anne-Sophie Bailly whose short “The Midwife” is currently playing at Telluride. The Paris-based banner’s roster of completed roster includes Karim Moussaoui’s “L’Effacement,” and Annie Ernaux’s documentary “Les annes Super-8.” “Mona” revolves around around a woman in her 60’s who raised alone her disabled son and is at a point in her life where she aspires to start caring for herself. But when her son is unexpectedly having a baby, Mona finds herself with another heavy responsibility to bear.

Elsa Keslassy International Correspondent It took a pandemic and a lockdown for “Drive” director Nicolas Winding Refn to make a directorial comeback in Denmark, where he had delivered the “Pusher” trilogy early in his career. “Sometimes the strangest things come in mysterious ways, and this is one of those,” Refn says of “Copenhagen Cowboy,” his Netflix original series, slated to world premiere Sept. 9 at the Venice Film Festival. Since “Drive,” Winding Refn has directed the Bangkok-set thriller “Only God Forgives,” with “Drive” star Ryan Gosling; “The Neon Demon,” with Elle Fanning playing an aspiring model in Los Angeles.; and the Amazon Prime Video series “Too Old to Die Young,” starring Miles Teller as a grieving cop in crime-ridden Southern California. He was preparing another project set abroad when the pandemic hit.

Elsa Keslassy International Correspondent Iconoclast, the international production group behind Romain Gavras’ Venice competition film “Athena,” is setting a wide-ranging slate of projects with emerging filmmakers from different audiovisual fields, including Leo Berne from the artists collective Megaforce, and Elias Belkeddar and Said Belktibia from the collective Kourtrajmé. The company is also producing the next projects of Harmony Korine and Laure de Clermont-Tonnerre, among others. In a rare interview, Nicolas Lhermitte, who co-founded Iconoclast with Mourad Belkeddar, says the company has emerged from the pandemic with a record number of developed projects. “We took the opportunity during the pandemic to develop a lot of projects, and today we have around 30 projects in the pipeline, spanning films and series that are set up at our studios in France, the U.S. and Germany,” says Lhermitte, who adds that Iconoclast aspired to “accompany multi-disciplinary artists to venture from one field to another, films, TV series, branded content, and music videos.”

Romain Gavras’ immersive modern tragedy Athena just had its world premiere at the Venice Film Festival, receiving a 4 1/2-minute standing ovation in the process.

Romain Gavras wastes no time in “Athena” informing the audience of the stakes. There have been three cases of police brutality within two months in the titular majority-minority community.

Designed as something akin to a Greek tragedy for today’s moment, Venice Film Festival Competition title Athena is a torrent, an inundation, a cascade of rage, fury and frustration over the realities of life for a particular group of French families. Such conditions exist in most societies, some more dire than others, but here the wages of pent-up anger are presented with a single-minded intensity and extended duration that would be hard to exceed.

Peter Debruge Chief Film Critic There is no Athena housing project in Paris. That’s a name invented by “Athena” director Romain Gavras and partner in crime Ladj Ly for the banlieu apartment block that becomes a kind of makeshift fortress in an epic standoff between residents — first- and second-generation Black and Arab immigrants tired of being mistreated — and the French national police. Naming it thus lends what unfolds there a classical resonance, one that ties Gavras’ astonishing third feature to the tradition of Greek tragedy, though the situation could hardly be more timely. “Athena” tells the story of four brothers, one murdered on camera by a group of unidentified men in police uniforms, the three others torn about what to do next. Who were these assailants, shown stomping an innocent 13-year-old to death? Why does the French police seem to be protecting the culprits? And what will it take to obtain justice?

Rina Sawayama has revealed that her recent song ‘This Hell’ almost sounded very different, after she realised that its guitar riff sounded similar to Abba’s ‘Gimme! Gimme! Gimme! (A Man After Midnight)’. As this dawned on her, she says, she “freaked out”.What do you do in these situations though? Of course, you turn to someone who can offer a reassuring voice. And so, she explains to the BBC: “I contacted my publishers, and they freaked out too.

Rina Sawayama has claimed that her single ‘This Hell’ received “the blessing of ABBA“, following concerns it too closely mirrored one of the latter band’s biggest hits.In a new interview with the BBC, Sawayama revealed that while she was recording the song, she noticed a distinct similarity between it and the guitar riff to ‘Gimme! Gimme! Gimme! (A Man After Midnight)’. She claimed to have “freaked out” when she discovers the parallels, given ABBA’s notoriety for turning down samples of their work – a sentiment shared by her publishers when she informed them.“They were like, ‘ABBA are absolutely going to say no to this, and you have to change it’,” she said. Sawayama did so, but still found herself drawn to the first version she had recorded.