Robin Wright
Sundance Film Festival
Demián Bichir
county Wright
Wyoming
Sundance
Robin Wright
Sundance Film Festival
Demián Bichir
county Wright
Wyoming
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For her directorial debut, Robin Wright found ‘Land’ - abcnews.go.com
abcnews.go.com
16.02.2021 / 07:51

For her directorial debut, Robin Wright found ‘Land’

Robin Wright used to joke that her directorial debut had already been made. It was called “Blue Valentine,” it starred Michelle Williams and Ryan Gosling as a couple falling apart, it came out in 2010 and it was directed by Derek Cianfrance, not her.

‘Land’ review: A soulful, but simple, take on nature and trauma - nypost.com - Wyoming
nypost.com
12.02.2021 / 20:20

‘Land’ review: A soulful, but simple, take on nature and trauma

her directing debut, however, is its soulfulness. Her character, Edee, isn’t some spoiled brat stranded in the woods like Tea Leoni in “Six Days Seven Nights”; she is a traumatized woman trying to rebuild her life from the ground up.Edee’s reality has been shattered by a family tragedy, so she packs up the car and leaves the city behind for a cabin deep in the Wyoming wilderness far removed from civilization.

For her directorial debut, Robin Wright found ‘Land’ - abcnews.go.com
abcnews.go.com
12.02.2021 / 18:33

For her directorial debut, Robin Wright found ‘Land’

Robin Wright used to joke that her directorial debut had already been made. It was called “Blue Valentine,” it starred Michelle Williams and Ryan Gosling as a couple falling apart, it came out in 2010 and it was directed by Derek Cianfrance, not her.

Michelle Pfeiffer Makes A ‘French Exit’, Robin Wright’s Feature Directorial Debut ‘Land’ Hits Theaters – Specialty Preview - deadline.com - France
deadline.com
12.02.2021 / 18:31

Michelle Pfeiffer Makes A ‘French Exit’, Robin Wright’s Feature Directorial Debut ‘Land’ Hits Theaters – Specialty Preview

“My plan was to die before the money ran out” has become the anthem and tagline of the Sony Pictures Classics’ French Exit starring Michelle Pfeiffer as a 60-year-old penniless Manhattan socialite — a role that has been earning her plenty of awards season buzz.

Fran Kranz Talks His Drama ‘Mass,’ Impossible Grief, And The Power Of Ann Dowd [Sundance Interview] - theplaylist.net
theplaylist.net
06.02.2021 / 21:33

Fran Kranz Talks His Drama ‘Mass,’ Impossible Grief, And The Power Of Ann Dowd [Sundance Interview]

Fran Kranz’s “Mass” is likely one of the most emotionally pulverizing films ever made about America’s gun-violence epidemic – but across its 110-minute runtime, not a single shot is fired.

‘Land’: Robin Wright Directs Herself Through A Familiar Wilderness Grieving Process [Sundance Review] - theplaylist.net
theplaylist.net
05.02.2021 / 11:35

‘Land’: Robin Wright Directs Herself Through A Familiar Wilderness Grieving Process [Sundance Review]

Take the nomad out of “Nomadland,” and you’re left with “Land,” Robin Wright‘s feature-directing debut (she previously directed 10 episodes of “House of Cards“), in which she also stars, as a grieving woman who, somewhat ironically given the film bows in the era of mandatory isolation, moves way up into the mountains “to get away from people.” Problem is, take the nomadic element out of “Nomadland” (she moves only once and has done with it) and you’re also left with a less interesting, much more

Dash Shaw Talks ‘Cryptozoo,’ Animation Influences & Dream Politics [Sundance Interview] - theplaylist.net
theplaylist.net
04.02.2021 / 21:39

Dash Shaw Talks ‘Cryptozoo,’ Animation Influences & Dream Politics [Sundance Interview]

It’s remarkably rare that anyone makes a hand-drawn animated feature for adults, let alone one as strikingly surreal and seriously minded as Dash Shaw’s “Cryptozoo.” READ MORE: 25 Most Anticipated 2021 Sundance Film Festival Premieres This Sundance premiere – honored with the fest’s Innovator Award in its NEXT section for “pure, bold works distinguished by an innovative, forward-thinking approach to storytelling” – takes place in an alt-history 1960s secretly populated by “cryptids,” including

‘Passing’: Rebecca Hall’s Debut Is A Delicate, Tension-Filled Acting Showcase [Sundance Review] - theplaylist.net
theplaylist.net
04.02.2021 / 06:19

‘Passing’: Rebecca Hall’s Debut Is A Delicate, Tension-Filled Acting Showcase [Sundance Review]

Irene (Tessa Thompson) rarely passes for white. She fears for her safety too much to do so.

How ‘a Scheduling Issue’ Put Robin Wright on Camera for Her Directing Debut on ‘Land’ (Video) - thewrap.com
thewrap.com
02.02.2021 / 18:51

How ‘a Scheduling Issue’ Put Robin Wright on Camera for Her Directing Debut on ‘Land’ (Video)

Also Read: Why Tessa Thompson Was 'Really Terrified' of Playing Irene in 'Passing' (Video)But Wright said she “had definitely been in the shopping mode for something to direct” after her Netflix series “House of Cards” ended and the script by Jesse Chatham and Erin Dignam spoke to her about an epidemic of real-world tragedies.“It was resonating with me so much because it was during the time of these random shootings that were going on in our country almost biweekly and I just kept thinking every

‘Marvelous And The Black Hole’: An Angsty Teenager Finds Solace In Magic & An Unlikely Friendship [Sundance Review] - theplaylist.net - USA
theplaylist.net
02.02.2021 / 01:17

‘Marvelous And The Black Hole’: An Angsty Teenager Finds Solace In Magic & An Unlikely Friendship [Sundance Review]

13-year-old Sammy Ko (Miya Cech) is a problem child. Prone to skipping class, smoking cigarettes, and mouthing off to her teachers, she’s the opposite of the meek model student Hollywood typically imagines when writing young Asian-American characters.

‘Land’: Robin Wright Directs Herself Through A Familiar Wilderness Grieving Process [Sundance Review] - theplaylist.net
theplaylist.net
01.02.2021 / 18:43

‘Land’: Robin Wright Directs Herself Through A Familiar Wilderness Grieving Process [Sundance Review]

Take the nomad out of “Nomadland,” and you’re left with “Land,” Robin Wright‘s feature-directing debut (she previously directed 10 episodes of “House of Cards“), in which she also stars, as a grieving woman who, somewhat ironically given the film bows in the era of mandatory isolation, moves way up into the mountains “to get away from people.” Problem is, take the nomadic element out of “Nomadland” (she moves only once and has done with it) and you’re also left with a less interesting, much more

Demián Bichir became a treehugger after filming ‘Land’ - nypost.com
nypost.com
01.02.2021 / 05:00

Demián Bichir became a treehugger after filming ‘Land’

Sundance Film Festival on Sunday. “It was just perfect timing for me.

‘Land’ Review: A Broken Soul Rebuilds in Robin Wright’s Beautiful Solo Show - variety.com - Wyoming
variety.com
01.02.2021 / 04:09

‘Land’ Review: A Broken Soul Rebuilds in Robin Wright’s Beautiful Solo Show

Peter Debruge Chief Film CriticRobin Wright spends most of “Land” alone, but that’s not how her character Edee sees it. Newly widowed and raw with sorrow for reasons left (mostly) unsaid, Edee abandons nearly everything about her old life and buys a cabin on the side of a mountain in Wyoming — barely a shack, really, with no running water or electricity, surrounded by wilderness.

‘The Dog Who Wouldn’t Be Quiet’: A Visually Rich Exploration Of Economic Inequality [Sundance Review] - theplaylist.net - Argentina
theplaylist.net
01.02.2021 / 04:03

‘The Dog Who Wouldn’t Be Quiet’: A Visually Rich Exploration Of Economic Inequality [Sundance Review]

Literally opening, as the title implies, with “The Dog Who Wouldn’t Be Quiet,” Argentinian director Ana Katz’s melancholic rumination on the life of Sebastian (Daniel Katz, the filmmaker’s brother), a languishing writer turned migrant worker, is a visually stunning, but oftentimes opaque experiment. Filmed in lush black and white, with animated interludes used to portray the more devastating aspects of Sebastian’s life, Katz’s film unfurls as a series of vignettes.

‘Superior:’ A Stylish, Droll Noir That Explores Identity [Sundance Review] - theplaylist.net
theplaylist.net
01.02.2021 / 03:27

‘Superior:’ A Stylish, Droll Noir That Explores Identity [Sundance Review]

With her frayed blonde hair and moody coal-black eye makeup, rock band singer Marian (Alessandra Messa) doesn’t immediately appear to resemble her identical twin sister. Practically a Stepford wife with her demure manner and neat brown bob, Vivian (Ani Messa) lives with her loser husband (Jake Hoffman) in the same house the sisters grew up in.

‘The Sparks Brothers’: Edgar Wright Transforms Ride Or Die Fandom Into A Moving Dedication To The Kinship Of Eccentric Visions [Sundance Review] - theplaylist.net
theplaylist.net
01.02.2021 / 01:53

‘The Sparks Brothers’: Edgar Wright Transforms Ride Or Die Fandom Into A Moving Dedication To The Kinship Of Eccentric Visions [Sundance Review]

To call a portrait documentary an “affectionate tribute” to its lesser-known subject, is usually redundant. That’s the whole point of adoring acknowledgment docs of this ilk— “shining a brighter spotlight” on [insert criminally undervalued subject here].

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