She’s on the move! Real estate expert Peggy Zabakolas is taking her talents to Discovery+ for the new series Selling the Hamptons.
25.01.2022 - 23:17 / thewrap.com
“Dual,” the latest film from director Riley Stearns that stars Karen Gillan and Aaron Paul, has sold its U.S. rights to RLJE Films, a division of AMC Networks, for a deal that landed in the low to mid 7-figure range.
The film played in the U.S. Dramatic competition out of Sundance, and RLJE Films plans to release it theatrically later in 2022.XYZ Films, CAA Media Finance and UTA Independent Film Group closed the deal with RLJE Films Monday night in a competitive bidding situation. XYZ is also handling world rights outside the US.Stearns directed and produced “Dual” alongside XYZ Films and Resolute Films and Entertainment, with Film Service Finland providing production services. More to come…
.She’s on the move! Real estate expert Peggy Zabakolas is taking her talents to Discovery+ for the new series Selling the Hamptons.
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IndieWire.“My biggest challenge was first of all getting out there — that was a challenge, but I’ll save that for another day,” he said. “But I got out there [and] just dealing with the jet lag at all.
The 2022 virtual edition of the Sundance Film Festival is in full swing, and among the films making a debt at this year’s fest is “Dual”, a dark comedy starring Karen Gillan (“Doctor Who”, “Guardians of the Galaxy”) and Aaron Paul (“Breaking Bad”).
RLJE Films last night acquired U.S. rights to Riley Stearns’ thriller Dual in a competitive bidding situation, striking a low-mid seven figure deal for the film, which recently premiered in U.S. Dramatic Competition at the Sundance Film Festival.
Brent Lang Executive Editor of Film and MediaRLJE Films, a business unit of AMC Networks, has taken all U.S. rights to “Dual,” a sci-fi film about cloning with Karen Gillan and Aaron Paul, in a low to mid seven figure deal. XYZ Films, CAA Media Finance and UTA Independent Film Group closed the deal with RLJE Films last night in a competitive bidding situation following the film’s Sundance premiere.
The influence of the Greek “weird wave,” and to a lesser extent the moral mazes of Austria’s Michael Haneke, have been seeping into U.S. indie cinema for quite a while now, and Riley Stearns’ third feature, Dual, comfortably fits into the Sundance slot taken last year by Pascual Sisto’s bizarre dysfunctional family satire John And The Hole.
Peter Debruge Chief Film CriticTurns out, it is easier to create a human clone than it is to destroy one. Or so goes writer-director Riley Stearns’ morbidly satirical, grimly absurd parallel version of the world as we know it.
Sometimes you commit to a decision because it’s the one in your head, the one on the page, and it’s the north star you are aiming for. In filmmaker Riley Stearns‘ latest Sundance picture, the darkly comedic, intentionally strange, and off-kilter doppelgänger film, “Dual,” the intention is to be askew, left of center, and bizarrely funny.