Remi Wolf shares new track ‘Michael’ from deluxe edition of ‘Juno’

J Balvin is sharing some rare comments about his baby boy!

John Hopewell Chief International Correspondent“1976,” the awaited first feature of Chile’s Manuela Martelli, has closed first new major territories for sales company Luxbox before its world premiere in Directors’ Fortnight later this upcoming week.The film is produced out of Chile by writer-directors Omar Zúñiga (“The Strong Ones”) and Dominga Sotomayor (“Too Late to Die Young”) at auteur-focused Chile-based Cinestación (“Too Late to Die Young”) as well as Alejandra Garcia and Andrés Wood, another celebrated Chilean director (“Violeta Went to Heaven”) at Wood Productions. Nathalia Videla Peña and Juan Pablo Gugliotta at Argentina’s Magma Cine co-produce.“1976” is set, as its title implies, in 1976, one of the bloodiest years of Augusto Pinochet’s hugely bloody dictatorship.

Emilio Mayorga New York-based Kino Lorber has acquired all North American rights to horror pic “Virtual Reality,” from Argentine director-producer Hernán Findling (“Impossible Crimes”).Other deals on the pic closed by FilmSharks include Media 4 Fun (Poland), AV Jet (Taiwan) and Laon-I (South Korea). Japan, Latin America, the U.K.

Sony Pictures International Productions (SPIP) is set to remake Ariel Winograd’s Argentinian comedy Mama Se Fue De Viaje (Ten Days Without Mom) in Turkey and South Korea.

Michael Schneider Variety Editor at LargeFormer NBC Entertainment chairman Paul Telegdy has launched a new shingle with his cousin, Berlin-based advertising exec Stefan Telegdy, and they are pitching their first TV project, a 10-episode series about the Falklands/Malvinas War of 1982.The Telegdys’ The Whole Spiel production company has partnered with Lone Wolf Pictures and Infinity Hill to produce “The Islands,” which tells the story of that 1982 war, from the perspective of the soldiers and civilians on both sides of the 74-day conflict.Argentine writer Sebastian Rotstein (“El Presidente” Season 2, “Morir de Amor”) is writing the screenplay for the show, which will employ writers and directors from both the U.K. and Argentina to tell the full story.

The Islands, a 10-episode drama series, is in the works from BBC alum Stephen McDonogh’s Lone Wolf Pictures, Axel Kuschevatzky, Phin Glynn and Cindy Teperman’s Infinity Hill as well as The Whole Spiel, the company launched last year by former NBC Entertainment Chairman Paul Telegdy and his cousin, Stefan Telegdy.

Manori Ravindran International EditorBérénice Bejo was thrilled to be asked how she came to be involved in Michel Hazanavicius’ “Final Cut.”The French-Argentine actor — who plays a mad make-up artist in the zombie romp that opened Cannes on Tuesday — revealed that it wasn’t easy convincing director Hazanavicius, who is also her husband, to let her have a role.“He said, ‘I’m really sorry but this time I don’t think we’ll be working together.’ He said I was ‘too pretty’ and I said, ‘What is that?’ I got a bit upset,” said Bejo.“Final Cut,” Hazanavicius’ eighth feature, is a remake of Japanese zombie comedy “One Cut of the Dead” (2017), which became a cult sensation. The film begins as a French zombie comedy, but soon lifts the lid on how the film was made and becomes more a commentary on — in Variety critic Owen Gleiberman’s words — the “creative innocence of terrible filmmaking.” Bejo seemingly took great pleasure in explaining how it was only when Hazanavicius caught COVID-19 at the start of the pandemic in 2020 and she took care of him morning, noon and night that he finally relented.“After a week of agony, he said, ‘Can you please read my screenplay?’ and I said, ‘Well, I’m too busy and I’m not even going to be in the film,'” said Bejo.

Nick Vivarelli International CorrespondentCairo-based film marketing and distribution outfit MAD Solutions has taken an equity ownership stake in New York’s revived arthouse distributor D Street Releasing.The partnership will extend the reach of MAD Solutions’ theatrical distribution operations, giving it an inroad into the U.S. arthouse sector where so far Arab cinema has been largely reliant on festival exposure.MAD Solutions, which is a top distributor of specialty Arab cinema across the West Asia region, now plans to release between five and seven standout titles from Saudi Arabia, Egypt and other Arabic-speaking countries to North American audiences.D Street Releasing, which has been largely dormant in recent years, is a division of D Street Media Group, the New York-based production, distribution and music publishing company with affiliate operations in the U.S., Germany, Ecuador, Argentina and South Africa.

Andrew Barker Senior Features WriterIconoclastic auteur Peter Greenaway’s first film since 2015 is scheduled to be unveiled later this year, and when it hits screens, the opening credits will feature a company that may not yet be familiar to festival-goers. But if all goes according to their plan, it will be very soon.APX Capital Group’s film fund was launched in October of 2021, with headquarters in New York.

This review of “Lux Aeterna” was first published on May 20, 2019, after its premiere at the Cannes Film Festival.Cinematic provocateurs have flourished at the Cannes Film Festival for years, with everyone from Jean-Luc Godard to Lars von Trier coming to the Croisette with works designed to provoke, confront or even annoy an audience. At this year’s festival, you could say that some of the extreme sections of Nicolas Winding Refn’s “Too Old to Die Young” have been designed to test an audience’s limits and make viewers uncomfortable.But nobody does provocation these days quite like Gaspar Noe does.

Michael Bublé and Luisana Lopilato are getting ready to become parents to a new baby girl! The happy couple will be welcoming their fourth child, as it was announced by the Canadian singer in February, in the sweetest way possible.The 46-year-old artist shared the good news with his latest music video of the song ‘I’ll Never Not Love You’ alongside the 34-year-old Argentinian actress. Now the couple have revealed that their new baby is a girl, with Michael sharing the happy news during a special appearance on The Late Late Show with James Corden.“I haven’t told anybody, you are the first two people that I would have told outside of my family,” he said to the host and the guest of the show sitting next to him, Anthony Anderson, “It’s a girl! I feel so much better now not having to keep it in.

Four years, two films, and one near-fatal experience after his last feature, writer-director Gaspar Noé has a lot to share. The experimental Argentinian filmmaker – who’s built his career in France over the past 25 years – had a brain hemorrhage in between the 2019 Cannes midnight premiere of “Lux Aeterna,” his assaulting, intellectual 52-minute strobe light thriller about a witch shoot from hell, and the making of his next film “Vortex,” a patient, heartrending, nearly two-and-a-half-hour dementia drama.

Introducing their baby girl. Cristiano Ronaldo shared a photo cuddling his newborn daughter after the infant’s twin brother died during childbirth.

Emilio Mayorga Fernando León de Aranoa’s Oscar-shortlisted “The Good Boss” and Argentine Netflix series “The Kingdom” proved the main winners Sunday night at the 9th Platino Awards, which also prized Javier Bardem for his lead performance in Leon de Aranoa’s workplace comedy.Already scoring an Oscar nomination, Penelope Cruz won an Audience Award for Pedro Almodóvar’s “Parallel Mothers” at the Platinos, the biggest kudocast for movies and series from Latin America, Spain and Portugal whose ceremony was held at Madrid’s IFEMA Palacio Municipal.In all, “The Good Boss” walked off with best film, director, screenplay and actor (Bardem), original music (Zeltia Montes) and editing (Vanessa Marimbert), adding new honors to a feature which cleaned up at Fenruary’s Spanish Academy Goya Awards, taking six major nods from a Goya record of 20 nominations. Starring Javier Bardem in one of the main achievements of his career, “The Good Boss” is a darkly humoured depiction of a seemingly benevolent but finally sinister patron as well as workplace power dynamics.   The feature was also shortlisted for the Academy Awards in the international feature film category.