Rating ‘Glass Onion,’ ‘Babylon’ & ‘Emancipation’s’ Best Picture Impact [Contender Countdown]

How do you know, without seeing the film, that “Babylon” is full of chaos and debauchery? Well, you can read all of the early reviews, which use the term “cocaine-fueled” quite a bit, or you can watch the new trailers for the film. One is called the “naughty” trailer.

attended the at the Academy Museum of Motion Pictures in Los Angeles, California. Wilde stars in the A-list heavy ensemble cast of Damien Chazelle's Old Hollywood drama alongside , , , and more.For the red carpet event, Wilde wore a black blazer dress with a floral broach detail and an unexpected sheer ruffled skirt. She paired the look with a simple pair of strappy heels, keeping her hair down in loose waves and going for a . Olivia Wilde attends a "Babylon" screening on December 15, 2022.This is the second time this month that Olivia Wilde has added a goth twist to 2022's biggest red carpet trend.

It feels like the skeleton key to Damien Chazelle’s “Babylon” is a line late in the film, when fallen star Jack Conrad (Brad Pitt) despairs of his latest picture, “It’s shit. A giant swing at mediocrity.” One gets a sense of the writer talking there, and not the character – that there is nothing on this earth worse than reaching for nothing.

something, and by the end of the three hours and eight minutes of Damien Chazelle’s “Babylon,” viewers will have been exposed to any number of bodily secretions, including urine, vomit and tears.The tears come at the film’s climax, no doubt in the hopes that the audience will follow suit, but of all the aforementioned emittances, they feel the least organic to this bloated, hyperbolized and ultimately dreary extravaganza of decadence and nostalgia.Both a valentine and a poison-pen letter to the American film industry in its infancy, “Babylon” aspires to the grandiosity of “The Last Tycoon” and “The Day of the Locust,” though it more often recalls Ryan Murphy’s embarrassing and wildly ahistorical “Hollywood” miniseries.The film opens with a seemingly endless Hollywood party – it’s the 1920s, and Bel Air is still a nondescript, undeveloped hillside – where we will meet most of the major players: Hero and audience surrogate Manuel Torres (Diego Calva, “Narcos: Mexico”), one of the unfortunate handlers of the incontinent pachyderm, has dreams and ambitions in the nascent film industry. Screen king Jack Conrad (Brad Pitt) loves women and booze, not necessarily in that order.

After enormous success and Oscars for films ranging from Whiplash to La La Land to First Man Director/Writer Damien Chazelle returned to an early dream project first envisioned 15 years ago, a no-holds barred look at early Hollywood, a time when not only movies were transitioning from silent to sound, but Los Angeles itself was booming from desert to bulging metropolis. People were caught up in a turbulent time of change, and it didn’t always work out for some. As witnessed in the resulting film and years of meticulous research, Babylon is a sight to behold, a decadent, free wheeling, at times even poignant look at a series of dreamers, stars, fringe players, and all who wanted a piece of a world that felt out of control, uninhibited, and full of promise – and downfall.

Deadline on Thursday launched its streaming site for Contenders Film LA3C: Conversations With Contenders, the awards-season event that took place Saturday as part of the lineup of the LA3C culture and music festival in downtown Los Angeles.

Following a selective path that led to the first Oscar Best Picture for a streamer in CODA, Apple Original Films’ heads Zack Van Amburg and Jamie Erlicht’s 2022 offerings have broken records for the 3+ year old company.   

Damien Chazelle’s Babylon, in its tale of how the talkies rocked the silent motion picture era, is no doubt, a metaphor for the streaming revolution which is impacting the film industry today.

With 14 nominations, five of them for actors, A24’s Everything Everywhere All at Once racked up the highest total among films in contention for the 28th annual Critics Choice Awards for Film. Steven Spielberg’s The Fabelmans was next, also grabbing five noms for its cast out of 11 overall to score the including three for Spielberg as producer, director and co-writer of his autobiographical story.

Ahead of the opening of Damien Chazelle’s $80M early Hollywood opus Babylon, the Brian Robbins-run Paramount Pictures studio is doubling down on the filmmaker and his producer wife Olivia Hamilton with a multi-year, first look directing and producing deal with their Wild Chickens Productions.

Over the course of 2022, a Nicole Kidman-narrated ad for AMC Theatres has evolved from a campy meme into something of a communal prayer offered at the secular chapel of the movie theater. The fragments she incants evocatively describe the power of cinema when wielded at its maximalist best: “we go somewhere we’ve never been before,” “dazzling images on a huge silver screen,” “sound I can feel.” The year ends for audiences with a movie that genuinely deserves to follow such a paean: James Cameron’s long-delayed, much-anticipated “Avatar: The Way of Water.” READ MORE: The 25 Best Films Of 2022 The specious claims that the original “Avatar” had no cultural impact evaporate all but instantly when Cameron plunges viewers back into the realm of Pandora.

Deadline’s signature Contenders event hits downtown Los Angeles on Saturday for a hybrid in-person/virtual edition, partnering with the inaugural LA3C, the cultural festival developed by Deadline parent company PMC.

Partnering with this weekend’s inaugural LA3C developed by Deadline parent company, PMC, Deadline’s signature Contenders event hits Downtown Los Angeles on Saturday December 10 for a live in person/virtual edition and final Contenders -film opportunity before Oscar nomination voting begins. With films not previously highlighted at our previous LA and NY outings this Fall, A Man Called Otto, The Woman King, The Banshees Of Inisherin, Emancipation, and The Pale Blue Eye will be front and center for voters and public along with newly produced visits with Black Panther: Wakanda Forever, Elvis, and Top Gun: Maverick all with talent appearing live at our venue, the J. W. Marriott at LA Live. Also returning to Deadline Contenders will be filmmakers from Till, Thirteen Lives, and Guillermo del Toro’s Pinocchio.

No other film caused as big a sensation this year as “Top Gun: Maverick.” No other movie made as much money either, with Joseph Kosinski‘s film making $1.478 billion at the worldwide box office. Time will tell if James Cameron‘s “Avatar: The Way Of Water” overtakes “Maverick” on both fronts, but there’s one thing that film won’t do: it won’t be the National Board Of Review‘s Best Film of 2022.

No other film caused as big a sensation this year as “Top Gun: Maverick.” No other movie made as much money either, with Joseph Kosinski‘s film making $1.478 billion at the worldwide box office. Time will tell if James Cameron‘s “Avatar: The Way Of Water” overtakes “Maverick” on both fronts, but there’s one thing that film won’t do: it won’t be the National Board Of Review‘s Best Picture of 2022.

They thought “Titanic” was a disaster. “Avatar” was an expensive mess that would never make a profit.

Margot Robbie knows how to make things happen.