Italian director and screenwriter Saverio Costanzo has just wrapped his upcoming film Finalemente L’Alba, starring newcomer Rebecca Antonaci alongside international cast Lily James, Joe Keery, Willem Dafoe and Rachel Sennott.
14.10.2022 - 15:07 / variety.com
Nick Vivarelli International Correspondent On a cobblestone-paved square in the ancient town of Tivoli, north-east of Rome, in late September, a large crew is prepping to shoot a key scene in Italian period drama “La Storia,” which will be pubcaster RAI’s biggest event show next year. Based on a bestselling novel by the late great Elsa Morante – whom “My Brilliant Friend” author Elena Ferrante often cites as her primary literary reference – “La Storia” is set during the final years of World War II and its immediate aftermath in Italy. The eight-episode series, being unveiled by Beta Film to buyers at Rome’s MIA content market, stars Italian A-list actor Jasmine Trinca – who earlier this year was a member of the Cannes jury – as Ida, a single mother of two sons, who hides her Jewish heritage and fights against poverty and persecution.
The Tivoli square, where costumed extras are taking their positions, is a stand-in for Rome’s Jewish ghetto in 1943. When director Francesca Archibugi shouts: “Azione!” flyers start raining down on the cobblestones, prompting men, women, old people and children to look up and start running and jumping to grab them. Ida moves closer to the action and listens intently to comments that the anti-war flyer is sparking: “The Duce [Benito Mussolini] wanted a war? Here it is! France has nothing against you, so stop! France will stop too. Women of Italy! Your children, your husbands, and your boyfriends will live in misery, slavery, and hunger.” “It’s very important to make this TV series today because it shows how war destroys children and innocent people: it’s all the more timely right now [with war raging in Ukraine],” says Archibugi, sipping a spritz in a nearby bar a few hours later. The
Italian director and screenwriter Saverio Costanzo has just wrapped his upcoming film Finalemente L’Alba, starring newcomer Rebecca Antonaci alongside international cast Lily James, Joe Keery, Willem Dafoe and Rachel Sennott.
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Nick Vivarelli International Correspondent Italy’s storied Titanus studio, producers of myriad golden era Cinema Italiano works, is getting a reboot and reviving its production side with several projects in development, including a contemporary sequel of Dario Argento’s supernatural chiller “Phenomena.” Established in 1904 by Gustavo Lombardo, Titanus was a true Italian major, which during the 1960s forged a partnership with MGM. They slowed down considerably from the mid-1960s onwards after Luchino Visconti’s lavish Sicily-set costumer “The Leopard” (1963), starring Burt Lancaster, Claudia Cardinale and Alain Delon, went way over budget. Since the mid-1980s the studio’s output has been on a much smaller scale, and primarily for TV.
Nick Vivarelli International Correspondent Rome’s MIA, a market dedicated to international TV series, feature films, animation and documentaries, wrapped its eighth edition on Saturday on a positive note boasting a 20% rise in attendance compared with 2021, having attracted more than 2,400 registered industry execs from 60 countries, more than half of which from Italy. However, the pandemic was still limiting travel last year, which makes comparisons difficult. The mood was undoubtedly upbeat in the halls and terraces of central Rome’s Palazzo Barberini – which besides being Italy’s national ancient art gallery is also the market’s main hub – and in the adjacent state-of-the-art Cinema Barberini movie theater during five days of curated dealmaking and dozens of panels and project pitching sessions involving 70 TV, film, doc and animation projects.
Nick Vivarelli International Correspondent Exports of Italian TV series and non-theatrical movies have more than doubled over the past five years thanks in part to the rise of local originals commissioned by streamers, just as investments in production of local scripted content are also increasing. That is the key finding of a report unveiled at Rome’s MIA market by Italy’s producers association APA, which estimates the total value of Italy’s TV exports in 2021 at roughly €100 million ($97 million). The total cost of all types of Italian TV and platform content produced in 2021 reached €1.4 billion ($1.36 billion) in 2021, which is a 37% increase compared with 2017, according to the APA report.
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The looming writers strike in the U.S. could be an “interesting opportunity” for producers working outside the country in an era of globalized content, CAA’s head of Global TV Ted Miller told a panel at the MIA Market in Rome on Thursday.
Marta Balaga Winter is coming, but not at Netflix, as the streamer will be launching its reality show “Summer Job” – produced by Banijay Italia – before the end of the year. “I am proud, because it’s an original show made for Italy,” said Tinny Andreatta, VP of content for Italy, at MIA Market on Wednesday. Netflix has been eager to expand its unscripted content. “We know our members love it. It’s a really exciting and growing area for us,” added Larry Tanz, VP of content for EMEA. Mentioning some recent successes from “Young, Famous & African” to “I Am Georgina,” both coming back for a second season, as well as new Spanish offering “Who Likes My Follower?”
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Broadcaster commissioning initiative The European Alliance has put The Kollective, a journalism-based mystery drama from Leonardo Fasoli and Maddalena Ravagli (Gomorrah – The Series, ZeroZeroZero) and producer Femke Wolting, into development.
Prime Video has sent the Italian instalment of the Russo Brothers’ global sci-fi event series Citadel into production and cast Matilda de Angelis (The Undoing, Leonardo) as its lead, as Amazon Italy execs today touted the streamer’s local growth here at the MIA Market in Rome.
Nick Vivarelli International Correspondent Production is underway in Italy on the Italian instalment of Prime Video’s global “Citadel” spy thriller franchise, produced by the Russo Brothers, with Matilda De Angelis cast as the lead. De Angelis, a rising Italian star, made her international breakthrough in Susanne Bier’s “The Undoing,” alongside Nicole Kidman and Hugh Grant. She more recently appeared with Liev Schrieber in the Ernest Hemingway adaptation “Across The River and Into The Trees,” directed by Paula Ortiz. The “Citadel” start-of-production in Italy and casting announcement was made at Rome’s MIA content market during an Amazon Studios panel.
Nick Vivarelli International Correspondent Netflix has announced high-profile Italian original documentary series “Vatican Girl: The Disappearance of Emanuela Orlandi,” written and directed by Britain’s Mark Lewis, who won an Emmy for the docu-series “Don’t F**k With Cats: Hunting an Internet Killer.” The streaming giant has also dropped a trailer for the docuseries, produced by British TV production company Raw. The show will premiere globally on Netflix on Oct. 20. The series is the latest probe into a case that started on June 22, 1983, when Emanuela Orlandi, a 15 year-old girl living in Vatican City, disappeared under mysterious circumstances that are believed to have involved the Vatican. The case made headlines around the world.
“It is a crazy situation. So there we are, completely screwed.”
Nick Vivarelli International Correspondent French production powerhouse Studiocanal is moving into the Italian production market by joining forces with Rome-based shingle Elsinore Film with plans to co-develop and coproduce a slate of scripted and unscripted content for the Italian and international market. Elsinore Film is a boutique outfit headed by Annamaria Morelli (pictured, left), a former head of production at Italian streamer TimVision, who is known for her scouting activity. Morelli has had a hand in shepherding “Skam Italia,” the Italian adaptation of the Nordic drama series that’s a hit in Italy. She was more recently among producers of “Amanda,” a quirky teen dramedy about female friendship by newcomer Carolina Cavalli, that launched positively in September from the Venice fest’s Horizons section.
Nick Vivarelli International Correspondent Rome’s innovative MIA market dedicated to international TV series, feature films, and documentaries kicks off its eighth edition Tuesday, headed by new chief Gaia Tridente, who has added an animation section and been busy raising the curated mart’s international profile. The Oct. 11-15 MIA mart – its acronym stands for the Mercato Internazionale Audiovisivo or International Audiovisual Market – this year is positioned prior to the Mipcom content market and conference that runs Oct. 17-20 in Cannes, since Mipcom has shifted its dates back. But this non-voluntary repositioning has not impacted the number of registered MIA attendees, which is up more than 12% compared with past editions. More than 900 international industry execs are registered for the boutique event being held in central Rome’s Palazzo Barberini, which is Italy’s National Ancient Art gallery that during MIA doubles as the market’s hub where company stands are set up amid Renaissance and Baroque masterpieces. Screenings are held in a nearby state-of-the-art multiplex.