‘Raging Grace,’ ‘Angel Applicant’ Top SXSW Film Festival Awards

Patrick Frater Asia Bureau Chief The Shanghai International Film Festival has unveiled plans for its return to an in-person event that will mark its 25th edition and its 30th anniversary. The festival was canceled last year, due to the severe restrictions imposed on the city in reaction to a Spring flare-up in the COVID outbreak. The 2023 edition will run June 9-18, 2023, organizers confirmed on Tuesday. They said it would, “open a two-way journey between Chinese films and world films.” The Jinjue (Golden Goblet) Awards competition will this year operate across five categories: main feature film competition, Asian newcomers, documentaries, animation and short films.

Sophia Scorziello editor The Sun Valley Film Festival announced their 2023 award winners, with National Geographic’s Documentary “Wild Life” taking home the audience award, “Fancy Dance” winning best narrative and “Nascondino” earning the documentary feature film prize. The annual Idaho Awards Bash took place from March 29 to April 2 at Whiskey Jacques.   In addition to the film awards, the festival hosted a performance by Blair Gun and Variety honored this year’s 10 Producers to Watch. Other highlights include Josh Brolin receiving the Vision award, Emilio Estevez receiving the Pioneer award, Sophie Thatcher receiving the Rising Star award and Nina Yang Bongiovi receiving the Creative Impact Honoree in Producing. 

Disney and Lucasfilm are really hoping to send the “Indiana Jones” franchise off into the sunset with a bit of a bang.

Jodie Comer and Paul Mescal have secured top gongs for their West End debut performances at the Olivier Awards, hosted by Ted Lasso star Hannah Waddingham, as the biggest night in British theatre returned on Sunday.

EXCLUSIVE: This won’t come as a big surprise after so much speculation, but we hear that Wes Anderson’s comedy Asteroid City definitely is headed to the Cannes Film Festival.

In 1982, the same year Sir Ben Kingsley won his Best Actor Oscar for Gandhi, the year’s other big movie was Steven Spielberg’s E.T.: The Extra Terrestrial. Now, 40 years later, Kingsley has found his own E.T., a sort of combination of that classic with a bit of Cocoon, and perhaps The Father. But Jules, the new dramedy having its World Premiere as opening night of the Sonoma Film Festival, marches to its own sweet beat, and represents yet another game attempt to bring that older adult audience back to theaters. A smart distributor should take a close look.

Patrick Frater Asia Bureau Chief “Like & Share” from Indonesia’s Gina S. Noer was named the best picture and collected the Grand Prix on Sunday at the Osaka Asian Film Festival. “All of us on the jury were struck by the film’s clear and powerful message, which affirms young women’s sexual curiosity and desire while clearly saying no to sexual violence. The style of the film is also original. The sweet, poppy feeling that fascinates the audience in the first half of the film becomes darker as the story progresses, making us shudder. “Like & Share,” with its strong message and brilliant direction, is a film that needs to be seen now more than ever,” said the jury in a statement.

Joe Leydon Film Critic Winner of SXSW’s narrative grand jury award, “Raging Grace” deserves ample credit both for what it is and what it is not. But it’s difficult to be much more detailed in any appraisal of this cunning thriller without prematurely releasing cats from bags. On the other hand, it is safe to say that Paris Zarcilla, the British-born Filipino writer-director here making his feature debut, does an impressive job of infusing scary movie conventions with the potent urgency of a sharply observed social critique. Right from the start, Zarcilla generates a compelling rooting interest in his protagonist: Joy (Max Eigenmann), a single Filipina mom who’s trying to maintain a low profile while working at various housekeeping jobs — mostly for well-off folks who sound condescending even during the most innocuous conversational gambits — and saving to purchase a gray-market visa so she and Grace (Jaeden Paige Boadilla), her mischievous young daughter, can remain in London.

Ed Meza @edmezavar The Barcelona-set feature “La nit no fa vigília” and Argentine film “Hidden City” (“Ciudad Oculta”) won the Malaga Festival Work in Progress awards for Spanish and Latin American projects on Friday. “La nit no fa vigília” (which roughly translates to “The Night Does Not Keep Watch”) centers on a young man who lives with and cares for his aging, frail grandmother, but still finds time for a nocturnal social life. It was among the frontrunners to win at the awards ceremony. A joint project from a student collective comprising Laura Corominas Espelt, Laura Serra Solé, Clara Serrano Llorens, Gerard Simó Gimeno, Ariadna Ulldemolins Abad and Pau Vall Capdet, “La nit no fa vigília” also won the industry magazine Cine y Tele prize.

Charna Flam Rodrigo Sorogoyen’s “The Beasts” (Spain), Lilo and Camilo Vilaplana’s “Plantadas” (U.S.), Hansel Porras Garcia’s “Febrero” (U.S., Cuba), Chandler Levack’s “I Like Movies” (Canada) and Pavel Giroud’s “The Padilla Affair” (Cuba, Spain) were among the winners at the 40th edition of Miami Dade College’s Miami Film Festival, which ran March 3-12. “The Beasts,” won the festival’s top awards, including the top jury prize, the $25,000 Knight Marimbas trophy and the Rene Rodriguez Critics nod. In addition to the two awards, “The Beasts” composer, Oliver Arson was recognized for his soundtrack and awarded the Alacran Music in Film Award, he was selected by Art of Light (Composer) Award honoree Nicholas Britell.

Best Picture Oscar winner Everything Everywhere All at Once and superhero series The Boys topped the list of winners for the third annual Critics Choice Super Awards.

As SXSW basks in the Oscars afterglow of Everything Everywhere All at Once, which premiered out of competition at the event last year, jury and special awards winners for the 30th edition of the film and TV festival have been announced.

Patrick Frater Asia Bureau Chief The Asian premiere of Soi Cheang’s “Mad Fate” is just one of three locally-produced movies that have been set as the opening and closing titles of the upcoming Hong Kong International Film Festival. “Mad Fate” is joined in the festival opening slot on March 30 by “Elegies,” Ann Hui’s documentary portrayal of the topography of contemporary local poetry, which will have its world premiere. The closing film, another world premiere, is “Vital Sign,” an affecting drama directed by Cheuk Wan-chi and starring Louis Koo, Yau Hawk-sau, and Angela Yuen, which will wrap up proceedings on 10 April. In total, the festival has programmed some 200 films from 64 countries and territories. These include nine world premieres, six international premieres, and 67 Asian premieres.

This year’s Hong Kong International Film Festival (HKIFF) will open with two local films – Soi Cheang’s noir thriller Mad Fate and the world premiere of Ann Hui’s Elegies, a documentary about contemporary local poetry.

Nick Vivarelli International Correspondent Kuwaiti-born writer-director Zeyad (also known as “Z”) Alhusaini, whose action movie with comedic undertones “How I Got There” recently won the audience award at Saudi Arabia’s Red Sea Film Festival, has joined United Talent Agency for representation in all areas. The groundbreaking film about two best buddies from childhood, named Salem and Asad, who stumble upon a gun shipment and try to seize this opportunity to get rich quick is set entirely in the Persian Gulf. “How I Got There” provides a relatively realistic glimpse of Kuwait’s present-day melting-pot of cultures, and its underworld of gun-running mercenaries, gangs, and terrorists, plus the local rap scene.

Charna Flam Outfest has announced the lineup for its 2023 Outfest Fusion QTBIPOC (Queer, Trans, Black, Indigenous and People of Color) Film Festival, which will run from March 24 through April 2. Outfest Fusion will be celebrating its 20th anniversary by showcasing LGBTQIA+ filmmakers and their various films depicting queer and transgender stories. There will be nine features, including two 2023 Sundance documentaries, “Little Richard: I Am Everything” from Lisa Cortés and “The Stroll” from Kristen Lovell and Zackary Drucker. Cortés documentary explores how Richard “Little Richard” Penniman worked through his struggles with his sexuality, all while he made his mark on rock n’ roll. While Lovell and Drucker follow transgender women of color as they detail the community’s history of sex work in New York City.

Kerry Washington paid homage to an icon at the 2023 American Black Film Festival Awards. The actress channeled the late Whitney Houston by donning the same velvet Marc Bouwer dress the singer originally wore at the BET Walk of Fame Awards Gala in 1996. Before Washington took to the red carpet, she posted a playful video on Instagram showing off the dress and paying tribute to the late singer.

Anna Marie de la Fuente Miami Dade College’s Miami Film Festival marks its 40th edition, running March 3-12, with a full-blown return to the in-person festival experience with a sidebar of only 10 titles available online.  “We’re celebrating the human connection and getting back into cinemas again,” says programming head Lauren Cohen who in her first year flying solo at the helm, is putting her personal stamp on the festival with female-centric topics dominating the Master Classes.  “It’s our 40th anniversary, which is such a milestone for us, we want it to be bigger and better than ever,” she continues. 

EXCLUSIVE: The British Film Institute is close to appointing a new Festivals Director, with an announcement expected imminently, Deadline understands.

Killers Of The Flower Moon, Indiana Jones And The Dial Of Destiny, and Asteroid City are among the high-profile movies in contention for a Cannes splash this year.