Quentin Tarantino Settles With Miramax Over ‘Pulp Fiction’ NFT Auction

Gene Maddaus Senior Media Writer A judge has denied Bill Cosby’s motion for a new trial in the case of Judy Huth, who accused him of sexually assaulting her at the Playboy Mansion when she was 16 years old. In a ruling issued Tuesday evening, Judge Craig D. Karlan rejected Cosby’s arguments that the trial had been unfair and that Huth had not proved her case. Cosby’s spokesman said that he will appeal. A jury found Cosby liable in June for assaulting Huth and ordered him to pay $500,000 to compensate for her psychological harm. Huth testified that Cosby brought her and a friend to the Playboy Mansion in 1975, a few days after meeting them at a public park. She told the jury that Cosby got her alone in a bedroom, tried to put his hand down her pants, and then pulled down his sweatpants and forced her to masturbate him.

Meryl Streep is honoring her longtime friend Robert De Niro.

Gene Maddaus Senior Media Writer Netflix dismissed a copyright lawsuit on Friday that it had filed against the creators of “The Unofficial Bridgerton Musical.” The court filing did not indicate whether the streaming service had reached a settlement with Emily Bear and Abigail Barlow, the creators of the musical. However, the pair had earlier canceled a performance of the musical at Royal Albert Hall in London, which was to take place this week. Netflix sued in July, alleging that Barlow and Bear had infringed on its copyrights by putting on a for-profit stage show at the Kennedy Center in Washington, D.C. The service argued that their conduct “stretches ‘fan fiction’ well past its breaking point.”

Ethan Shanfeld Bill Maher has shared his opinions on today’s top issues for nearly two decades on HBO’s “Real Time.” Now, with his new podcast “Club Random,” the comedian turned political commentator tells Variety he wants to “light up a joint” and talk about other things, like “gossip, pop culture, music and what you had for lunch.” So far, Maher has interviewed the likes of Quentin Tarantino, Mike Tyson, Lisa Kudrow and Aaron Rodgers on the podcast, which debuted in March. Below, Maher — who has a high hit rate for sparking controversy week after week — discusses fighting against Hollywood’s “echo chamber,” who he would never have on “Real Time,” whether he’s concerned about Donald Trump running for president again and what he views as Democrats’ biggest problem heading into 2024.

After helping Succession creator Jesse Armstrong avoid a Royal faux pas at the Emmys last night, the HBO show’s star may have committed one of his own per Hollywood’s unspoken etiquette.

passed away on Tuesday (September 13) at the age of 91.Now, his long-time legal adviser, Patrick Jeanneret, has confirmed that the director died by assisted suicide, having suffered from “multiple disabling pathologies”.“He could not live like you and me, so he decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough,’” Jeanneret told The New York Times, noting that assisted suicide is both legal and tightly regulated in Switzerland.He went on to explain that Godard wanted to die with dignity, and “that was exactly what he did”.The Franco-Swiss director was known for movies such as Breathless (1960) and Contempt (1963), which pushed cinematic boundaries.His films showcased handheld camera work, jump cuts and existential dialogue that revolutionised French cinema and filmmaking in the 1960s.Also known for his witticisms, Godard famously once observed that “a film consists of a beginning, a middle and an end, though not necessarily in that order.”Pulp Fiction and Reservoir Dogs director Quentin Tarantino was said to be heavily influenced by the late filmmaker, having been initiated by Godard and his Paris-based contemporaries.Other filmmakers have since taken to social media to pay tribute to Godard, with Edgar Wright (Hot Fuzz, Baby Driver) recently describing him as “one of the most influential, iconoclastic film-makers of them all”.“It was ironic that he himself revered the Hollywood studio film-making system, as perhaps no other director inspired as many people to just pick up a camera and start shooting,” he wrote.Director Asif Kapadia, who has helmed films and documentaries including Senna, Amy and Diego Maradona, also paid tribute to the late filmmaker, simply writing: “The King is Dead.”

Liberation reports that people close to the Franco-Swiss director have confirmed that he died today (September 13).The filmmaker is known for movies including Breathless (1960) and Contempt (1963), which pushed cinematic boundaries.Godard’s films showcased handheld camera work, jump cuts and existential dialogue that revolutionised French cinema and filmmaking in the 1960s.As Reuters writes, Pulp Fiction and Reservoir Dogs filmmaker Quentin Tarantino is often cited as one of a more recent generation of pioneering directors who were initiated by Godard and his Paris-based contemporaries.Godard was born into a Franco-Swiss family on December 3, 1930 in Paris’s plush Seventh Arrondissement. His father was a doctor, his mother the daughter of a Swiss man who founded Banque Paribas, then an illustrious investment bank.Edgar Wright (Hot Fuzz, Baby Driver) has paid tribute the late filmmaker, saying that he was “one of the most influential, iconoclastic film-makers of them all”.“It was ironic that he himself revered the Hollywood studio film-making system, as perhaps no other director inspired as many people to just pick up a camera and start shooting.”RIP Jean-Luc Godard, one of the most influential, iconoclastic film-makers of them all.

Oprah Winfrey is back on the red carpet at the 2022 Toronto International Film Festival!

EXCLUSIVE: In a competitive situation, Peacock has landed for development, The Show Must Go On, an hourlong murder mystery anthology, which would mark the first time Andrew Lloyd Webber’s The Phantom of the Opera musical is used as part of a TV series. The high-profile project comes from the Zoey’s Extraordinary Playbook creator Austin Winsberg, former top TV executive and award-winning producer Robert Greenblatt, EGOT Lloyd Webber, as well as Zoey’s producer The Tannenbaum Company, pilot director Richard Shepard and studio Lionsgate Television.

Quentin Tarantino and Miramax have reached a settlement in their legal battle over his plan to sell non-fungible tokens (NFTs) related to Pulp Fiction. Studio executives sued the Pulp Fiction director in November 2021 over his desire to sell unique digital tokens based on his 1994 film.

UPDATE, 1:16 PM: Just under a year after it all started, Miramax and Quentin Tarantino have pulled the plug on their legal face-off over Pulp Fiction NFTs

After a contentious lawsuit erupted between filmmaker Quentin Tarantino and his former studio Miramax over Tarantino’s decision to release a series of “Pulp Fiction” NFTs, with both sides firing off heated arguments in the media, an agreement has been reached.Miramax and Quentin Tarantino have released a joint statement regarding the settlement of the pending NFT lawsuit.“The parties have agreed to put this matter behind them and look forward to collaborating with each other on future projects, including possible NFTs,” the statement said.Late last year, Tarantino and blockchain company Secret Network announced that they’d be selling uncut and unreleased scenes from “Pulp Fiction” as NFTs. Those purchasing the NFTs would also receive exclusive access to extras, including commentary from Tarantino and images of the handwritten first draft of the screenplay.Miramax, who has plans to turn much of its library into NFTs, argued that Tarantino doesn’t have the right to release NFTs of his own screenplay and sent a cease-and-desist to the filmmaker (who, in the years since “Pulp Fiction’s” release, made movies like “Django Unchained,” “Kill Bill” and “Once Upon a Time in Hollywood”).“This group chose to recklessly, greedily, and intentionally disregard the agreement that Quentin signed instead of following the clear legal and ethical approach of simply communicating with Miramax about his proposed ideas,” Miramax’s attorney Bart Williams said in a statement in November.

Florence Pugh for her “unbothered energy” after she was filmed holding an Aperol spritz and strutting in Venice amid rumours of a feud between herself and Olivia Wilde. The rumours of a conflict between the Don’t Worry Darling star and Wilde, who directed the film, escalated after Pugh, 26, skipped a press conference for the upcoming movie ahead of the film’s red carpet premiere in Venice on Monday.

Nick Vivarelli International Correspondent Francesco Zippel’s Sergio Leone doc, which premieres on Tuesday at the Venice Film Festival, is the first portrait of the Italian master made with full support of his children Raffaella and Andrea. Titled “Sergio Leone: The Man Who Invented America,” the high-profile doc is premiering in the Venice Classics section for docs on cinema. It features an impressive list of voices holding forth on what makes Leone special for them. Among these are: Clint Eastwood, Martin Scorsese, Steven Spielberg, Quentin Tarantino, Giuseppe Tornatore, Frank Miller, Darren Aronofsky, Damien Chazelle and Robert De Niro (see clip). But aside from Leone’s visionary talent as a director what emerges is that as his career escalated from the so-called “Dollars Trilogy” to “Once Upon a Time in the West” through to his final masterpiece, “Once Upon a Time in America,” Leone’s life was steeped in two inextricably linked passions: film and family. 

Tim Roth says he isn’t so sure that his much-publicized “She-Hulk: Attorney At Law” scene with Mark Ruffalo made the final cut. In a new interview, the actor — who starred opposite Edward Norton in Marvel’s first standalone Hulk film and reprises his role as Emil Blonsky/Abomination in the new series — says he’s not sure viewers will see the scene, which he says cheekily plays up Marvel’s recasting of the gargantuan superhero when Ruffalo took over from Norton starting with 2012’s “The Avengers.” “I’ve always wanted to work with him, and it just happened to be this, which was kind of fun,” Roth told The Hollywood Reporter.

James Bond after Daniel Craig's final outing in No Time To Die. The official announcement will likely come in the next 12 months - but until then, the odds are all we have to go on.

Gene Maddaus Senior Media Writer A man who met writer-director Paul Schrader at a campus event at their Michigan alma mater has filed a lawsuit alleging that Schrader later stole his ideas and used them in the film “The Card Counter.” Mark Vanden Berge alleges in the suit that he met Schrader after a screening of “First Reformed” at Calvin University, a Christian college in Grand Rapids, in February 2018. He says he told Schrader about a treatment he was working on for a film called “Blown Odds,” about a gambler’s search for redemption, and asked Schrader for help developing it into a marketable screenplay. According to the suit, Schrader told him to email him the treatment. Vanden Berge sent it to him, according to the suit, but never heard back from Schrader directly, though he says he was told that Schrader had received it.

Leonardo DiCaprio has allegedly split with his model girlfriend after five years together.

Gene Maddaus Senior Media Writer A producer behind the hit Netflix series “Narcos” has filed a lawsuit claiming he is owed more than $1 million in unpaid profits on the show. José Padilha sued fellow producer Eric Newman, claiming that Newman has breached an agreement to split all profits on the show 50-50. The complaint alleges that Newman and his company have received “several millions of dollars in revenues arising from or connected with ‘Narcos’ that have not been reported to Plaintiffs.” The suit seeks to recoup 50% of all unreported revenues, as well as punitive damages. Newman has a longstanding relationship with Netflix. He is currently producing “Rebel Moon,” the streamer’s mega-budget sci-fi epic from director Zack Snyder. In addition to “Narcos,” his other Netflix projects include “Bright,” with Will Smith, and “Hemlock Grove,” which was the second show the streamer ever produced.

Rebecca Rubin Film and Media Reporter Neon has landed U.S. distribution rights to South Korean director Park Chan-wook’s film “Oldboy” and plans to bring the dark revenge thriller back to theaters in honor of its 20th anniversary. It will mark the first time Park’s film plays on the big screen since its initial release on Nov. 21, 2003. Neon has not specified the exact date that “Oldboy” will return to the big screen. “Oldboy,” which Oark co-wrote with Hwang Jo-yun and Lim Joon-hyung, won the Grand Prix at the 2004 Cannes Film Festival, led by jury president Quentin Tarantino. The acclaimed film stars Choi Min-sik as Oh Dae-Su, a man who was kidnapped and imprisoned for 15 years. After he’s released, he has five days to find his captor. Yoo Ji-tae and Kang Hye-jung co-star in the film.