Quentin Tarantino Says He Loved ‘Top Gun: Maverick,’ Reveals Discussion With Tom Cruise About It

Joseph Kosinski is exceptionally humble about “Top Gun: Maverick.” Paramount’s action-packed blockbuster, featuring Tom Cruise’s return to the skies 36 years after the original film, has become an unexpected sensation, bringing audiences young and old back to the big screen at a time when theaters are in desperate need of a win. In the process, “Maverick” has racked up an eye-popping $1.4 billion globally to stand as the highest-grossing movie of the year. Nobody has been more surprised by its success than Kosinski. “I don’t know if I’ve wrapped my head around it. I’m amazed every day that it continues to play,” he says. The film, available on home entertainment on Aug. 23 at a premium price, has remained in the top five on domestic box office charts for 12 of its 13 weeks of release.

Michelle Yeoh is revealing the reason that she wasn’t cast in Quentin Tarantino‘s Kill Bill.

Continuing its hypersonic run, Paramount/Skydance’s Top Gun: Maverick has, in its 13th weekend of release, crossed the $1.4B mark worldwide, lifting the cume to a touch over $1.403B through today.

EXCLUSIVE: Pam Grier, the actress from such cult classics as Jackie Brown, Foxy Brown and Coffy, has inked with APA.

Quentin Tarantino and Michelle Yeoh have a friendship that goes back decades. Tarantino has been outspoken in the past about his support for Yeoh and even credited her performance in the 1992 "Police Story 3" as being an influence in Uma Thurman’s character The Bride in "Kill Bill." Since Yeoh knew she was an inspiration for the film, she confronted Tarantino on why she was not cast in the 2003 classic. Michelle Yeoh, left, revealed why she was not cast alongside Uma Thurman in "Kill Bill." (Getty Images) "I asked Quentin the same question," Yeoh said in an interview with Town & Country.

As a self-proclaimed Michelle Yeoh super-fan, it’d make sense that Quentin Tarantino would want the actress in his “Kill Bill” films, right? After all, Tarantino cites Yeoh’s performance in Jackie Chan‘s 1992 action comedy “Police Story 3” as one of the main influences behind Uma Thurman‘s The Bride.

Quentin Tarantino’s Kill Bill, after asking the director herself.According to Tarantino, the 1992 action film Supercop, starring Yeoh and Jackie Chan, was a source of inspiration for Uma Thurman during filming on the 2003 martial arts film.The director also encouraged Yeoh to come out of retirement after she suffered an on-set injury filming 1996’s The Stunt Woman. “I must say, Quentin, he’s persistent,” Yeoh told Town & Country.

Quentin Tarantino’s “Pulp Fiction” hit the multiplexes in 1994, few could predict the effects the kinetic, darkly comedic adventure would have on the film business. More than a quarter-century later, the movie many consider to be the director’s signature work has influenced Hollywood again — in ways no one could have foretold.Last year, the filmmaker made plans to release NFTs based on the picture, and was sued for doing so by Miramax, the studio that released “Pulp Fiction.” Tarantino owns the copyright to the screenplay for the movie, but the studio, which owns the copyright to the movie, believes its claims extend to technology that wasn’t even created in the era when John Travolta turned heads by dancing with Uma Thurman in one of the film’s most memorable scenes.

Michelle Yeoh has had some frightening moments in her career.

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Formula 1 superstar Lewis Hamilton has piloted race cars to seven world championships, but had to decline the opportunity to jump in the cockpit of a fighter jet for a role in Top Gun: Maverick, he tells Vanity Fair in a new interview.

Brent Lang Executive Editor of Film and Media“Bullet Train,” a John Wick-ian romp with Brad Pitt in the aisle seat, arrived in theaters with a $30.1 million opening weekend. That’s enough to top the domestic box office chart, but it’s only a so-so result given “Bullet Train’s” $90 million price tag and Pitt’s star power.

Tom Cruise and Paramount Pictures are still doing strong business at the box office with “Top Gun: Maverick.” being The biggest earner to date for both Cruise and Paramount, the action blockbuster sequel has made over $1.3 billion globally. The pic did all it could do to impress naysayers, critics, and the general audience to become one of the most entertaining films in a long time.

Quentin Tarantino has praised Top Gun: Maverick for providing a “true cinematic spectacle”.The director shared his thoughts on the Tom Cruise sequel on the ReelBlend podcast with Pulp Fiction co-writer Roger Avary, where he was emphatic in his admiration.“I fucking love Top Gun: Maverick,” Tarantino said. “I thought it was fantastic. I saw it at the theaters.

The Call of the Wild, which marked his first feature film appearance, was released in 2020, beforehand, he shot Top Gun: Maverick, which finally came out back in May. Davis played Lt.

every sector of the movie theater industry, as premium format company CJ 4DPLEX reports that Tom Cruise’s film has grossed $50 million in combined ticket sales from its 4DX and ScreenX formats. “Thanks to ‘Top Gun: Maverick’ we have seen unprecedented box office numbers for 4DX and ScreenX that are consistently breaking records worldwide,” CJ 4DPLEX chief executive Jongryul Kim said.

Zack Sharf Count Quentin Tarantino as one of the millions of moviegoers who fell in love with “Top Gun: Maverick” this summer movie season. The director stopped by the ReelBlend podcast this week and had nothing but raves to share about the Tom Cruise sequel.“I fucking love ‘Top Gun: Maverick.’ I thought it was fantastic,” Tarantino said. “I saw it at the theaters.

Right from the start, you know exactly what you are in for with Bullet Train, a non-stop mix of violence, comedy, and more violence, Japanese-style, as filtered through the lens of director David Leitch, a stuntman turned filmmaker whose past credits of Atomic Blonde, Fast & Furious: Hobbs And Shaw, and Deadpool 2 pretty much prepare you for what to expect here. However, even though this was mostly shot on the Sony Pictures lot in Culver City, with some killer production design and a cool train courtesy of David Scheunemann, it undoubtedly feels we are in Tokyo where I am sure the Sony bosses were delighted with the dailies as they came in. Unfortunately, from my vantage point this just seems like a lark for star Brad Pitt, coming off an Oscar for the far superior Quentin Tarantino masterpiece, also from Sony, Once Upon A Time In Hollywood and the underrated Ad Astra, both pre-pandemic in 2019. His most notable appearance since has been in a comedic supporting role in The Lost City with Sandra Bullock who returns the favor here in a mostly voiceover role as his “handler,” therapist, self help guide, guru – whatever you want to call her – who is constantly guiding him through the messes he gets himself into.