In 1994 at the Cannes Film Festival when Quentin Tarantino‘s “Pulp Fiction” was announced as the winner of the coveted Palme d’Or prize, many in the audience gasped, booed, and nearly rioted. The feeling was Polish filmmaker Krzysztof Kieślowski‘s “Red,” the masterful finale of his breathtaking Three Colors trilogy was robbed, and look, “Pulp Fiction” might’ve changed American cinema and pop culture and made a big meteor-like crater on the landscape, but there’s no way anyone can tell me that Kieślowski’s “Red,” didn’t deserve the prize instead (to this day there are lots of articles about this controversial moment in cinema, including our own).