Public Enemy’s Chuck D sells publishing rights to over 300 songs

Abbott Elementary is ruling the airwaves!

Tickets to see Arctic Monkeys in Manchester have surged to as much as £300 each - just days after a mammoth 80,000 people joined the online queue to try and secure their place at the much anticipated concert.

About twenty minutes into “Till” — the 1955 story of Emmett Till’s brutal murder — a moment encapsulating this conventional, elegantly rendered biopic’s greatest asset arises. An anxious Mamie Till-Mobley (Danielle Deadwyler), the mother of 14-year-old Emmett (she affectionately calls her son Bo), plays poker in the living room of her Chicago home with two of her girlfriends.

Peter Debruge Chief Film Critic Growing up in Texas toward the tail end of the 20th century, I was not taught about Emmett Till. I’ve learned about him since, of course. Till’s name adorns this year’s overdue federal antilynching act, and his tragic fate has inspired plays and films, including 2018’s Oscar-nominated short, “My Nephew Emmett,” and now a powerful new feature from Chinonye Chukwu, who gave Alfre Woodard one of her greatest roles in 2019 Sundance winner “Clemency.” Till’s story — that of a 14-year-old Black boy from Chicago who was kidnapped in the middle of the night and lynched while visiting his family in Mississippi — may have been omitted from my Southern schooling for racist reasons, though I suspect it had as much to do with Western culture’s “great man” bias. History, as a field of study, celebrates the achievements of heroic individuals. Nat Turner, Harriet Tubman, Rosa Parks. Those names were all taught. But Emmett Till was a kid whose murder galvanized the American civil rights movement, and it has taken a different kind of thinking — à la “Say Their Names” campaign or Ryan Coogler’s “Fruitvale Station” — to position victims in the public’s mind.

Playing the right songs can lift the energy of an entire room, a club and even an entire stadium. It can also earn you some big bucks.

tumbling pound has encouraged dollar buyers to snap up hit songs with Phil Collins and Genesis the latest big names to cash in on their back catalogue with a $300m (£270m) deal. Collins, Mike Rutherford and Tony Banks sold the rights to hit songs including “Mama”, “Land of Confusion” and “Invisible Touch” to the US-based Concord Music Group.

George Clooney "couldn't be more proud" of his wife Amal's work as a human rights lawyer. The couple attended their inaugural Albie Awards - which they organised through their Clooney Foundation for Justice - in New York on Thursday night (29. 09.

Phil Collins and Genesis have sold a large chunk of their back catalogue for a whopping $300million (£268m). Concord Music Group has landed the publishing rights and master recordings for most of prog rock legends Genesis’ catalogue, as well as a portion of the group’s recorded music income streams and masters. The sale also includes Collins’ solo hits In the Air Tonight, You’ll Be In My Heart, and Against All Odds.

It's been announced that Phil Collins and his fellow members of the rock band Genesis have sold a portion of the group's songs - including their publishing rights and master recordings - in a deal valued at more than $300 million. 

Phil Collins and his Genesis bandmates have sold a portion of their songs’ assets to Concord Music Group, including the publishing rights and master recordings for much of Genesis’ music.According to the Wall Street Journal, the deal was valued at more than $300million and will also include master recordings of songs from throughout Collins’ solo career, such as ‘In the Air Tonight’, ‘You’ll Be In My Heart’ and ‘Against All Odds’, and his popular covers of Diane & Annita’s ‘A Groovy Kind Of Love’ and ‘You Can’t Hurry Love’ by the Supremes.Genesis recordings within the package will likely include hits such as ‘Invisible Touch’, ‘That’s All’, ‘Land Of Confusion’ and ‘Follow You, Follow Me’. The deal also includes material that Genesis guitarist Mike Rutherford released with his group, Mike & the Mechanics.Speaking to WSJ, Concord president Bob Valentine said they were aiming to bring Collins and Genesis’ back catalogue to a younger generation of listeners.

R. Kelly has been ordered to pay at least $309,068.18 in restitution to two of his victims. Anne M.

Chaz Ebert has become one of the foremost agents of change in the entertainment industry, working to make sure traditionally overlooked communities get the chance to develop their talents in the business.

Avicii have announced that they have sold 75 per cent of the late musician’s recording and publishing rights to the Swedish company Pophouse.Avicii, real name Tim Bergling, died by suicide in 2018. Subsequently, his parents Klas Bergling and Anki Lidén have overseen his estate as well as a charitable foundation set up in his name.Klas Bergling said in a statement today (September 28): “My wife and I feel that as we are getting older, we do not have the right energy level or required skills to fully keep ahead of the new streaming and digital developments vital for such a big, international artist as Tim.”“Through this deal, we are also securing the Tim Bergling Foundation’s long-term finances, creating opportunity to act decisively on the foundation’s commitments to supporting such important issues as mental health and well-being of young people.”He went on to argue that the deal would bring Avicii’s music “to the widest possible audience” and “take care” of his international fanbase.“Since Tim took his life, as a family, we have not had sufficient time for his fans that they so deserve, and have lacked the ability to follow up on their correspondence and other contact with us.”“We leave neither Tim nor his contribution to the world.

Gorillaz and Del the Funky Homosapien performed ‘Rock The House’ live for first time at a gig this week – see footage below.The track appears on Gorillaz’ self-titled debut album from 2001, one of two collaborations between the pair on the record – the other being hit single ‘Clint Eastwood’.In 21 years, they had never played ‘Rock The House’ live together until this week in San Francisco, when they gave the track its first airing at a show at the Chase Center on Wednesday (September 21).After Damon Albarn teased to the crowd that they were set to “play a song we’ve never played before with Del,” they shared the live debut of ‘Rock The House’.See footage of the performance below.Last month, Gorillaz shared details of their new album ‘Cracker Island’ alongside the release of latest single ‘New Gold’ featuring Tame Impala and Bootie Brown.‘Cracker Island’ will be released on February 24, 2023 via Parlophone (pre-order here) and marks the follow-up to 2020’s ‘Song Machine, Season One – Strange Timez‘.The virtual band has a host of collaborators on their eighth studio album including Stevie Nicks, Bad Bunny, Beck, Thundercat, Adeleye Omotayond and the aforementioned Tame Impala and Bootie Brown.It’s produced by eight-time Grammy Award-winning producer, multi-instrumentalist and songwriter Greg Kurstin along with Gorillaz and Remi Kabaka Jr.Press material about Gorillaz’s new album states: “Originally based at Kong Studios in West London, the group of musical misfits – Murdoc, Noodle, Russel and 2D – have relocated to Silverlake, California as they recruit new members to join The Last Cult in search of the one truth to fix the world. Reports from the Golden State indicate that Murdoc is in love with the lady next door.

Chicago Fire fans were left heartbroken on Wednesday when Sylvie Brett made the emotional decision to end her long-distance relationship with Matt Casey.Exclusive: Chicago PD's Marina Squerciati shares what Jesse Lee Soffer's departure means for VoightFormer Captain Casey made the decision to leave Chicago to move to Oregon and help raise his late best friend's children, with him and Brett attempting to try long distance. But at the end of Wednesday's premiere episode, which had seen Brett share her frustrations with their lack of communication, viewers saw her on the phone ending the romance.WATCH: One Chicago returns to NBCHanako Greensmith, who stars as Brett's paramedic colleague Violet Mikami spoke to HELLO! about that moment, sharing that "Brett, in a large and beautiful way, is stepping up for herself".That decision will also affect Violet, with Hanako adding: "Brett doesn't need a man to be confident, and that is inspiring for Violet.

SPOILER ALERT: The following reveals major plot points from tonight’s episode of NBC’s Chicago P.D.

Future has sold his publishing catalog to Influence Media Partners, the company announced in a press release Tuesday afternoon. A source told Variety that the deal was finalized in the “high eight figures.” “I put everything into my music, and I wanted to make sure these were in good hands as I thought about the next chapter of these songs,” Future is quoted as saying in the release.

Chicago Fire fans saw Matthew Casey and Sylvie Brett return to the Windy City at the end of season 10 and have an emotional conversation that revealed they were unsure whether their long-distance romance would last.MORE: Chicago PD star Marina Squerciati shares first day back on set pictureNow, executive producer Derek Haas has confirmed that fans will get "clarification" on the future of Brett and Casey's romance in the season 11 premiere.WATCH: One Chicago returns to NBC"We’ll definitely get some answers to where she stands with Casey," he told HELLO!, adding: "I’d say that Brett is going to face some major turmoil this season."Fans saw Casey decide to leave Chicago to move to Oregon and help raise his late best friend's children, with him and Brett attempting to try long distance.He returned for the finale of season 10 and the wedding of Kelly Severide and Stella Kidd, and during an emotional dance together Brett asked: "Can we keep this up with so much time apart?"Casey paused before cryptically telling her: "I don't know, but we're together tonight." Season 11 will see Brett go through 'turmoil'Elsewhere the season opener will pick up immediately where season 10 left us - with Severide and Kidd on their honeymoon and being tracked by unknown attackers."We like doing these immediate pick-ups, because the show really launches out of a cannon when you do that," shared Derek. The premiere picks up where season 10 left off"Pace is so important to us as a show, and we like it when the audience can’t take a breath until the first commercial.