One of pop culture's enduring questions is why an acclaimed, Academy Award-winning actor like Nicolas Cage would spend so much of his career squandering his talents in a succession of B-movies that can charitably be described as baroque.
27.01.2021 - 22:39 / theplaylist.net
Sure, Sundance is absolutely loaded with some amazing prestige films that are sure to be in the discussion at the end of the year during awards season. Rebecca Hall’s “Passing?” Looks incredible and thought-provoking.
“Together Together?” Sure to be a good time. And Jerrod Carmichael’s “On the Count of Three” looks pretty great, as well.
But don’t call me crazy for thinking “Prisoners of The Ghostland” might be the most exciting film to make its debut at this year’s event. Continue reading
.One of pop culture's enduring questions is why an acclaimed, Academy Award-winning actor like Nicolas Cage would spend so much of his career squandering his talents in a succession of B-movies that can charitably be described as baroque.
Director Kevin Lewis and writer G.O. Parsons have discovered time-travel without physical displacement.
Meet Ryan Reynolds’ new alter ego, Sugar Panda.
EXCLUSIVE: Paramount Pictures has chosen You’re Next and Godzilla Vs. Kong director Adam Wingard to helm its re-imagining of Face/Off, the 1997 John Woo-directed action thriller that starred John Travolta and Nicolas Cage. Wingard will write the script with his scripting partner Simon Barrett and the studio will reboot the film, with new cast. Neal Moritz will produce and David Permut will be executive producer.
Marc Malkin Senior Film Awards, Events & Lifestyle EditorListen to the theme song of Nicolas Cage’s new horror movie “Willy’s Wonderland” and chances are you won’t be able to get it out of your heard.Here, Variety gives you the first listen to the full creepy, yet catchy “The Birthday Song and Willy’s Jingle.”In the Kevin Lewis-directed film, Cage plays a man whose car breaks down. In order to pay for the repairs, he agrees to clean an abandoned amusement park fun house.
Perfecting a prehistoric voice is hard work for the cast of “The Croods: A New Age”.
As she explained to us in an interview of the Deep Focus podcast, Rebecca Hall has been working a long time bringing her directorial debut, “Passing,” to life. Even though the debut was delayed due to the pandemic, the period drama finally premiered as part of this year’s Sundance Film Festival.
Irene (Tessa Thompson) rarely passes for white. She fears for her safety too much to do so.
might be loony, but he definitely isn’t handsy. Actress Kat Dennings recalled an audition where she had to mime escaping from Cage after the Oscar winner refused to touch her out of respect.
So Nic Cage is a bank robber sprung, naked except for a sumo-nappy, from a lengthy stint in jail by the white-hatted, black-hearted Governor (Bill Moseley) of a fake Japanese cowboy town populated exclusively by caged Geisha prostitutes, one of the favorites of whom, Bernice (Sofia Boutella, being bafflingly good again despite the material) recently escaped, so The Governor straps Cage into a leather suit rigged with explosives on the arms, neck and testicles that are primed to explode if they
Also Read: Nicolas Cage Action Film 'Prisoners of the Ghostland' Picked Up by RLJE Films Ahead of SundanceTo ensure that Hero will not harm her, The Governor puts him in a leather jumpsuit with strategically-placed explosives designed to control his behavior and to force him to complete the job in just a few days.
Exquisite performances from Tessa Thompson and Ruth Negga provide the pulsing, emotionally heightened center to Passing, Rebecca Hall's assured move behind the camera, adapted with great sensitivity from the 1929 novel by Harlem Renaissance author Nella Larsen. "We're all of us passing for something or other, aren't we?" muses Thompson's melancholy character Irene Redfield.
Sundance Film Festival Cinema Café talk on Sunday with Rebecca Hall. “Everybody was a judge and there was so much bullying going on.
Irene (Tessa Thompson) rarely passes for white. She fears for her safety too much to do so.
See Photos: 14 Buzziest Sundance Movies for Sale in 2021, From Questlove's 'Summer of Soul' to Rebecca Hall's 'Passing'As conflicted Irene, Thompson delivers her finest work to date, reminiscent of her turn in the recent period piece “Sylvie’s Love” but with greater substance.
Also Read: 14 Buzziest Sundance Movies for Sale in 2021, From Questlove's 'Summer of Soul' to Rebecca Hall's 'Passing' (Photos)The story is specific to one group of women at one particular time, but five decades later, it’s certainly applicable to current questions about the role of religion in society, about the place of tradition and rigor in the Church and about how social justice movements intersect with biblical teachings.
Also Read: 14 Buzziest Sundance Movies for Sale in 2021, From Questlove's 'Summer of Soul' to Rebecca Hall's 'Passing' (Photos)Liza’s premonition of doom, it turns out, isn’t just a bad feeling or a suicidal tendency; she’s not like Kate Lyn Sheil in the recent indie “She Dies Tomorrow,” with a seriously contagious sense of impending doom. No, in fact Liza is going to die tomorrow, and so is everybody else, because a meteor is going to destroy the planet in the wee hours.
Also Read: 14 Buzziest Sundance Movies for Sale in 2021, From Questlove's 'Summer of Soul' to Rebecca Hall's 'Passing' (Photos)The film was one of the opening-night presentations at the virtual Sundance Film Festival on Thursday, occupying the same position as previous music-focused docs like “Twenty Feet From Stardom,” “Searching for Sugar Man,” “What Happened, Miss Simone?” and last year’s “Miss Americana.” No doubt it left some viewers wishing that it had been the Eccles Theatre moving to the
Also Read: 14 Buzziest Sundance Movies for Sale in 2021, From Questlove's 'Summer of Soul' to Rebecca Hall's 'Passing' (Photos)“Prisoners of the Ghostland” is presented by Patriot Pictures and was fully financed by Michael Mendelsohn’s Union Patriot Capital Management.