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EXCLUSIVE: Cannes Directors’ Fortnight documentary De Humani Corporis Fabrica has sold to U.S. (Grasshopper Film and Gratitude), Australia & New Zealand (Madman) and Spain (Vitrine Filmes) for Paris-based sales firm Les Films Du Losange.

Over the past decade, Verena Paravel & Lucien Castaing-Taylor have made some of the most mesmerizing documentary films through Harvard University‘s Sensory Ethnography Lab. Count 2012’s “Leviathan” and 2017’s “Caniba” among the duo’s best works–two films that explore the viscerality of human life in distinctly different ways.

Observed in isolation, detached from the body or in extreme close-ups, organs and other vital viscera resemble moist masses of soft tissue plucked from alien landscapes in the unflinchingly immersive medical documentary “De Humani Corporis Fabrica.” Alternating between footage from cameras inserted into patients for the purpose of treating ailments and grisly shots from the operating room, directors Verena Paravel and Lucien Castaing-Taylor, the team behind the striking non-fiction film on fishing “Leviathan,” apply their fascination for uncanny imagery with relativist intent to the inner workings of French hospitals and, in turn, the human body.

“1976,” Manuela Martelli“El Agua” (“The Water”), Elena Lopez Riera“The Dam,” Ali Cherri“The Super 8 Years,” Annie Ernaux and David Ernaux-Briot“Ashkal,” Youssef Chebbi“The Five Devils,” Lea Mysius“De Humani Corporis Fabrica,” Verena Paravel & Lucien Castaing-Taylor“Continental Drift,” Lionel Baier“Enys Men,” Mark Jenkin“Falcon Lake,” Charlotte Le Bon“Will-o’-the-Wisp,” Joao Pedro Rodrigues“Funny Pages,” Owen Kline“God’s Creatures,” Anna Rose Holmer & Saela Davis“Harkis,” Philippe Faucon“Men,” Alex Garland (special screening)“The Mountain,” Thomas Salvador“Pamfir,” Dmytro Sukholytkyy-Sobchuk“The Green Perfume,” Nicholas Pariser (closing film)“Paris Memories,” Alice Winocour“Under the Fig Trees,” Erige Sehiri“One Fine Morning,” Mia-Hansen Love“A Male,” Fabian Hernandez