, is not exactly revolutionary in its representation of queer people — it centers on well-to-do, white lesbians — nor does it set out to reinvent the holiday-centric romantic comedy. (There are hiccups and hijinks, but the couple is kissing again come Christmas.) It is radical, however, in centering those queer people in a still overwhelmingly -laced genre.Which is exactly what director and writer Clea DuVall (who penned the script with actress Mary Holland) set out to do.
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