Ana de Armas bares it all in the upcoming movie Blonde and she expects the clips to go viral online, which she says is “upsetting just to think about.”
Ana de Armas bares it all in the upcoming movie Blonde and she expects the clips to go viral online, which she says is “upsetting just to think about.”
Anna Marie de la Fuente Italy’s Roberto Stabile, head of special projects, Directorate General for Cinema and Audiovisual-Ministry of Culture at Cinecittà, breezed through the San Sebastian Film Festival on Tuesday to tout Italy’s drive to amp up the distribution of Italian movies around the world. In a brief presentation at the city’s Museo de San Telmo, he held forth about the plan to increase the presence of Italian audiovisual content not only in cinemas, but also on streaming platforms, online distribution and television, among others.
Isabel Coixet recounts that she vowed to never to do another literary adaptation after her 2017 English-language feature The Bookshop based on Penelope Fitzgerald’s critically acclaimed 1978 novel of the same name.
Amblin Partners Production of President Jeb Brody welcomed the tentative writers’ strike deal during an industry panel at the San Sebastian Film Festival on Tuesday but warned that some of the issues that sparked the industrial action in the first place were still swashing around.
The European Commission and European Investment Fund (EIF) have announced the first investments of its fledgeling MediaInvest equity investment instrument aimed at the audiovisual sector.
Noah Pritzker’s bittersweet father and sons tale Ex-Husbands (aka Men Of Divorce) world premieres in Competition at the San Sebastian Film Festival on Sunday as one of the few U.S. productions to be accompanied by its cast this year thanks to its SAG-AFTRA interim agreement.
Liza Foreman Liam Neeson and Diane Kruger turned out at the San Sebastian Film Festival on Saturday to support the world premiere of Neil Jordan’s “Marlowe,” which closes the festival tonight. Jordan and William Monahan’s adaptation of John Banville’s novel “The Black-Eyed Blonde” centers Raymond Chandler’s famous detective Philip Marlowe, and – like Chandler’s books – is set in 1930s Los Angeles. Jordan said it was confusing to call it a film noir. “First of all, it’s shot in color,” he said. Even though it is set in the past, it’s a futuristic film that provided his reference point for the look of this one.
Olivia Wilde is continuing to promote her movie Don’t Worry Darling ahead of its release next weekend.
Jessica Chastain is putting a lot of skin on display in this new look!
Johnny Depp declared that "no one is safe" from cancel culture during a press conference at the San Sebastian Film Festival on Wednesday. The 58-year-old, who has fallen from grace in recent years, spoke to reporters at the Spanish film festival ahead of him controversially receiving their highest accolade, the Donostia Award.
Johnny Depp railed against cancel culture while appearing at the San Sebastian Film Festival on Wednesday.
Jamie Lang Ahead of the streamer’s Oct.
The 2021 San Sebastian Film Festival (September 17-25) has revealed the 13 features that will compete in its New Directors showcase.
Joe Alwyn gets caught in the middle of a wind and rain storm while walking the red carpet at the closing ceremony of the 2020 San Sebastian Film Festival on Saturday (September 26) in San Sebastian, Spain.
Andreas Wiseman International EditorThe San Sebastian Film Festival has withdrawn the accreditation of U.S.-born French filmmaker Eugène Green for refusing to wear a mask.According to the Spanish festival, Green refused five requests for him to don a mask at last night’s premiere of his film Atarrabi Et Mikelats and he was ultimately asked to leave the auditorium.
Kaleem Aftab At the San Sebastian Film Festival, American screenwriter and director Aaron Sorkin talked about the making of his upcoming Netflix original film, “The Trial of the Chicago 7,” how he always sees himself first and foremost as a playwright and why he is just like a puppy.Speaking via a video link in the Conversations section of the Basque festival’s industry program, Sorkin called himself, “A playwright faking my way through screenplays and teleplays.”He argues that his background
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